User reviews

This quasi spin-off of Forgetting Sarah Marshall is definitely not as good as that comedy classic, though it has its moments. The music is straight up great. It's impressive that the songs in this satire of music films is better than most actual music films. The cast is reliable and there are plenty of legit laughs, however some of the raunchiness can be a bit much. It lacks the heart or consistency of FSM, but it's still a pretty entertaining comedy that makes good use of its stars.

I remember when I first saw the ad for this I said "There's no way in hell I'm seeing that crap".

Low and behold, I was wrong as my girlfriend demanded we go and see Russell Brand "be his sexy self". I never saw it personally. Is it just the accent or is there something else about the greasy haired skeleton with an oversized skull that gets girls knickers soaking?

Anyway, holy crap! I learned to not judge a book by its cover. Jonah Hill as the straight man with Russell as the comic was a brilliant combination and they bounce off of one another in superb fashion.

Russell is a carefree rockstar who takes drugs like skittles, misses his ex and starts controversy like he's Kanye West mixed with the Sex Pistols whilst Jonah plays a dweeby fanboy who has to make sure that his hero makes it on time to his own concert. This proves rather difficult as Russell would rather take drugs and have copious amounts of sex to avoid thinking about his horrid relationships with friends and family.

It's shot well, the music is not only original but actually funny and every actor plays their part tremendously.

The story is okay, not brilliant and the ending is expected.

I went in expecting crap so I was pleasantly surprised.

I was lucky enough to see this movie tonight as an advanced screening at my school.

It is the funniest movie of the year so far and I think it will be a sleeper hit like The Hangover was last year. I loved Russel Brand's character in Forgetting Sarah Marshall, but I was bit hesitant to see an entire movie based around the character. If you feel the same way as I did, stop! This was an excellent spin off with a great cast. If you love movies like Superbad and The Hangover, you will not be disappointed with this. Although, don't go in expecting another Forgetting Sarah Marshall, which is more of a romantic comedy. This is just 108 minutes (approx) of pure fun and a lot of crude humor.

Russel Brand, Jonah Hill, and Diddy are flat out hilarious. I'll go far as to say that Diddy's character Sergio is to this movie as Russell Brand's Aldous Snow was to Forgetting Sarah Marshall. There are a lot of hilarious lines throughout the movie and a couple of awesome cameos.

I haven't laughed as much as I did tonight since I first saw The Hangover last year. If you love comedies, then don't miss this! I highly recommend it.

9/10

This is Nicholas Stoller's first mainstream film in which he both wrote and directed, exploring the high's and lows of Jason Segal's Forgetting Sarah Marshall's character "Aldous Snow".

Aldous Snow is the controversial, alcoholic, drug addict rock star stereotype played by Russell Brand. He does it well and leaves us with a strong and convincing performance, but then It's hard to criticise his acting when he for the most part just plays himself, and to that point he does it well as always.

The story-line is basic but strong, and doesn't skimp on the laughs... or the nauseating, leaving the theater in stitches and disgust several times throughout. It takes you on a journey of the highs and lows of life as a rock star, the publicly glorified side and the more somber, touching on the loneliness and struggles with relapse.

It flew by fast and felt squashed at the end, the resolution was a tad jammed and left me slightly disappointed, but i'll be watching it again.

If you liked the hangover, you'll defiantly like this.

Although the lead role was ostensibly played by Jason Segel, many reckon (and justifiably so) that Forgetting Sarah Marshall really belonged to Russell Brand, whose deranged - and, to some degree, autobiographical - performance as a womanizing, junkie pop star was a consistent laugh magnet. Not a big surprise, then, to find out that the character received his own movie, albeit described in official circles as a "semi-sequel" instead of a "spin-off" to avoid comparisons with previous, failed attempts to flesh out minor characters from popular films. Well, one thing is certain: for all its flaws (and there are a few), Get Him to the Greek is no Evan Almighty.

Aside from Brand reprising his role as Aldous Snow, the only other on-screen link with Sarah Marshall, not counting a brief but fun cameo by Kristen Bell, is Jonah Hill, playing a different character this time. Gone is Matthew, the hotel employee with a weird fixation for Aldous; welcome Aaron, a California record company employee with a weird fixation for Aldous. In fact, he suggests that, in order to boost the company's success, they bring the British singer from London to L.A. for a big comeback concert. His boss Sergio (P. Diddy) agrees, on one condition: Aaron himself has less than three days to get Snow across the Atlantic. This proves to be more difficult than anticipated, as Aldous is off the wagon, pining over former flame Jackie Q (Rose Byrne) and generally prone to behavior that could wreck the whole operation. To quote Bette Davis, "It's gonna be a bumpy ride".

With no aid from Segel (who participated merely as a songwriter), returning director Nicholas Stoller is on scripting duty as well, and retains the first film's showbiz satire angle. While that got a bit out of hand last time, a tighter focus (solely the music industry) allows for greater, more genuine laughs: as in Forgetting Sarah Marshall, Aldous' outrageous lyrics are a hoot, and the presence of all the genre clichés - sex, drugs, booze, family issues, slutty girlfriends, et al - feels less trite and predictable than usual. Then again, not many movies begin with the "hero" proudly proclaiming himself "the African Jesus".

On the flip-side, the rom-com material isn't equally strong, the main "arc" - Aaron's strained relationship with his girlfriend (Elizabeth Moss) - being a rather conventional and tired plot device that fails to convince throughout, climaxing in a cringe-worthy Chasing Amy spoof that wouldn't be bad if the storyline had been developed more carefully. A shame, because Moss, who proved to be the best thing in the dull Did You Hear about the Morgans?, shows once again that she has comedic skills to be reckoned with. The rest of the cast is just as reliable: the spotlight is inevitably on Brand, but the real standouts are P. Diddy's hilariously foulmouthed manager and Rose Byrne's spot-on "troubled" British singer, showing off a knack for comedy never even hinted at in her previous roles (well, 28 Weeks Later... is hardly laughing matter).

All in all, perfectly acceptable Apatow stuff: inconsistent but solid laughs, a game cast, terrific soundtrack and some neat movie references. Hardly a genre classic, but the Kubrick joke alone makes it worthwhile.

This is one of my favorite comedies ever. I can not give it higher than an 8 because it has some weak spots, but overall I though Russell Brand and Rose Byrne give two of the great comedic performances of the 2000s. I enjoy a lot of the music, and there are some other standout moments, such as P. Diddy's "Gamechanger" scene. It's a very simple story, and it does try to hit some dramatic beats as well, but it's at its best when things get ridiculous.

I saw the premiere of this movie in Las Vegas at the Planet Hollywood hotel and casino. I loved Forgetting Sarah Marshall and I was really excited to finally see this movie, especially since it was with the cast. Sadly, I was disappointed.

If you are looking for the Aldous Snow from Forgetting Sarah then forget it. No more "Excuse me, missus, I've lost a shoe... like this one. It's like this one's fellow... it's sort of the exact opposite in fact of that - not an evil version but just, you know, a shoe like this" or "*after spilling cranberry juice on his shirt* Oh God, please take my eyes, but not the shirt! ". While Brand is funny as Aldous Snow at times, the character just isn't the same. Stoller expanded greatly on him in order for this character to be able to support a full movie, but I think he fell short of accomplishing this successfully and ended up robbing Aldous Snow of what made him so funny in the first place.

Jason Segel wrote Forgetting Sarah Marshall and came up with this character in the first film. Nicholas Stoller, the director of Forgetting, directed and wrote this film without input from Segel and you can tell the difference. Aldous no longer has the funny and stupid lines that made him so memorable. Instead his character entertains by gross out humor and ridiculous actions. Some have warned that this movie is not like Forgetting and I completely agree; but what they haven't said is that Aldous Snow isn't the same character either. Sure, some elements have returned but, as stated above, what made this character great has not.

You'd expect Russel Brand to carry this movie but he actually seems to make the movie drag on. Luckily, Jonah Hill manages to pick up some of the slack and Hill provides almost all of the funniest parts. It's sad that Russel doesn't deliver but I don't blame him for not living up to par, I blame Stoller for taking away what made Aldous Snow so funny in the first place.

This is a good movie, but they shouldn't have marketed it as Russell Brand returning as Aldous Snow. I think this is giving people a false idea of what this movie actually is. If you go in expecting Brand to do nothing but flawlessly execute hilarious lines, like from the first movie, then be prepared to be disappointed. If you go in with an open mind and try to forget the Aldous Snow from the first movie then you might actually like it. Sadly, for me I went it wanting to see the Aldous Snow from Forgetting Sarah Marshall and left wishing this film was better.

Anyone who thinks this is good must be taking the same drugs that Russell Brand's character is in the movie. First off, you know going in with Apatow that it's probably not going to be a thought provoking, compelling storyline, so the comedy HAS to carry the film. Sadly (and honestly painfully) it doesn't, not even close. This is one of Apatow's worst films, if not THE worst. Jonah is funny to a point, but what was fresh with him (Superbad)in the past, to me has gotten old very quickly. There are a few instances that are funny, but nowhere near enough (tired, old, unoriginal bits we've seen before) and nowhere close to as funny as "The Hangover" (it was advertised to be), "Superbad," or "Forgetting Sarah Marshall." The whole bit with Snow and his father is pointless (it's neither funny nor do they re-examine that relationship). The movie just drags on and on, not being funny, and they should have cut it by at least 30 minutes. After a short amount of time you just say "Uncle," and hope that it ends.

Opening up with the shooting of Aldos Snow's latest music video and then showing his downward spiral that leads to present day was the hilarious, perfect beginning for this innovative comedic spin-off. If you saw 'Forgetting Sarah Marshall' then this is exactly what you would expect a movie about Aldos Snow to be like. This movie has a heart that I did not expect to see, it's buried under lewd, vulgar and brilliant wit, but it's in there.

Russell Brand just opens his mouth and his words are comedic gold. Jonah Hill takes a step out of his comfort zone, a bit, and plays a "no confidence good guy". (Usually he's the overconfident prick, for all you naysayers). Diddy delivers a surprisingly strong performance that I'm sure shocked anyone who sees him. He's actually hilarious! His repartee with everyone he comes into contact with is spot-on. The entire cast has hilarious one-liners and the two main characters really make this movie a joy to watch.

The plot is actually a creative one, something we don't see a lot of nowadays. Albeit the humor treads into "familiar gross-out" jokes, there are clever jokes too. But it's all you have to expect when following "Rock and Roll personified". Another point I was surprised by was that a lot... a lot of the scenes from the trailers were not in the movie. I thought that was a good and bad thing. Good because it didn't show us stuff we've already seen and gave us the chance to see new stuff. But bad because a few of the scenes were real funny.

For the critics who are hating this movie: Do you like comedy? Do you like Apatow's stuff? Do you like Russell Brand or Jonah Hill? If the answer is no to any 2 of these... why are you reviewing this movie? Your opinion is pointless for the people that actually DO like these movies.

Man, you gotta love Aldous... but love him to a point of giving him a full movie about the character? Come on guys seriously. There are times that I replay Forgetting Sarah Marshall. But after watching this I feel I'm too Aldous-overdosed to watch it again.

PRO(s)

>> Jonah Hill's occasional funny lines (because his character doesn't require to, we wouldn't have the usual foul-mouthed characters he'd previously done).

>> Sean Combs. His acting is average, but you gotta give the guy credit for being insanely-stupid funny as hell.

>> Aldous Snow's songs. Seriously, in this movie the songs are the only reasons to love Brand's character

>> The furry wall. I gotta buy me one of those. Watch this, you'll get what I'm sayin'.

CON(s)

>> Uninteresting storyline.

>> The constant party/drugs scenes that were made to cover up for the uninteresting storyline. I gotta admit without these scenes, the film will likely to take up 30 mins screen time. The story is just that simple. I don't know, the crazy-stuffs works for me most of the time, but in this movie I felt like it was a bit overused, an excuse to patch it up to 2 hrs running time. I guess I got a bit tired of the Aldous thing going on. Not like other comedies I've watched when there's a hilly-billy threesome (Harold and Kumar), stupid-crazy Cops (Superbad), or a Vegas-fuckup scene (Knocked Up). Then only crazy scene that made me laugh was the one regarding the furry wall. That aside there's just Aldous on crack.

Apologies to the writers of "Animal House", but Dean Wormer's comment to Flounder is just so apropos to the character(?) played by Jonah Hill.

I tried to convince our friends to choose something else besides this, given all of the reviews I'd read and the trailers that I'd seen. But, someone else was paying, so I went along, figuring it couldn't be THAT bad. Well, a couple of our friends walked out within 10 minutes and saw a different movie. Wish I'd followed their lead.

This movie was vulgar for the sake of being vulgar and gross for the sake of being gross. If there was supposed to be a message, it was lost in the tsunami of bodily functions, profanity, drugs and alcohol that never stopped.

All in all, a waste of time and money to anyone outside the 13-25 demographic. Then again, that's where the cash must be nowadays, Hollywood keeps targeting them almost to the exclusion of the rest of us.

This was surprisingly funny for quite a few parts. I don't care much for Russell Brand but the funny Jonah Hill carries it home. He is truly funny and has proven this in many films. While Russell Brand is the Kardashian of film (exists with no good purpose) Jonah enhances its comedic value. The two make a good combo in this film. Some over the top scenes are handled well and it takes some alright direction to make a doable trip full of drugs and crazy behaviour. Not too bad.

(Flash Review)

What would you do to keep a reckless rock star under control? A record company is looking for ways to increase sales. A normal music loving guy, who works for the owner (Diddy) recommends reviving the name and career of a famous rock star named Aldous Snow. Thus, he now must shepherd this the crass, substance abusive and rambunctious rock star from event to event. Not used to the rock star life, he must keep pace, keep them on schedule or lose his job. This had many wild, funny and unexpected moments that tipped into the raunchy side. The story flows right along through many twists and turns. A solid late night comedy option.

Brand at his best.

Its plenty of fun and moves at a great pace that keeps you laughing all the way through.

Never dull and never boring.

See it and laugh :)

I chose this flick because I want to get in a few laughs and I missed the show time for Toy Story 3. From the start of the movie, I was already alarmed that I had chosen the wrong movie what with the music video and the switching between the various newscast of Aldos Snow. I thought it would get better once we get into the meat of the story. I thought Jonah Hill will bust out a few good jokes, but most of the jokes just make me cringe instead of laugh. By the one hour mark, I wanted to leave, but stayed which is a mistake. In the end when he finally got to the concert, I thought it would be over, but no, they had to prolong it another little bit to extend the bore. I went in expecting something close to The Hangover and instead got 90 minutes of swearing and a few flashes of nudity. I don't know how anyone can rate this a 7 out of 10 or more.

This movie was great. I expected considering how much I enjoyed Forgetting Sarah Marshall, and how much I enjoy Jonah Hill in general. I was not disappointed. The only reason that I did not give this movie a higher rating was because it was so ridiculous and unbelievable. I could not stop laughing out loud in the theater and neither could the rest of the audience (which was decent sized for a mid week night time showing after release). If you do not like drinking, drugs, and sex than I would recommend that you do not even come close to this one. It is above the top in all three of those aspects. You may be offended by some things, but that is the whole point of the movie... enjoy it. See it soon, I foresee this one growing in popularity as word of mouth spreads. 8/10.

When I saw the trailers for Greek, they looked moderately funny. I hadn't seen Sarah Marshal, so I had no idea what that was all about. But, reviews were good and I thought, hey, what the heck. What I found was a very funny Apatow-filmish take on the rock n roll film. All the elements of a usual Apatow troop film are there: focus on unusual moments, sex drugs and gross out humor, friendship and some serious moments, and the breaking down of typical film trappings. Suffice to say, this is a great summer comedy.

The film, as many know, charges Allen Green with getting washed up rock star Aldous Snow to the Greek Theater in LA for a 10th anniversary concert. As one would guess, things don't go accordingly, and a whole lot of comedy ensues. The film, more than anything, is essentially a rock pic. It's about the life of this rock star who has burned out his bulb and is attempting to put in a new one. And as Aldous Snow, Russel Brand is fantastic. He truly embodies this rock star and you feel he really IS this character. He boozes it up, drugs it up, sexes it up, and whatever other manner of things a rock star might abuse. He's a mess of a guy, and like so many famous people who have gone south, he's a complicated person who has let fame get the best of him. This is translated extremely well. Despite all the comedy, this is an excellent rock and roll biopic type film. Jonah Hill is great as the lead character with baggage of his own and he does what he does best here, although he plays a more awkward kind of character versus his geek-in- charge style that we're so accustomed too.

Stealing the show, however, is Sean Combs, who plays Green's boss Sergio. Every scene he is in is hilarious and he is surprisingly funny. It was definitely pleasant to see him pull off such a funny role. The other supporting characters are great, doing a fine job of being very funny themselves. Most of the film falls into stages of comedy bits, and all are pretty damned hilarious. There's nothing here that's too ridiculous, which is nice. There is once scene that kind of makes you raise a brow, but it's just so damn funny, you forget how insane it is. And that's really the charm of the film. Everything about it is larger than life, yet believable. This is exactly why it perfectly molds both the rock star film and an Apatow comedy so perfectly. It's the kind of comedy you would expect it to be, while not knowing exactly what is going to happen. If you don't like these kinds of comedies, this one may not be for you. But if you've enjoyed other films like Sarah Marshal, Pineapple Express, and other Apatow troop films, you'll find Greek hilarious. I know I did.

Well, this is one profanity lace, drug fueled, alcoholic celebration movie. If you're into that sort of thing you should enjoy it.

Russell brand is a hoot as a 'party all the time' type of rock star. Jonah Hill, is also funny as the junior member of a record company sent to bring Russel to a concert in the use. Of course you know what is going to happen. The only thing not believable was Jonah Hill in a relationship with Elizabeth Moss. Just seem to be that real. On a good note, I didn't realize what a great actress Elizabeth Moss is. I've only seen her in some short TV spots. But she's a real natural. Very good performance.

If you watch this movie, and drink along with it, you could possible lose your eyesight!

While there is no doubt that the comedy in this film stretches through different layers it also captures the visual dangers of narcotics. If anyone has been in that situation before I'm sure it will seem familiar. It cannot compare to the likes of "Trainspotting" or "Hot tub Time Machine", it seems to lie between the two.

Personally I didn't think a film, of this genre, could be serious and funny at the same time, yet it captures the realism of the care free lifestyle whilst entertaining you in only a way Russell Brand could, who is a seriously under rated actor, but "PD" lends this movie most of the laughs, which I thought surprising.

Cringe moments, but definitely worth a watch.