I'm sort of sad to be a part of this party, but like another reviewer said, this piece of French handiwork received a low rating. But like Meatloaf said after a night of busting helmets on the gridiron "I guess they didn't understand". Know what's funny? I rented this movie for the sex. Soft core is the wrong word to describe what I just saw, completely. I don't mean to become more caustic here, but it made me understand what people here enjoy about the glossies, you know the ones in the bags that Junior can't buy or look at. "Don't Look Down" was artistic and genuine. I was completely drawn toward Antonella Costa. She was innocent in an odd way, with the mystique of both a nymph and satyr.Actually, she was a woman with much knowledge about pleasure. The actress needed the body for the part, for all the parts. Why I was so entranced by a film about kama sutra, and a relationship between two French lovers is just beyond me. Because it all meshed, and subtitles I could have foregone and still understood most. The man had a very serious sleep disturbances. Becoming involved with this woman was his redemption. It was not just ordinary physical passion. He learned an art from her. He himself knew things, and soon the two of them were walking with their heads in the treetops. Some of the movie was pure fantasy, probably. Among American audiences that might be a turn-off. But a lot of people don't have the patience to watch films with subtitles. To see fantasy in a good movie, you pick out a fantasy, you know like Doctor Doolittle or Spacebusters. I feel like some day we are going to go to a computer and create our own movies, that have Genre No.1, PGH-135-1, use these preservatives, as it were, in a recipe. Where would the story be, the characters? I like foreign movies, but my viewing pleasure of this film goes beyond any genre assimilation. Foreign movies are very simple..I think that's how the actors find a chance to be characters in a movie. A lot happens, but there is not a lot of crypticism and the drive to embarrass. Although snubbed by any possible combination of American movie critics, Leandro Stivelman and Antonello Costa had a great story and a beautiful soundtrack. It's not what we go for over here, I'm not sure why.Maybe they should have processed the movie through Panaflex. It did not have real fruity colors.
