User reviews

After stealing a getaway car with a local crime boss in the trunk, Mickey (Gregory) is thrust into a world of human trafficking and ruthless killing. When the crime boss Don Barber is let go by Mickey he suddenly realizes that Mickey is a man he wants on his payroll. Mickey is tasked with trying to find out who attacked Don and to extract revenge. Since "Snatch" came out it seems like everyone is trying to make the next one, or be the next Guy Ritchie. Since "Snatch" I think that "Layer Cake" is the only one that can be compared to it. This movie is very violent and bloody, that's where the similarities end. I just really couldn't get in to this one. Some parts were pretty good, but they were few and far between. It didn't hold my attention. I give it a C-.

Would I watch again? - Nope

STAR RATING: ***** Saturday Night **** Friday Night *** Friday Morning ** Sunday Night * Monday Morning

Small time crook Mickey (Leo Greggory) is in deep debt to ruthless drug dealer Robbo (MC Harvey) and is generally down on his luck. Then, by chance, he is found by big time gangster Barber (Vincent Regan) and given the opportunity to enter the big league, where he crosses paths with American gangster Martell (Michael Madsen) and is drawn to Barber's temptress wife Liza (Beatrice Rosen.) But the higher he climbs, the deeper he gets and when he finds himself caught up in a lucrative human trafficking ring, he finds it may all be a bit too much.

There's a whole plethora of British acting talent about at the moment, and The Big I Am showcases a lot of it, with lead star Greggory, and a supporting cast including Harvey, Paul Kaye and Terry Stone, as well as the more well known likes of Madsen, Steven Berkoff and Gerad Butler dead ringer Regan. The premise of the story is a bit implausible and the pace is a bit weary which makes it drag a bit more as it gets closer to the end. Still, director Nic Auerbach handles things with enough flare and substance to get things by, with a slick urban grime soundtrack, an appropriately dark and hard hitting tone in places and a hip and convincing cast to carry things along. ***

A truly awful film this. I was lured in by the excellent Vincent Regan (who as usual is great), and Michael Madsen, who is on autopilot and presumably was brought in to make the film more marketable to the US market.

There are some good performances from Phil Davis and Leo Gregory even if they are very typecast actors, but these are offset by dire showings by Paul Kaye and a ludicrous cameo from Stephen Berkoff at the most ridiculous auction of trafficked sex slaves ever. The assorted gangsters are stereotyped and badly acted.

It is probably worth noting that the movie is essentially a vanity project for Robert Fucilla, who is absolutely dire throughout, and probably wouldn't have got made without his personal funding.

I never normally write reviews, but was so disappointed by the film that I felt compelled to do so. It may be worth noting that the movie also has a very strange washed out look to the colours which I also felt detracted from what should be a dark gritty tale.

Badly directed and filmed throughout - do not waste your time.

It was OK. I mean, I get it, the plot, and the characters, but what I didn't understand was the chemistry that the film tried to create between Skinner and Vincent Regan's girl. Although she was apart of the human trafficking. I still didn't see the relevance in making her character fall for this guy. And what was deal with Madsen? Good actor and all, but it seems like the story was trying to take you some place, but it never quite actually got there. Skinner's character should have been more aggressive, especially when it to the got the part his sister. There could have been more to that. Over all the movie was watchable to the end.

Highly talented actors give this production their tough guy act best performances, and together make for a high energy romp. It doesn't quite have the hidden menace or black humour of Tarantino, or the surprise-in-your-face ultra violence of Guy Richie, but is certainly landing squarely within the genre. There's a good soundtrack, effectively used to back the action, of mostly rugged hip-hop or working class ballads, that also set it apart from my earlier comparisons. This is a good London criminal thriller, full of executions, intrigue and potty-mouth threats. Definitely not suitable for children.

This movie is about a low rent hustler, who while fleeing the police after a botched job hooks up with a mid-level gangster and finds out what its like to be an enforcer instead of the enforcee. The problem is with all his connections success and powers the gangsters not doing much better, than the hustler. Then you add in the moral dilemma of the gangsters specific trade and the love story, in short it plays more like "Carlitos way" than "Gangster No. #1". The opening scene the hustlers on the phone with an over the top angry gang-banger. They forecast that they're going to jump him just like they forecast when they throw him over the side of the building he'll and on a railing and not fall to his death. C'mon for god sakes the movie just started. We then see a group of suited gangsters with another over the top angry one who's pointing his gun at his fellow goons head. They raid a drug deal. So that's like 5 sets of gangsters and none of them interesting. That's the problem too many characters and not enough characters. No one a different or unique personality or stands out. They're either angry or subdued. The gang-bangers are not the interesting ones in "bullet boy", or "B.U.S.T.E.D." Same with the scenes plenty of scenes all boring and they don't push the story along. There are no scenes like in "8 dead men" where the tormentors brag to their victim about finding and torturing his hidden gay lover. And don't expect it the scenes to tie together like in "Layer Cake", the film just peters out, with a fizzle.

Vincent Reagen awesome, Leo carries it well and Phil Davis is as strong as you would expect from an actor of that caliber. Strong performances all round. The storyline requires a certain suspension of disbelief to support the idea that the keys of the empire would be handed over to an unknown but the plot allows for this in Mickey saving Barber's life. Refreshing to see none of the usual suspects were wheeled out in the casting of this film. Think the sound track carried well too. Madsen's performance was a bit disjointed but that hey that can be Mr Mad-sen for you. Don't understand the complaints about bad language considering the genre. My only comment would be that the grade on my copy was a bit over the place. Worth a a second viewing.

Review: This is another one of this British gangster movies about a guy who is down on his luck and finds himself in a impossible situation after stealing the wrong car. As usual, there's sex and violence throughout with your everyday cockney bad language. As this film came out at 2010, there was quite an audience for this type of movie in the UK, but there's just way too many of these films in this genre nowadays. Michael Madsen made the movie a slight more interesting, but the film wasn't anything out of the norm. On the plus side, the storyline isn't that bad and there is enough material to keep,you interested. Average!

Round-Up: Leo Gregory is his usual cockney self in this movie and the switch from owing people money to becoming a crime boss, was played quite well. I would like to see him play another type of role because he seems to act the same in all of his movies. The same goes for Vincent Regan who plays a crime boss, like he does in many of his movies. Basically, the film is what it says OK the tin so don't expect anything that amazing.

Budget: $5million Worldwide Gross: N/A

I recommend this movie to people who are into there British Gangster movies about a guy whose down on his luck until he helps a crime boss. 3/10

It's funny, sarcastic even, a parody of gangster movies. And as such it works for me. I loved the cast, the music, had a good laugh.

Accurate and realistic UK urban story, great camera with a mixed UK-USA cast !! Leo Gregory, an actor who has always been second lining, finally got a chance to prove him self and play important role in his acting career.

Nic Auerbach a newly arrived UK director showed us something we have forgotten after Guy Ritchie real movies "Lock, Stock.." and "Snatch", Nick Love's "The Business", De Rakoff's "The Calcium Kid" - "Dead Man Running"... and related UK criminal genre movies.

It appears that Hollywood producers spend BIG money to make films for their audience only - making sure to make a 1001 cliché !!! Give Nic Auerbach a job to make a movie - he will do it right.

And of course I almost forgot excellent Vincent Regan !!!

-review by Scooper