There is a very niche swath of Broadway lovers and lesbians who will be over the moon to see Audra McDonald and Martha Plimpton share a seductive scene in “Hello Again,” a film adaptation of Michael John Lachiusa’s 1993 musical which released its steamy new trailer today.
Read More: Why the ‘Swiss Army Man’ Directors Backed the Psychedelic Comedy-Musical ‘Snowy Bing Bongs’
“Hello Again” tells ten love affairs set in each decade of the 20th century, following the sexual escapades of characters with names like The Whore, The College Boy, and The Young Thing. Lachiusa is best known for writing “The Wild Party,” which developed a cult following in the years since its Broadway debut in 1999. “Hello Again” is based on “La Ronde,” the 1897 play by Arthur Schnitzler which caused an uproar when it first played Berlin and Vienna in 1920.
Read More: ‘Dirty Dancing’ Review: ABC Musical Event Is Decidedly Not Worth Your Time
The movie stars six-time Tony Award winner Audra McDonald, as well as similarly lauded theater actors Martha Plimpton, T.R. Knight, Cheyenne Jackson, and Rumer Willis. “Hello Again” is directed by Tom Gustafson from a screenplay by Cory Krueckeberg, the same pair behind the 2012 musical comedy “Mariachi Gringo.”
How many Broadway stars can you find?
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Related stories'Le Trou' Trailer: Jacques Becker's Nerve-Wracking Prison Break Drama Gets a Stunning Restoration -- Watch'To the Bone' Trailer: Lily Collins Stars In Marti Noxon's Deeply Personal Eating Disorder Drama -- Watch'God's Own Country' Trailer: A Taut Gay Romance With Verité Intimacy Set In The Yorkshire Countryside -- Watch...
Read More: Why the ‘Swiss Army Man’ Directors Backed the Psychedelic Comedy-Musical ‘Snowy Bing Bongs’
“Hello Again” tells ten love affairs set in each decade of the 20th century, following the sexual escapades of characters with names like The Whore, The College Boy, and The Young Thing. Lachiusa is best known for writing “The Wild Party,” which developed a cult following in the years since its Broadway debut in 1999. “Hello Again” is based on “La Ronde,” the 1897 play by Arthur Schnitzler which caused an uproar when it first played Berlin and Vienna in 1920.
Read More: ‘Dirty Dancing’ Review: ABC Musical Event Is Decidedly Not Worth Your Time
The movie stars six-time Tony Award winner Audra McDonald, as well as similarly lauded theater actors Martha Plimpton, T.R. Knight, Cheyenne Jackson, and Rumer Willis. “Hello Again” is directed by Tom Gustafson from a screenplay by Cory Krueckeberg, the same pair behind the 2012 musical comedy “Mariachi Gringo.”
How many Broadway stars can you find?
Stay on top of the latest film and TV news! Sign up for our film and TV email newsletter here.
Related stories'Le Trou' Trailer: Jacques Becker's Nerve-Wracking Prison Break Drama Gets a Stunning Restoration -- Watch'To the Bone' Trailer: Lily Collins Stars In Marti Noxon's Deeply Personal Eating Disorder Drama -- Watch'God's Own Country' Trailer: A Taut Gay Romance With Verité Intimacy Set In The Yorkshire Countryside -- Watch...
- 6/21/2017
- by Jude Dry
- Indiewire
Exclusive: Here’s a first look at Hello Again, the film adaptation by Tom Gustafson (Mariachi Gringo) of composer-lyricist Michael John Lachiusa's acclaimed 1994 musical. A new riff on La Ronde, the scandal-causing Arthur Schnitzler play from 1897 (first filmed by Max Ophüls in 1950 and subsequently by Roger Vadim with 1964’s Circle of Love and Otto Schenk with Der Reigen in 1973) about series of sexual assignations across boundaries of class and status that seem…...
- 6/21/2017
- Deadline
Though famed predominantly for playing the integral role of Iceman in the X-Men franchise – a character he briefly revisits in their latest endeavour, Days of Future Past – talented actor Shawn Ashmore now appears in something a little smaller scaled, taking on the lead role in Tom Gustafson’s musical drama, Mariachi Gringo.
Ashmore plays Edward, a stifled musician, caught up in a dead-end job and still living with his parents. However when he meets mariachi singer Alberto (Fernando Becerril), he is inspired to follow his dreams and become a musician himself, and so packs up his bags on a whim, and sets off for Mexico. Upon his arrival, he meets Lilia (Martha Higareda), and before he knows it, his aspirations of becoming a fully fledged mariachi singer may soon become a reality.
Gustafson’s sophomore feature film signals a refreshing change of pace in Hollywood – to witness an American character...
Ashmore plays Edward, a stifled musician, caught up in a dead-end job and still living with his parents. However when he meets mariachi singer Alberto (Fernando Becerril), he is inspired to follow his dreams and become a musician himself, and so packs up his bags on a whim, and sets off for Mexico. Upon his arrival, he meets Lilia (Martha Higareda), and before he knows it, his aspirations of becoming a fully fledged mariachi singer may soon become a reality.
Gustafson’s sophomore feature film signals a refreshing change of pace in Hollywood – to witness an American character...
- 5/29/2014
- by Stefan Pape
- HeyUGuys.co.uk
Ballpark Film Distributors has acquired UK rights to comedy Mariachi Gringo and is planning a theatrical launch on May 30.
The film tells the story of a lost American finding his true calling as a Mariachi player in Mexico. Shawn Ashmore (X-Men) spent six months learning to sing in the Spanish language and play guitar for the role. Martha Higardo, Lila Downs, Fernando Becerril and Kate Burton co-star.
The film is directed by Tom Gustafson from a screenplay by Cory Krueckeberg, and produced by Speak Productions and Sinsentido.
Mariachi Gringo has won awards at Mexico’s Guadalajara Film Festival, taking Best Film and Best Actress for Higardo.
Director Tom Gustafson said: “Most movies about Mexico address the issue of drugs, illegal immigrants and others. This movie is actually a celebration of music, culture and Mexican food. It is a unique perspective because it also addresses immigration, but in reverse, something we also never see.”
Ballpark’s [link...
The film tells the story of a lost American finding his true calling as a Mariachi player in Mexico. Shawn Ashmore (X-Men) spent six months learning to sing in the Spanish language and play guitar for the role. Martha Higardo, Lila Downs, Fernando Becerril and Kate Burton co-star.
The film is directed by Tom Gustafson from a screenplay by Cory Krueckeberg, and produced by Speak Productions and Sinsentido.
Mariachi Gringo has won awards at Mexico’s Guadalajara Film Festival, taking Best Film and Best Actress for Higardo.
Director Tom Gustafson said: “Most movies about Mexico address the issue of drugs, illegal immigrants and others. This movie is actually a celebration of music, culture and Mexican food. It is a unique perspective because it also addresses immigration, but in reverse, something we also never see.”
Ballpark’s [link...
- 12/16/2013
- ScreenDaily
Ballpark Film Distributors has acquired UK rights to comedy Mariachi Gringo and is planning a theatrical launch on May 30.
The film tells the story of a lost American finding his true calling as a Mariachi player in Mexico. Shawn Ashmore (X-Men) spent six months learning to sing in the Spanish language and play guitar for the role. Martha Higardo, Lila Downs, Fernando Becerril and Kate Burton co-star.
The film is directed by Tom Gustafson from a screenplay by Cory Krueckeberg, and produced by Speak Productions and Sinsentido.
Mariachi Gringo has won awards at Mexico’s Guadalajara Film Festival, taking Best Film and Best Actress for Higardo.
Director Tom Gustafson said: “Most movies about Mexico address the issue of drugs, illegal immigrants and others. This movie is actually a celebration of music, culture and Mexican food. It is a unique perspective because it also addresses immigration, but in reverse, something we also never see.”
Ballpark’s [link...
The film tells the story of a lost American finding his true calling as a Mariachi player in Mexico. Shawn Ashmore (X-Men) spent six months learning to sing in the Spanish language and play guitar for the role. Martha Higardo, Lila Downs, Fernando Becerril and Kate Burton co-star.
The film is directed by Tom Gustafson from a screenplay by Cory Krueckeberg, and produced by Speak Productions and Sinsentido.
Mariachi Gringo has won awards at Mexico’s Guadalajara Film Festival, taking Best Film and Best Actress for Higardo.
Director Tom Gustafson said: “Most movies about Mexico address the issue of drugs, illegal immigrants and others. This movie is actually a celebration of music, culture and Mexican food. It is a unique perspective because it also addresses immigration, but in reverse, something we also never see.”
Ballpark’s [link...
- 12/16/2013
- ScreenDaily
UK distributor Ballpark has acquired UK rights to comedy Mariachi Gringo and is planning a theatrical launch on May 30.
The film tells the story of a lost American finding his true calling as a Mariachi player in Mexico. Shawn Ashmore (X-Men) spent six months learning to sing in the Spanish language and play guitar for the role. Martha Higardo, Lila Downs, Fernando Becerril and Kate Burton co-star.
The film is directed by Tom Gustafson from a screenplay by Cory Krueckeberg, and produced by Speak Productions and Sinsentido.
Mariachi Gringo has won awards at Mexico’s Guadalajara Film Festival, taking Best Film and Best Actress for Higardo.
Director Tom Gustafson said: “Most movies about Mexico address the issue of drugs, illegal immigrants and others. This movie is actually a celebration of music, culture and Mexican food. It is a unique perspective because it also addresses immigration, but in reverse, something we also never see.”
Ballpark’s [link...
The film tells the story of a lost American finding his true calling as a Mariachi player in Mexico. Shawn Ashmore (X-Men) spent six months learning to sing in the Spanish language and play guitar for the role. Martha Higardo, Lila Downs, Fernando Becerril and Kate Burton co-star.
The film is directed by Tom Gustafson from a screenplay by Cory Krueckeberg, and produced by Speak Productions and Sinsentido.
Mariachi Gringo has won awards at Mexico’s Guadalajara Film Festival, taking Best Film and Best Actress for Higardo.
Director Tom Gustafson said: “Most movies about Mexico address the issue of drugs, illegal immigrants and others. This movie is actually a celebration of music, culture and Mexican food. It is a unique perspective because it also addresses immigration, but in reverse, something we also never see.”
Ballpark’s [link...
- 12/16/2013
- ScreenDaily
Singer and songwriter Ryan Amador just released his new video, "Define Me," featuring Jo Lampert.
The powerful video shows Amador and Lampert stripping down to their underwear to reveal gay slurs and negative stereotypes written across their bodies.
Directed by Tom Gustafson, the video ends with the two vocalists washing away the words and sharing a supportive smile. Gustafon is an award-winning director who helmed "Were The World Mine" and "Mariachi Gringo" and who served as location casting director for films like "Pirates of the Caribbean II and III" and "The Dark Knight."
One hundred percent of the proceeds from the track will be donated to organizations actively involved with supporting lesbian, gay, bisexual and transgender (Lgbt) equality.
Check out the video above.
The powerful video shows Amador and Lampert stripping down to their underwear to reveal gay slurs and negative stereotypes written across their bodies.
Directed by Tom Gustafson, the video ends with the two vocalists washing away the words and sharing a supportive smile. Gustafon is an award-winning director who helmed "Were The World Mine" and "Mariachi Gringo" and who served as location casting director for films like "Pirates of the Caribbean II and III" and "The Dark Knight."
One hundred percent of the proceeds from the track will be donated to organizations actively involved with supporting lesbian, gay, bisexual and transgender (Lgbt) equality.
Check out the video above.
- 4/18/2013
- by The Huffington Post
- Huffington Post
A look back at 2012 reveals an undeniable fact, it has been a great year for Latino film. Sundance started the year off strong with films like Aurora Guerrero’s sweet and tender Mosquita y Mari and Marialy Rivas’ rambunctious Joven y Alocada (Young & Wild). Gina Rodriguez broke out in Filly Brown, as a rapper who needs to make it big so she can raise money to get her mom out of jail. In the film, Jenni Rivera played the part of Filly’s mom in her first, and sadly last, movie role.
There was also a strong Latin American presence at Cannes this past summer, boasting films from Mexico, Brazil, Uruguay, and Argentina. It might as well have been called Mexi-Cannes, with Mexican films winning awards across all main sections of the festival. Carlos Reygadas was honored as the Best Director for his controversial film Post Tenebras Lux, despite having received boos at its premiere screening. The prize for the Critics’ Week section went to Aquí y Allá (Here and There) and Después de Lucía (After Lucia) won the top prize for Un Certain Regard.
It’s been an especially favorable year for Chilean cinema. The New York Film Festival, in its 50th edition this past Fall, included three highly anticipated films by Pablo Larraín, Valeria Sarmiento, and the late Raúl Ruiz. And Chile continued to outshine the rest of the region by winning two top spots at the Festival Internacional de Nuevo Cine Latino de La Habana (the Havana Film Festival) just a few days ago. Pablo Larraín’s No, starring Gael Garcia Bernal, won the First Coral Prize. It’s a brilliant take on the real life story of an advertising campaign that ousted General Pinochet from power during a shining moment in Chilean politics. Violeta se fue a los cielos (Violeta Went To Heaven), a biopic about internationally famous Violeta de la Parra, a Chilean singer, songwriter, and poet won the Second Prize.
Whether it was at Cannes, Sundance, or countless other festivals, Latino films were winning award after award this year and even getting distribution (albeit usually in limited release). With the flurry of activity surrounding the region’s filmmaking, it can be hard to keep up with it all. Thankfully, there are professionals who get paid to keep track of what movies are receiving accolades, have the most buzz, and got picked up for distribution. LatinoBuzz went straight to the experts, film programmers, to ask, “What’s your top 5 Latino films of 2012?”
Carlos Gutierrez, Co-Founder and Director of Cinema Tropical
In no particular order, a list of five Latin American films that made it to Us screens in the past year (some of them are a couple of years old), which I highly recommend.
De Jueves a Domingo (Thursday Till Sunday), Director: Dominga Sotomayor, Chile
O Som ao Redor (Neighboring Sounds), Director: Kleber Mendonça Filho, Brazil
El Estudiante, Director: Santiago Mitre, Argentina
El Velador, Director: Natalia Almada, Mexico
El Lugar Más Pequeño (The Tiniest Place), Director: Tatiana Huezo, Mexico/El Salvador
Juan Caceres, Director of Programming at the New York International Latino Film Festival
Mosquita y Mari is a gorgeous film full of heart. Marialy Rivas (Director of Joven y Alocada) is an incredibly exciting new voice in Latin American cinema. She's fearless and full of love. I'm a huge fan of Lucy Mulloy (Director of Una Noche). She draws these wonderful performances from non-professional actors. A natural at using the lens to tell a story. In Las Malas Intenciones Fatima Buntinx plays the lead perfectly. Andres Wood made a beautiful film called 'Machuca', that captured the soul of Chile in the 70's and he does the same with a bio-pic of Violeta Parra, a folk singer who was a part of 'La Nueva Canción Chilena'.
Mosquita y Mari, Director: Aurora Guerrero, USA
Joven y Alocada (Young and Wild), Director: Marialy Rivas, Chile
Una Noche, Director: Lucy Mulloy, Cuba
Violeta Se Fue A Los Cielos (Violeta Went to Heaven), Director: Andrés Wood, Chile
Las Malas Intenciones (The Bad Intentions), Director: Rosario García-Montero, Perú
Christine Davila, Programming Associate at Sundance Film Festival
There are way too many Latino films and not enough coverage on American Latino films so with that -- mine are going to be strictly American Latino films.
Los Chidos, Director: Omar Rodriguez-Lopez, USA/Mexico
Mosquita y Mari, Director: Aurora Guerrero, USA
Elliot Loves, Director: Terracino, USA
Aquí y Allá (Here and There), Director: Antonio Méndez Esparza, USA/Spain/Mexico
Love, Concord, Director: Gustavo Guardado, USA
Lisa Franek, Artistic Director at the San Diego Latino Film Festival
Just 5?? That's tough! In Filly Brown, Gina Rodriguez turns in a great performance, and I expect to see more great things from her very soon. No, I saw at Cannes, and it was fascinating, especially in contrast to Larraín's previous (amazing) films. La Hora Cero has unforgettable scenes and characters! La Mujer de Ivan has amazing acting, and I believe Maria de Los Angeles Garcia is definitely a talent to watch. Reportero is also fantastic.
La Mujer de Iván, Director: Francisca Silva, Chile
No, Director: Pablo Larraín, Chile/France/USA
La Hora Cero, Director: Diego Velasco, Venezuela
Reportero, Director: Bernardo Ruiz, USA/Mexico
Filly Brown, Directors: Youssef Delara, Michael D. Olmos, USA
Marcela Goglio, Programmer for Latinbeat at The Film Society of Lincoln Center
Las Acacias, Director: Pablo Giorgelli, Argentina
As Cançoes (Songs), Director: Eduardo Coutinho, Brazil
Unfinished Spaces, Directors: Alyssa Nahmias & Benjamin Murray, USA
O Som ao Redor (Neighboring Sounds), Director: Kleber Mendonça Filho, Brazil
Aquí y Allá (Here and There), Director: Antonio Méndez Esparza, USA/Spain/Mexico
Pepe Vargas, Executive Director of the International Latino Cultural Center and Chicago Latino Film Festival
Not an easy task to come up with 5 titles - there are so many good movies.
La Piel que Habito (The Skin I Live In)
Director: Pedro Almodóvar, Spain
Salvando al Soldado Pérez, (Saving Private Perez)
Director: Beto Gómez, Mexico
Un Cuento Chino (Chinese Take-Out)
Director: Sebastián Borensztein, Argentina/Spain
Lobos de Arga (Game of Werewolves)
Director: Juan Martínez Moreno, Spain
Mariachi Gringo
Director: Tom Gustafson, USA/Mexico
Amalia Cordova, Coordinator of the Latin American Program at the Film and Video Center of the Smithsonian National Museum of the American Indian
Granito, Director: Pamela Yates, USA/Guatemala/Spain
Desterro Guarani, Directors: Patricia Ferreira y Ariel Duarte Ortega, Brazil
Violeta Se Fue A Los Cielos (Violeta Went to Heaven), Director: Andrés Wood, Chile
5 x Favela – Agora por nós Mesmos (5 x Favela, Now by Ourselves), Directors: Manaíra Carneiro, Wagner Novais, Cacau Amaral, Rodrigo Felha, Luciano Vidigal, Cadu Barcelos, and Luciana Bezerra, Brazil
Un Cuento Chino (Chinese Take-Out), Director: Sebastián Borensztein, Argentina/Spain
Written by Juan Caceres and Vanessa Erazo, LatinoBuzz is a weekly feature on SydneysBuzz that highlights Latino indie talent and upcoming trends in Latino film with the specific objective of presenting a broad range of Latino voices. Follow @LatinoBuzz on twitter.
There was also a strong Latin American presence at Cannes this past summer, boasting films from Mexico, Brazil, Uruguay, and Argentina. It might as well have been called Mexi-Cannes, with Mexican films winning awards across all main sections of the festival. Carlos Reygadas was honored as the Best Director for his controversial film Post Tenebras Lux, despite having received boos at its premiere screening. The prize for the Critics’ Week section went to Aquí y Allá (Here and There) and Después de Lucía (After Lucia) won the top prize for Un Certain Regard.
It’s been an especially favorable year for Chilean cinema. The New York Film Festival, in its 50th edition this past Fall, included three highly anticipated films by Pablo Larraín, Valeria Sarmiento, and the late Raúl Ruiz. And Chile continued to outshine the rest of the region by winning two top spots at the Festival Internacional de Nuevo Cine Latino de La Habana (the Havana Film Festival) just a few days ago. Pablo Larraín’s No, starring Gael Garcia Bernal, won the First Coral Prize. It’s a brilliant take on the real life story of an advertising campaign that ousted General Pinochet from power during a shining moment in Chilean politics. Violeta se fue a los cielos (Violeta Went To Heaven), a biopic about internationally famous Violeta de la Parra, a Chilean singer, songwriter, and poet won the Second Prize.
Whether it was at Cannes, Sundance, or countless other festivals, Latino films were winning award after award this year and even getting distribution (albeit usually in limited release). With the flurry of activity surrounding the region’s filmmaking, it can be hard to keep up with it all. Thankfully, there are professionals who get paid to keep track of what movies are receiving accolades, have the most buzz, and got picked up for distribution. LatinoBuzz went straight to the experts, film programmers, to ask, “What’s your top 5 Latino films of 2012?”
Carlos Gutierrez, Co-Founder and Director of Cinema Tropical
In no particular order, a list of five Latin American films that made it to Us screens in the past year (some of them are a couple of years old), which I highly recommend.
De Jueves a Domingo (Thursday Till Sunday), Director: Dominga Sotomayor, Chile
O Som ao Redor (Neighboring Sounds), Director: Kleber Mendonça Filho, Brazil
El Estudiante, Director: Santiago Mitre, Argentina
El Velador, Director: Natalia Almada, Mexico
El Lugar Más Pequeño (The Tiniest Place), Director: Tatiana Huezo, Mexico/El Salvador
Juan Caceres, Director of Programming at the New York International Latino Film Festival
Mosquita y Mari is a gorgeous film full of heart. Marialy Rivas (Director of Joven y Alocada) is an incredibly exciting new voice in Latin American cinema. She's fearless and full of love. I'm a huge fan of Lucy Mulloy (Director of Una Noche). She draws these wonderful performances from non-professional actors. A natural at using the lens to tell a story. In Las Malas Intenciones Fatima Buntinx plays the lead perfectly. Andres Wood made a beautiful film called 'Machuca', that captured the soul of Chile in the 70's and he does the same with a bio-pic of Violeta Parra, a folk singer who was a part of 'La Nueva Canción Chilena'.
Mosquita y Mari, Director: Aurora Guerrero, USA
Joven y Alocada (Young and Wild), Director: Marialy Rivas, Chile
Una Noche, Director: Lucy Mulloy, Cuba
Violeta Se Fue A Los Cielos (Violeta Went to Heaven), Director: Andrés Wood, Chile
Las Malas Intenciones (The Bad Intentions), Director: Rosario García-Montero, Perú
Christine Davila, Programming Associate at Sundance Film Festival
There are way too many Latino films and not enough coverage on American Latino films so with that -- mine are going to be strictly American Latino films.
Los Chidos, Director: Omar Rodriguez-Lopez, USA/Mexico
Mosquita y Mari, Director: Aurora Guerrero, USA
Elliot Loves, Director: Terracino, USA
Aquí y Allá (Here and There), Director: Antonio Méndez Esparza, USA/Spain/Mexico
Love, Concord, Director: Gustavo Guardado, USA
Lisa Franek, Artistic Director at the San Diego Latino Film Festival
Just 5?? That's tough! In Filly Brown, Gina Rodriguez turns in a great performance, and I expect to see more great things from her very soon. No, I saw at Cannes, and it was fascinating, especially in contrast to Larraín's previous (amazing) films. La Hora Cero has unforgettable scenes and characters! La Mujer de Ivan has amazing acting, and I believe Maria de Los Angeles Garcia is definitely a talent to watch. Reportero is also fantastic.
La Mujer de Iván, Director: Francisca Silva, Chile
No, Director: Pablo Larraín, Chile/France/USA
La Hora Cero, Director: Diego Velasco, Venezuela
Reportero, Director: Bernardo Ruiz, USA/Mexico
Filly Brown, Directors: Youssef Delara, Michael D. Olmos, USA
Marcela Goglio, Programmer for Latinbeat at The Film Society of Lincoln Center
Las Acacias, Director: Pablo Giorgelli, Argentina
As Cançoes (Songs), Director: Eduardo Coutinho, Brazil
Unfinished Spaces, Directors: Alyssa Nahmias & Benjamin Murray, USA
O Som ao Redor (Neighboring Sounds), Director: Kleber Mendonça Filho, Brazil
Aquí y Allá (Here and There), Director: Antonio Méndez Esparza, USA/Spain/Mexico
Pepe Vargas, Executive Director of the International Latino Cultural Center and Chicago Latino Film Festival
Not an easy task to come up with 5 titles - there are so many good movies.
La Piel que Habito (The Skin I Live In)
Director: Pedro Almodóvar, Spain
Salvando al Soldado Pérez, (Saving Private Perez)
Director: Beto Gómez, Mexico
Un Cuento Chino (Chinese Take-Out)
Director: Sebastián Borensztein, Argentina/Spain
Lobos de Arga (Game of Werewolves)
Director: Juan Martínez Moreno, Spain
Mariachi Gringo
Director: Tom Gustafson, USA/Mexico
Amalia Cordova, Coordinator of the Latin American Program at the Film and Video Center of the Smithsonian National Museum of the American Indian
Granito, Director: Pamela Yates, USA/Guatemala/Spain
Desterro Guarani, Directors: Patricia Ferreira y Ariel Duarte Ortega, Brazil
Violeta Se Fue A Los Cielos (Violeta Went to Heaven), Director: Andrés Wood, Chile
5 x Favela – Agora por nós Mesmos (5 x Favela, Now by Ourselves), Directors: Manaíra Carneiro, Wagner Novais, Cacau Amaral, Rodrigo Felha, Luciano Vidigal, Cadu Barcelos, and Luciana Bezerra, Brazil
Un Cuento Chino (Chinese Take-Out), Director: Sebastián Borensztein, Argentina/Spain
Written by Juan Caceres and Vanessa Erazo, LatinoBuzz is a weekly feature on SydneysBuzz that highlights Latino indie talent and upcoming trends in Latino film with the specific objective of presenting a broad range of Latino voices. Follow @LatinoBuzz on twitter.
- 12/19/2012
- by Vanessa Erazo
- Sydney's Buzz
Wow, the 21st Annual Whitaker St. Louis International Film Festival already has been amazing!
Sliff’s main venues are the the Hi-Pointe Theatre, Tivoli Theatre, Plaza Frontenac Cinema, Webster University’s Winifred Moore Auditorium, Washington University’s Brown Hall Auditorium and the Wildey Theatre in Edwardsville, Il
The entire schedule for the 21st Annual Whitaker St. Louis International Film Festival be found Here.
http://cinemastlouis.org/sliff-2012
Here is what will be screening at The 21st Whitaker St. Louis International Film Festival today, Thursday, November 15th
Shorts Program 8: Quirky Relationships
Shorts Program 8: Quirky Relationships plays at 5:00pm at the Tivoli Theatre
Shorts that give romance a twist.
Boo! (Rupert Reid, Australia, 2012, 5 min.): An aging married couple keep their love alive by staying one step ahead of each other. Coffees (Alex Beh, U.S., 2012, 11 min.): As a last-ditch effort, Mikey decides to go to his ex...
Sliff’s main venues are the the Hi-Pointe Theatre, Tivoli Theatre, Plaza Frontenac Cinema, Webster University’s Winifred Moore Auditorium, Washington University’s Brown Hall Auditorium and the Wildey Theatre in Edwardsville, Il
The entire schedule for the 21st Annual Whitaker St. Louis International Film Festival be found Here.
http://cinemastlouis.org/sliff-2012
Here is what will be screening at The 21st Whitaker St. Louis International Film Festival today, Thursday, November 15th
Shorts Program 8: Quirky Relationships
Shorts Program 8: Quirky Relationships plays at 5:00pm at the Tivoli Theatre
Shorts that give romance a twist.
Boo! (Rupert Reid, Australia, 2012, 5 min.): An aging married couple keep their love alive by staying one step ahead of each other. Coffees (Alex Beh, U.S., 2012, 11 min.): As a last-ditch effort, Mikey decides to go to his ex...
- 11/15/2012
- by Tom Stockman
- WeAreMovieGeeks.com
Day seven of the 21st Annual Whitaker St. Louis International Film Festival already?!? There are still four days and hundreds of great films to go!
Sliff’s main venues are the the Hi-Pointe Theatre, Tivoli Theatre, Plaza Frontenac Cinema, Webster University’s Winifred Moore Auditorium, Washington University’s Brown Hall Auditorium and the Wildey Theatre in Edwardsville, Il
The entire schedule for the 21st Annual Whitaker St. Louis International Film Festival be found Here.
http://cinemastlouis.org/sliff-2012
Here is what will be screening at The 21st Whitaker St. Louis International Film Festival today, Wednesday, November 14th
Booker’S Place
Booker’S Place plays at 7:15pm at the Tivoli Theatre
Booker Wright was an African-American restaurant owner who also served double-duty as a waiter in a whites-only restaurant in Mississippi in the 1960s. He became an unlikely activist for the civil-rights movement when he appeared on a 1965 network TV...
Sliff’s main venues are the the Hi-Pointe Theatre, Tivoli Theatre, Plaza Frontenac Cinema, Webster University’s Winifred Moore Auditorium, Washington University’s Brown Hall Auditorium and the Wildey Theatre in Edwardsville, Il
The entire schedule for the 21st Annual Whitaker St. Louis International Film Festival be found Here.
http://cinemastlouis.org/sliff-2012
Here is what will be screening at The 21st Whitaker St. Louis International Film Festival today, Wednesday, November 14th
Booker’S Place
Booker’S Place plays at 7:15pm at the Tivoli Theatre
Booker Wright was an African-American restaurant owner who also served double-duty as a waiter in a whites-only restaurant in Mississippi in the 1960s. He became an unlikely activist for the civil-rights movement when he appeared on a 1965 network TV...
- 11/14/2012
- by Tom Stockman
- WeAreMovieGeeks.com
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Review by Dana Jung
For those (like me) who always thought of mariachi music as light party-time songs performed by fellows sometimes dressed in fun outfits, the new film Mariachi Gringo should open up a whole new world of musical education. Steeped in more than a century of Mexican cultural tradition, mariachi actually has more in common with the travelling balladeers of old Europe in the way they drew on a huge repertoire of folk songs for almost any occasion.
Shawn Ashmore (X-men, TVs Lost Girl & Warehouse 13) plays Edward, stuck in a small Kansas town living with his parents. Without any details about his history, we can immediately sympathize with the sadness bordering on despair he feels. A dead-end job and an over-protective mother are testing the limits of this young man.s psyche, but events are about to change his life forever.
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X-none
Review by Dana Jung
For those (like me) who always thought of mariachi music as light party-time songs performed by fellows sometimes dressed in fun outfits, the new film Mariachi Gringo should open up a whole new world of musical education. Steeped in more than a century of Mexican cultural tradition, mariachi actually has more in common with the travelling balladeers of old Europe in the way they drew on a huge repertoire of folk songs for almost any occasion.
Shawn Ashmore (X-men, TVs Lost Girl & Warehouse 13) plays Edward, stuck in a small Kansas town living with his parents. Without any details about his history, we can immediately sympathize with the sadness bordering on despair he feels. A dead-end job and an over-protective mother are testing the limits of this young man.s psyche, but events are about to change his life forever.
- 11/14/2012
- by Movie Geeks
- WeAreMovieGeeks.com
An angry Mexican with a thick black moustache and a Marriachi uniform of sorts strides into a bar. The camera focuses on his destabilizing eyes and zooms into his face. Down at each end-tip of the villain.s long-hanging facial hair-handles, are two teeny-tiny guns (made possible thanks to the wonders of CGI).
With a piercing, dangerous gaze over at the .Mexican cliché.s. at the bar, the walking embodiment of a .Mexican cliché. shoots down the stereotypes around him.
The villain-cum-hero blows the smoke from each gun . one hanging left and the other right of his face on his moustache. .Why am I angry?. he asks. .Because I am Meh-i-hano. And Mexico is much more than just clichés..
And so the message of the Hola Mexico Film Festival trailer is revealed: Mexico is not just sombreros, tequila and bad westerns. According to the director of the film festival, currently travelling around Australia,...
With a piercing, dangerous gaze over at the .Mexican cliché.s. at the bar, the walking embodiment of a .Mexican cliché. shoots down the stereotypes around him.
The villain-cum-hero blows the smoke from each gun . one hanging left and the other right of his face on his moustache. .Why am I angry?. he asks. .Because I am Meh-i-hano. And Mexico is much more than just clichés..
And so the message of the Hola Mexico Film Festival trailer is revealed: Mexico is not just sombreros, tequila and bad westerns. According to the director of the film festival, currently travelling around Australia,...
- 10/29/2012
- by Yasmin Noone
- IF.com.au
The Hola Mexico Film Festival returns to tour Australia throughout October and November, sponsored by beer brand Sol.The announcement:
The el Tran (train) has left Mexico and after a successful tour through Los Angeles, it is now set to head around Australia, for the 7th annual Hola Mexico Film Festival this October and November.
Tickets for the annual fiesta go on-sale from October 5 for $14.50-$17.50 and can be purchased at www.holamexicoff.com. The Festival combines the best of everything Mexican for a week of fun, film and food, as the Festival screens 11 feature films, 5 documentaries and one double header.
Jump on for the journey, as Hola Mexico travels to Melbourne (Oct 19 -28 Acmi Cinemas), then heads to Sydney (Oct 26 – Nov 4 Event Cinemas George Street) and Adelaide (Nov 9 – 14 Mercury Cinemas) before a last stop in Perth (15-21 Cinema Paradiso).
Festival Director Samuel Douek says festival goers can expect a hell of an opening party,...
The el Tran (train) has left Mexico and after a successful tour through Los Angeles, it is now set to head around Australia, for the 7th annual Hola Mexico Film Festival this October and November.
Tickets for the annual fiesta go on-sale from October 5 for $14.50-$17.50 and can be purchased at www.holamexicoff.com. The Festival combines the best of everything Mexican for a week of fun, film and food, as the Festival screens 11 feature films, 5 documentaries and one double header.
Jump on for the journey, as Hola Mexico travels to Melbourne (Oct 19 -28 Acmi Cinemas), then heads to Sydney (Oct 26 – Nov 4 Event Cinemas George Street) and Adelaide (Nov 9 – 14 Mercury Cinemas) before a last stop in Perth (15-21 Cinema Paradiso).
Festival Director Samuel Douek says festival goers can expect a hell of an opening party,...
- 10/4/2012
- by Colin Delaney
- Encore Magazine
The New York International Latino Film Festival (Nyilff),the premier Latino film festival in the country, opens its 13th edition with Filly Brown, starring breakout actress Gina Rodriguez (Go For It, Our Family Wedding), and closes with Lemon, the raw story of three-time felon and one-time Tony Award-winner, spoken word artist Lemon Andersen.
The festival kicks off on Monday, August 13 with a 15th anniversary presentation of Selena at Cinema Under The Stars, a free outdoor screening at St. Nicholas Park in uptown Manhattan.
Special Events include a World Premiere exclusive screening of The Girl Is In Trouble, attended by stars Wilmer Valderrama and Columbus Short, and will include a Q&A. The heartwarming Elliott Loves, winner of the Miami Gay & Lesbian Film Festival Audience Award for Best Picture, will headline the festival’s Dominican Night.
The New York International Latino Film Festival runs August 13 - 19, with most screenings taking place at Chelsea Clearview Cinemas. Schedule information and tickets will be available online and at the Chelsea Clearview Cinemas box office beginning July 27, 2012.
Opening Night – Co-Presented by Latina Magazine
Tuesday, August 14 – 7 pm – Chelsea Clearview Cinemas
Filly Brown (New York Premiere)
Directors: Youssef Delara, Michael D. Olmos
Writer: Youssef Delara
Cast: Gina Rodriguez, Jenni Rivera, Edward James Olmos, Chrissie Fit, Lou Diamond Phillips
Maria Jose “Majo” Tonorio is a tough La street poet who spits from the heart.
Dominican Night – Presented by Heineken.
Sponsored by HBO® and the Dominican American Professional Alliance
Thursday, August 16 – 7 pm – Columbia University Medical Center Alumni Auditorium
Elliott Loves (New York Premiere) (Isa:tla Releasing) Writer/Director: Gary Terracino
Cast: Elena Goode, Tillman Norsworthy and Robin de Jesus
Two stages of a Dominican-American’s life: first as a boy trying to bond with his young mother, and then a 21-year-old looking for love in New York City.
Closing Night – Presented by Pepsi
Saturday, August 18 – 7 pm – Chelsea Clearview Cinemas
Lemon (Isa:The Film Sales Company) Directors: Laura Brownson, Beth Levison
Written and Performed by: Lemon Andersen
A feature-length documentary film depicting Lemon Andersen’s struggle to free his family from poverty and pain as he exposes his most shocking secrets on the NY Stage.
World Premiere Exclusive Presentation
Saturday, August 18 – 8:45 pm – Chelsea Clearview Cinemas
The Girl Is In Trouble
Director: Julius Onah
Co-Written by: Julius Onah and Mayuran Tiruchelvam
Cast: Columbus Short, Wilmer Valderrama, Alicja Bachleda and Jesse Spencer
From executive producer Spike Lee comes the thriller “The Girl Is In Trouble,” a Lower East Side bartender becomes entangled in a murder mystery involving a desperate woman, a missing drug dealer and the scion of a powerful investment firm.
2012 Film Program
Nyilff will present domestic and international features, documentaries and shorts in competition, plus On The Edge, a showcase of non-traditional film genres and Nyilff Spectrum, which highlights global urban films, not limited to the Latino perspective.
Domestic Features
186 Dollars To Freedom
Delusions Of Grandeur
Love, Concord
Mariachi Gringo
Sunset Stories
Tony Tango
Under My Nails
International Features
180 Segundos (180 Seconds) (Colombia)
A Novela Das 8 (Prime Time Soap) (Brazil)
El Rumor De Las Piedras (The Rumble of the Stones) (Venezuela)
Jaque Mate (Check Mate) (Dominican Republic)
La ÚLtima Isla (The Last Island) (Spain)
La Mujer De IVÁN (Ivan’s Woman) (Chile)
La Lucha De Ana (Ana’s Struggle) (Dominican Republic)
La Brujula La Lleva El Muerto (The Compass is Carried by the Dead Man) (Mexico)
Sangre De Familia (Family Blood) (Mexico)
Una Noche (Cuba)
ZoolÓGico (Zoo) (Chile)
Documentaries
Buscando A Larisa (Looking for Larisa) (Mexico)
El MÉDico: The CubatÓN Story (Cuba/Sweden)
Esperando A Los Bitles (Waiting For The Beatles) (Mexico)
Hija (Daughter) (Chile)
Spectrum
Wolf
On The Edge
El Hoyo Del Diablo (The Devil’s Hole) (Dominican Republic)
Los Chidos (Mexico)
Shorts Program 1: Something In The Way She Moves
A Journey To Homeland
La Playa
Pescadora
Gabi
Salome
Shorts Program 2: The Catchers In The Rye
Botes Al Amanecer
Fireworks
Jesus Loves Youssef
Flutter
How Jimmy Got Leverage
La Mirada Perdida
Quinha
Leyenda
Shorts Program 3: Use Your Illusion
The Lepidoctor
The Magicians
The Shooting Star Salesman
Otto And The Electric Eel
The Life & Freaky Times Of Uncle Luke
The Trainee
Cargols
Shorts Program 4: Check Yo Self
Desert Road Kill
DetrÁS Del Espejo
Maddoggin'
Divergence
Hour Glass
October 31St
Shorts Program 5: The Anatomy of Melancholy
After Ever After Or Numbers On A Napkin
La Boda
Primavera
Fallen Comrade
Mentiroso
TrÓPico ExÓTico
Reinaldo Arenas
About Nyilff
Launched in 1999, the New York International Latino Film Festival is now the premier Urban Latino film event in the country. The Nyilff’s mission is to showcase the works of the hottest emerging Latino filmmaking talent in the U.S. and Latin America, offer expansive images of the Latino experience, and celebrate the diversity and spirit of the Latino community. Calixto Chinchilla and Elizabeth Gardner head up the festival staff, acting as Co-Executive Directors. The programming team is made up of Juan Caceres, Director of Programming, and Vanessa Erazo, Documentary Programming Manager.
FindNyilffonFacebook
FollowNyilffonTwitter
Written by Juan Caceres and Vanessa Erazo, LatinoBuzz is a weekly feature onSydneysBuzzthat highlights emerging and established Latino indie talent and upcoming trends in Latino film with the specific objective of presenting a broad range of Latino voices. Follow@LatinoBuzzon twitter.
The festival kicks off on Monday, August 13 with a 15th anniversary presentation of Selena at Cinema Under The Stars, a free outdoor screening at St. Nicholas Park in uptown Manhattan.
Special Events include a World Premiere exclusive screening of The Girl Is In Trouble, attended by stars Wilmer Valderrama and Columbus Short, and will include a Q&A. The heartwarming Elliott Loves, winner of the Miami Gay & Lesbian Film Festival Audience Award for Best Picture, will headline the festival’s Dominican Night.
The New York International Latino Film Festival runs August 13 - 19, with most screenings taking place at Chelsea Clearview Cinemas. Schedule information and tickets will be available online and at the Chelsea Clearview Cinemas box office beginning July 27, 2012.
Opening Night – Co-Presented by Latina Magazine
Tuesday, August 14 – 7 pm – Chelsea Clearview Cinemas
Filly Brown (New York Premiere)
Directors: Youssef Delara, Michael D. Olmos
Writer: Youssef Delara
Cast: Gina Rodriguez, Jenni Rivera, Edward James Olmos, Chrissie Fit, Lou Diamond Phillips
Maria Jose “Majo” Tonorio is a tough La street poet who spits from the heart.
Dominican Night – Presented by Heineken.
Sponsored by HBO® and the Dominican American Professional Alliance
Thursday, August 16 – 7 pm – Columbia University Medical Center Alumni Auditorium
Elliott Loves (New York Premiere) (Isa:tla Releasing) Writer/Director: Gary Terracino
Cast: Elena Goode, Tillman Norsworthy and Robin de Jesus
Two stages of a Dominican-American’s life: first as a boy trying to bond with his young mother, and then a 21-year-old looking for love in New York City.
Closing Night – Presented by Pepsi
Saturday, August 18 – 7 pm – Chelsea Clearview Cinemas
Lemon (Isa:The Film Sales Company) Directors: Laura Brownson, Beth Levison
Written and Performed by: Lemon Andersen
A feature-length documentary film depicting Lemon Andersen’s struggle to free his family from poverty and pain as he exposes his most shocking secrets on the NY Stage.
World Premiere Exclusive Presentation
Saturday, August 18 – 8:45 pm – Chelsea Clearview Cinemas
The Girl Is In Trouble
Director: Julius Onah
Co-Written by: Julius Onah and Mayuran Tiruchelvam
Cast: Columbus Short, Wilmer Valderrama, Alicja Bachleda and Jesse Spencer
From executive producer Spike Lee comes the thriller “The Girl Is In Trouble,” a Lower East Side bartender becomes entangled in a murder mystery involving a desperate woman, a missing drug dealer and the scion of a powerful investment firm.
2012 Film Program
Nyilff will present domestic and international features, documentaries and shorts in competition, plus On The Edge, a showcase of non-traditional film genres and Nyilff Spectrum, which highlights global urban films, not limited to the Latino perspective.
Domestic Features
186 Dollars To Freedom
Delusions Of Grandeur
Love, Concord
Mariachi Gringo
Sunset Stories
Tony Tango
Under My Nails
International Features
180 Segundos (180 Seconds) (Colombia)
A Novela Das 8 (Prime Time Soap) (Brazil)
El Rumor De Las Piedras (The Rumble of the Stones) (Venezuela)
Jaque Mate (Check Mate) (Dominican Republic)
La ÚLtima Isla (The Last Island) (Spain)
La Mujer De IVÁN (Ivan’s Woman) (Chile)
La Lucha De Ana (Ana’s Struggle) (Dominican Republic)
La Brujula La Lleva El Muerto (The Compass is Carried by the Dead Man) (Mexico)
Sangre De Familia (Family Blood) (Mexico)
Una Noche (Cuba)
ZoolÓGico (Zoo) (Chile)
Documentaries
Buscando A Larisa (Looking for Larisa) (Mexico)
El MÉDico: The CubatÓN Story (Cuba/Sweden)
Esperando A Los Bitles (Waiting For The Beatles) (Mexico)
Hija (Daughter) (Chile)
Spectrum
Wolf
On The Edge
El Hoyo Del Diablo (The Devil’s Hole) (Dominican Republic)
Los Chidos (Mexico)
Shorts Program 1: Something In The Way She Moves
A Journey To Homeland
La Playa
Pescadora
Gabi
Salome
Shorts Program 2: The Catchers In The Rye
Botes Al Amanecer
Fireworks
Jesus Loves Youssef
Flutter
How Jimmy Got Leverage
La Mirada Perdida
Quinha
Leyenda
Shorts Program 3: Use Your Illusion
The Lepidoctor
The Magicians
The Shooting Star Salesman
Otto And The Electric Eel
The Life & Freaky Times Of Uncle Luke
The Trainee
Cargols
Shorts Program 4: Check Yo Self
Desert Road Kill
DetrÁS Del Espejo
Maddoggin'
Divergence
Hour Glass
October 31St
Shorts Program 5: The Anatomy of Melancholy
After Ever After Or Numbers On A Napkin
La Boda
Primavera
Fallen Comrade
Mentiroso
TrÓPico ExÓTico
Reinaldo Arenas
About Nyilff
Launched in 1999, the New York International Latino Film Festival is now the premier Urban Latino film event in the country. The Nyilff’s mission is to showcase the works of the hottest emerging Latino filmmaking talent in the U.S. and Latin America, offer expansive images of the Latino experience, and celebrate the diversity and spirit of the Latino community. Calixto Chinchilla and Elizabeth Gardner head up the festival staff, acting as Co-Executive Directors. The programming team is made up of Juan Caceres, Director of Programming, and Vanessa Erazo, Documentary Programming Manager.
FindNyilffonFacebook
FollowNyilffonTwitter
Written by Juan Caceres and Vanessa Erazo, LatinoBuzz is a weekly feature onSydneysBuzzthat highlights emerging and established Latino indie talent and upcoming trends in Latino film with the specific objective of presenting a broad range of Latino voices. Follow@LatinoBuzzon twitter.
- 7/29/2012
- by Vanessa Erazo
- Sydney's Buzz
Guadalajara Wraps and a New Fest Begins
Ficg (pronounced FeeSeeg and standing for the Festival International de Cine in Guadalajara), displayed a new vibrancy. Besides some great films, great attendance and great organization, several Latin American countries are entering the international film business for the first time (Peru and Ecuador) with subsidies from their government pointing to an optimism for film production as an economic factor in their country's growth. I blogged about the Dominican Republic but not about the new Law 226 in Mexico which encourages businesses to invest up to 20 million pesos (U.S.$2 million) or 10% of the taxes they owed the previous year (whichever is higher) into Mexican film production, or Brazilian access to subsidies.
In addition, Guadalajara is becoming known as the Silicon Valley of Mexico as its economy is based especially on information technology with a large number of international firms having facilities there. It is also considered to be the home of Mariachi music. The city is named after the Spanish city of Guadalajara with the name originating from the Arabic word meaning "Valley of Stones". It is the highest ranking major Mexican city and has the second strongest economic potential of any major North American city. Only Chicago scores more highly for sheer economic potential (Per a 2007 report in fDi magazine, an English-language news and foreign direct investment publication owned by The Financial Times Ltd and edited in London). The same research calls Guadalajara the "city of the future" due to its youthful population, low unemployment and large number of recent foreign investment deals. It was also ranked the third most business friendly city in North America.
A new digital film studio is going up. The University is an important center of culture and learning.
And sadly, violence over drugs is not far away. This past Friday, Narco gangs appropriated 25 vehicles in 16 separate incidents – 11 of them in the Guadalajara metropolitan zone where they set fire to them in retaliation for action taken against them in a military action to capture two Mexican drug cartel members. At the Centro Magno festival venue, festival transport staff stopped filmgoers leaving a screening of Andres Wood's Violeta Went to Heaven as they sought to return to the festival's central Expo Center venue, acknowledging concerns for safety. A truck was set on fire not far (but not too close either: at Calzada Lázaro Cárdenas and Mezquite, at la Colonia de El Fresno) from the Expo where the festival was still being held, but there was no disruption of the festival.
Our friend, Hebe Tabachnik, Iberoamerican programmer for the Palm Springs Film Festival is on the jury and writes from there:
Dear friends, in spite of the disruptive and unfortunately deadly incidents in Guadalajara today, all the attendees to the Ficg Guadalajara are Ok. We are sorry this beautiful city and specially its amazing people have to experience this kind of criminal acts. The festival is going ahead with its schedule events, as it should be. Celebrating the arts and show no fear is the best way to manifest against the non sense violence. Viva Guadalajara. Viva Mexico!!!!
The activities of the industry, with meetings about Iberoamerican coproductions with its well presented professional projects, the film market itself with films available to watch up to 2 weeks after the closing, the Cannes Marche Producers Network, Works in Progress, Berlinale's Talent Campus and Doculab, and of course, the festival itself with galas every night, a Focus on U.K. and Mike Leigh, Homages, Mexican and Iberoamerican Competition, Sounds of Cinema, Children's Cinema, Lgbt prizes, Open Air Screenings - all defy easy decision making on how best to spend one's time there.
The prize winners:
PalmarÉS FICG27
Premio Maguey
Mención Especial
“Todo el mundo tiene alguien menos yo” (México) Dir. Raúl Fuentes
Premio Maguey
“Mía“ (Argentina) Dir. Javier van de Couter
Premio del Público Milenio
“Espacio Interior“ (México) Dir. Kai Parlange
Premio Mezcal
“Un mundo secreto“ (México) Dir. Gabriel Mariño
Premio Cinecolor
“Un mundo secreto“ (México) Dir. Gabriel Mariño
Mejor Cortometraje de Animación - Premio Rigo Mora
“Un ojo” (México) Dir. Lorenza Manrique
Mejor Cortometraje Iberoamericano
“Minuto 200” (Colombia) Dir. Frank Benítez
Mejor Cortometraje Mexicano
“Lucy vs. los límites de la voz” (México) Dir. Mónica Herrera
Largometraje Iberoamericano Documental
Mención Especial
“El salvavidas“ (Chile) Dir. Maite Alberdi
Mejor Documental Iberoamericano
“ ¡Vivan las antípodas! “(Argentina - Chile - Alemania - Holanda) Dir. Víctor Kossakovsky
Largometraje Mexicano Documental
Mención Especial
“Carrière, 250 metros” Dir. Juan Carlos Rulfo y Natalia Gil
Mención Especial
“El paciente interno” Dir. Alejandro Solar
Mejor Documental Mexicano
“Cuates de Australia” Everardo González
Largometraje de Ficción Iberoamericana
Mejor Guion
Jaime Osorio por “El páramo” (Colombia)
Mejor Fotografía
Mauro Pinheiro Jr. por “Sudoeste” (Brasil)
Mejor Actriz
Francisca Gavilán por “Violeta se fue a los cielos” (Chile)
Mejor Actor
Andrés Crespo por “Pescador” (Ecuador)
Premio Especial del Jurado
“Los pasos dobles” (España - Suiza) Dir. Isaki Lacuesta
Mejor Opera Prima
“Transeunte” (Brasil) Dir. Eryk Rocha
Mejor Director
Sebastián Cordero por “Pescador” (Ecuador)
Mejor Película Iberoamericana
"Abrir puertas y ventanas" (Argentina) "Dir. Milagros Mumenthaler
Largometraje de Ficción Mexicana
Mención Especial
Música Original de "Días de gracia"
Mejor Guion
Miguel Bonilla por “Diente por diente”
Mejor Fotografía
Jerónimo Rodríguez por “Todo el mundo tiene a alguien menos yo”
Mejor Actriz
Martha Higareda por “Mariachi Gringo”
Mejor Actor
Kuno Becker por “Espacio Interior”
Mejor Opera Prima
"El fantástico mundo de Juan Orol" Dir. Sebastián del Amo
Mejor Director
Everardo Gout por “Días de gracia”.
Mejor Película
“Mariachi Gringo” Dir. Tom Gustafson
alt=premios-paralelos>
Premio de los Niños
“El secreto del medallón de jade” (México) Dir. Rodolfo Guzmán y Leopoldo Aguilar
Premio Feisal
Mención Especial
“No hay lugar lejano” (México) Dir. Michelle Ibaven
Mención Especial
“Oro Colombiano: 400 años de música del alma” (Colombia) Dir. Sanjay Agarwal e Iván Higa
Premio Feisal
“75 habitantes, 20 casas, 300 vacas” (Argentina) Dir. Fernando Domínguez
Premio Fipresci
“Violeta se fue a los cielos” (Chile) Dir. Andrés Wood
Guerrero de la Prensa
Mejor largometraje de ficción “Días de gracia” (México) Dir. Everardo Gout Mejor largometraje documental “El paciente interno” (México) Dir. Alejandro Solar
Academia Jalisciense de Cinematografía
Mejor cortometraje jalisciense “La noria” Dir. Karla Castañeda Mejor largometraje jalisciense “Fecha de caducidad” Dir. Kenya Márquez
No sooner does this festival and market wrap when a new Mexican festival, the Riviera Maya Film Festival, begins March 20 - 25 which will play in Cancun, Playa del Carmen, Tulum, Cozumel and Holbox. The industry component Rivieralab, a coproduction event will take place in Quintana Roo March 22-25 and will host 158 projects from Latin America and Europe. 10 projects will be showcased to financiers, fund representatives, producers and sales agents, 3 will receive 200,000 pesos or approximately Us$15,500. 8 international works in progress at post-production stage from a pool of 40 will be selected to receive support.
Ficg (pronounced FeeSeeg and standing for the Festival International de Cine in Guadalajara), displayed a new vibrancy. Besides some great films, great attendance and great organization, several Latin American countries are entering the international film business for the first time (Peru and Ecuador) with subsidies from their government pointing to an optimism for film production as an economic factor in their country's growth. I blogged about the Dominican Republic but not about the new Law 226 in Mexico which encourages businesses to invest up to 20 million pesos (U.S.$2 million) or 10% of the taxes they owed the previous year (whichever is higher) into Mexican film production, or Brazilian access to subsidies.
In addition, Guadalajara is becoming known as the Silicon Valley of Mexico as its economy is based especially on information technology with a large number of international firms having facilities there. It is also considered to be the home of Mariachi music. The city is named after the Spanish city of Guadalajara with the name originating from the Arabic word meaning "Valley of Stones". It is the highest ranking major Mexican city and has the second strongest economic potential of any major North American city. Only Chicago scores more highly for sheer economic potential (Per a 2007 report in fDi magazine, an English-language news and foreign direct investment publication owned by The Financial Times Ltd and edited in London). The same research calls Guadalajara the "city of the future" due to its youthful population, low unemployment and large number of recent foreign investment deals. It was also ranked the third most business friendly city in North America.
A new digital film studio is going up. The University is an important center of culture and learning.
And sadly, violence over drugs is not far away. This past Friday, Narco gangs appropriated 25 vehicles in 16 separate incidents – 11 of them in the Guadalajara metropolitan zone where they set fire to them in retaliation for action taken against them in a military action to capture two Mexican drug cartel members. At the Centro Magno festival venue, festival transport staff stopped filmgoers leaving a screening of Andres Wood's Violeta Went to Heaven as they sought to return to the festival's central Expo Center venue, acknowledging concerns for safety. A truck was set on fire not far (but not too close either: at Calzada Lázaro Cárdenas and Mezquite, at la Colonia de El Fresno) from the Expo where the festival was still being held, but there was no disruption of the festival.
Our friend, Hebe Tabachnik, Iberoamerican programmer for the Palm Springs Film Festival is on the jury and writes from there:
Dear friends, in spite of the disruptive and unfortunately deadly incidents in Guadalajara today, all the attendees to the Ficg Guadalajara are Ok. We are sorry this beautiful city and specially its amazing people have to experience this kind of criminal acts. The festival is going ahead with its schedule events, as it should be. Celebrating the arts and show no fear is the best way to manifest against the non sense violence. Viva Guadalajara. Viva Mexico!!!!
The activities of the industry, with meetings about Iberoamerican coproductions with its well presented professional projects, the film market itself with films available to watch up to 2 weeks after the closing, the Cannes Marche Producers Network, Works in Progress, Berlinale's Talent Campus and Doculab, and of course, the festival itself with galas every night, a Focus on U.K. and Mike Leigh, Homages, Mexican and Iberoamerican Competition, Sounds of Cinema, Children's Cinema, Lgbt prizes, Open Air Screenings - all defy easy decision making on how best to spend one's time there.
The prize winners:
PalmarÉS FICG27
Premio Maguey
Mención Especial
“Todo el mundo tiene alguien menos yo” (México) Dir. Raúl Fuentes
Premio Maguey
“Mía“ (Argentina) Dir. Javier van de Couter
Premio del Público Milenio
“Espacio Interior“ (México) Dir. Kai Parlange
Premio Mezcal
“Un mundo secreto“ (México) Dir. Gabriel Mariño
Premio Cinecolor
“Un mundo secreto“ (México) Dir. Gabriel Mariño
Mejor Cortometraje de Animación - Premio Rigo Mora
“Un ojo” (México) Dir. Lorenza Manrique
Mejor Cortometraje Iberoamericano
“Minuto 200” (Colombia) Dir. Frank Benítez
Mejor Cortometraje Mexicano
“Lucy vs. los límites de la voz” (México) Dir. Mónica Herrera
Largometraje Iberoamericano Documental
Mención Especial
“El salvavidas“ (Chile) Dir. Maite Alberdi
Mejor Documental Iberoamericano
“ ¡Vivan las antípodas! “(Argentina - Chile - Alemania - Holanda) Dir. Víctor Kossakovsky
Largometraje Mexicano Documental
Mención Especial
“Carrière, 250 metros” Dir. Juan Carlos Rulfo y Natalia Gil
Mención Especial
“El paciente interno” Dir. Alejandro Solar
Mejor Documental Mexicano
“Cuates de Australia” Everardo González
Largometraje de Ficción Iberoamericana
Mejor Guion
Jaime Osorio por “El páramo” (Colombia)
Mejor Fotografía
Mauro Pinheiro Jr. por “Sudoeste” (Brasil)
Mejor Actriz
Francisca Gavilán por “Violeta se fue a los cielos” (Chile)
Mejor Actor
Andrés Crespo por “Pescador” (Ecuador)
Premio Especial del Jurado
“Los pasos dobles” (España - Suiza) Dir. Isaki Lacuesta
Mejor Opera Prima
“Transeunte” (Brasil) Dir. Eryk Rocha
Mejor Director
Sebastián Cordero por “Pescador” (Ecuador)
Mejor Película Iberoamericana
"Abrir puertas y ventanas" (Argentina) "Dir. Milagros Mumenthaler
Largometraje de Ficción Mexicana
Mención Especial
Música Original de "Días de gracia"
Mejor Guion
Miguel Bonilla por “Diente por diente”
Mejor Fotografía
Jerónimo Rodríguez por “Todo el mundo tiene a alguien menos yo”
Mejor Actriz
Martha Higareda por “Mariachi Gringo”
Mejor Actor
Kuno Becker por “Espacio Interior”
Mejor Opera Prima
"El fantástico mundo de Juan Orol" Dir. Sebastián del Amo
Mejor Director
Everardo Gout por “Días de gracia”.
Mejor Película
“Mariachi Gringo” Dir. Tom Gustafson
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Premio de los Niños
“El secreto del medallón de jade” (México) Dir. Rodolfo Guzmán y Leopoldo Aguilar
Premio Feisal
Mención Especial
“No hay lugar lejano” (México) Dir. Michelle Ibaven
Mención Especial
“Oro Colombiano: 400 años de música del alma” (Colombia) Dir. Sanjay Agarwal e Iván Higa
Premio Feisal
“75 habitantes, 20 casas, 300 vacas” (Argentina) Dir. Fernando Domínguez
Premio Fipresci
“Violeta se fue a los cielos” (Chile) Dir. Andrés Wood
Guerrero de la Prensa
Mejor largometraje de ficción “Días de gracia” (México) Dir. Everardo Gout Mejor largometraje documental “El paciente interno” (México) Dir. Alejandro Solar
Academia Jalisciense de Cinematografía
Mejor cortometraje jalisciense “La noria” Dir. Karla Castañeda Mejor largometraje jalisciense “Fecha de caducidad” Dir. Kenya Márquez
No sooner does this festival and market wrap when a new Mexican festival, the Riviera Maya Film Festival, begins March 20 - 25 which will play in Cancun, Playa del Carmen, Tulum, Cozumel and Holbox. The industry component Rivieralab, a coproduction event will take place in Quintana Roo March 22-25 and will host 158 projects from Latin America and Europe. 10 projects will be showcased to financiers, fund representatives, producers and sales agents, 3 will receive 200,000 pesos or approximately Us$15,500. 8 international works in progress at post-production stage from a pool of 40 will be selected to receive support.
- 3/12/2012
- by Sydney Levine
- Sydney's Buzz
Here’s your daily dose of an indie film in progress; every Friday, we'll be spotlighting a bigger project, usually from an established filmmaker or affiliated with a bigger production company. Is this a movie you’d want to see? Tell indieWIRE in the comments below. "Mariachi Gringo" Director: Tom Gustafson Writer: Cory James Krueckeberg Executive Producers: Gill Holland, Ambrose Roche, Isabella Smejda Producers: Rafael Cuervo, Alejandra Cárdenas, Tom Gustafson, Cory James ...
- 7/1/2011
- Indiewire
In this upcoming season of Fox’s Fringe where we will be seeing more of the alternate universe side-by-side with our own, we’ll also be seeing more than just double with the casting of Shawn Ashmore (Mariachi Gringo, X-men) and Aaron Ashmore (Conception, Smallville). The twin actors will guest star on Fringe as alternate versions of the same character. I wonder what kind of shenanigans the two will pull on set!
[Above: Aaron Ashmore as Jimmy Olsen and Shawn Ashmore as Bobby Drake aka Iceman]
According to Shawn, the twins are “having fun with it”:
“We’re having fun with it, running around on set and fooling everybody. It’s been fun. It’s a huge experience and a good show.”
In keeping with this “double” theme, check out these side-by-side photos of Anna Torv as Olivia and Bolivia (the alternate Olivia), Joshua Jackson as Peter and… Peter since there is only one Peter, and John Noble as Walter and the Walternate.
[Above: Aaron Ashmore as Jimmy Olsen and Shawn Ashmore as Bobby Drake aka Iceman]
According to Shawn, the twins are “having fun with it”:
“We’re having fun with it, running around on set and fooling everybody. It’s been fun. It’s a huge experience and a good show.”
In keeping with this “double” theme, check out these side-by-side photos of Anna Torv as Olivia and Bolivia (the alternate Olivia), Joshua Jackson as Peter and… Peter since there is only one Peter, and John Noble as Walter and the Walternate.
- 9/9/2010
- by Lillian 'zenbitch' Standefer
- ScifiMafia
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