User reviews

I'm not sure what to make of this movie. It's not a long film, and so repeat viewings may make people appreciate its intricacies more. The film revolves around a small tight-knit group of assassins who work by killing their victims in ways that would appear to have been purely an accident, the "accident" being decidedly gruesome once executed.

Led diligently by a straight-forward highly intelligent man they call "Brains", they work to ensure no trace can lead the deaths to themselves. When the tables are turned and a member is killed, the focus closes on "Brain" who struggles to find out what has happened and gone wrong, and who is out to get them.

It's a moody film and uses the claustrophobic HK atmosphere well. One problem is that it's hard to decipher all that is happening from one viewing. It can get ponderous and confusing. The acting is generally very good and the action of the deaths very well done, but it doesn't compensate for the lack of clarity. Then again maybe it wasn't meant to be a tidy film and that is the point.

Overall, I thought it was okay and interesting enough. Maybe with some more work and time on the script then it could have become far better. Not bad, but just not great.

if you like Johnnie's movies, this should be among your list remarkably, this movie is shot with only few characters but to an excellent portrayal not much talking with most of expression & meaning conveyed just by eye or facial movement

the curiosity & intense is able to get you focus through the entire movie unexpected death scenes much alike to the final destinations fame gives it extra entertainment

it's been quite some time we have enjoyed great hong Kong films since infernal affairs & exiled go watch it (definitely better than vengeance)

A paid killer kills the target with the help of his team and make it looks like accident..at one stage he face the bad situation and tries to getrid of it.. Must watch movie..!!

Accident might just be the most refined and intelligent piece of Hong Kong cinema since 2002's Infernal Affairs. The film probably won't prove as popular with mainstream audiences due to its almost meditative, slow-burn pacing - but for anyone with an interest in inventive genre cinema, Soi Cheang's newest outing is a must-see.

Taking its cues from Jean-Pierre Melville, Accident revolves around a group of assassins who stage their murders like accidents. The group is led by Brain (Louis Koo in a career-defining performance), who grows increasingly paranoid when one of the group's accidents goes awry and kills another member.

Thankfully, while the actual "accidents" are impressive and cleverly put together, Soi Cheang doesn't make the mistake of letting gimmicky set pieces dominate his film. Instead, Accident becomes a fascinating character study of a man who gradually destroys himself through paranoia and guilt. As such, the film largely depends on Louis Koo's performance - and what a performance it is; with this film, Koo finally deserves to be elevated from the hotpot of mediocre HK-popstars-cum-actors people used to include him in.

Add to this an elegiac score by Xavier Jamaux, elegant cinematography and you end up with the most compelling film to come out of Asia in the past 2 years.

If there is any problem to be found in this, it's that Accident is purely a Milkyway Image film, not a Soi Cheang film. Anyone hoping to find the director's trademark relentlessness here will be disappointed - although it could be argued some of the nihilism found in works like Dog Bite Dog was carried over into Accident's finale.

Accident's trailer gives a promising setup of a thriller focused on a team of assassins who make their killings look like accidents, but there's no follow through. Thrilling this is not, especially when you start to get into the grind of just how many niggling details have to be accounted for to make a death believable as an accident and how many things have to come together in the right way and at the right time or the whole thing has to be called off and back to the drawing board.

The movie might at least be intellectually interesting, but nothing is particularly believable or smart (the film is only capable of telling us Louis Koo's character is a genius rather than showing us) and there's minimal plot, dialog, or character interaction. Questions that should be asked aren't. Questions that no one really cares about are lingered on too long. Louis Koo plays the main character, Brain, dominating the screen time, and the disappearance of each of the other capable actors, none of whom are around for long, is keenly felt. I've seen Koo give some fine performances, but here he must spend most of the movie alone and silent, with no one to play off of, which is a tall order for any actor, even if they have a stellar script, which Accident most certainly does not. The silence also conveniently leaves out the need for the film to flesh out Brain's theories and what he's thinking and we're just left to guess--perhaps the director thought this would be a clever style because it would put the audience in the same mindset as the main character, but it just put me in the mindset of wanting to go to sleep.

With the main character being a stony hired killer, there's no one to root for, and it doesn't take too many lingering shots of Brain furrowing his brow to convey the wheels of his genius brain are turning while conducting surveillance of mundane events until you stop caring. Slogging through to the ending adds little, so you might as well just move on when the boredom gets intense. There's really not any "twist" at the end that redeems things, as some reviewers try to make out; I don't know if the film's creators really even intended there to be. If you're "blown away" by the ending, either you haven't seen many movies of this sort, or you should probably consider yourself a pretty thick.

Accident is just another triumph of atmosphere over substance that relies on cheap tricks to bypass viewers' ability to think critically about the weaknesses of the script by implying things that never materialize and various other manipulations that leave you feeling used at the end when it becomes apparent that the things you had to forgive in the hope that this was leading somewhere have led nowhere worth going. Overheard (2009), also with Koo (and Ching Wan Lau and Daniel Wu), comes to mind as an example of a better surveillance-themed movie.

This film is underrated. Oh well, not every movie can be made by Marvel.

This film is about a professional hit-man and his team of self-styled "accident choreographers", who kill their victims by trapping them in well crafted "accidents" that look like unfortunate mishaps but are in fact perfectly staged acts of murder. He is consistently plagued by guilt, and the memories of his recently lost wife don't make things any easier. Even worse, one of his team members dies in an apparent "accident", which forces him to stay one step ahead of their competition.

One important thing that you need to understand about "Accident" is that it's a non-stop exhibition of paranoia because the scriptwriting is first-class as it straddles the line between chance and intent through a number of events that may signify an orchestrated murder by another party. The way this works is that some events are immediately shown to be acts of human intent – for example, the opening scene is clearly shown to be a murder that is made to look like an accident – but other events are left ambiguous, and you're not sure if it's an act of human intent or a moment of coincidence (or chance). So you're placed in the same situation as the protagonist because he's also not sure. And that's really the foundation of the entire movie, and it's a solid foundation to stand on.

It may be a surprise to you that the story moves slowly, but this could be considered a positive because it allows the paranoia to take center stage and it focuses a lot on developing the main character. The entire film revolves around this guy, making this just as much of a character piece as it is a series of suspense sequences. With that said, the "accidents" themselves are very cool and the direction is top notch. This was actually directed by Pou-Soi Cheang, and "Accident" was his best film in his filmography up to this point – representing an improvement over his previous titles. And I still think this is his best work, despite the fact that he has given us some very entertaining stuff between 2009 and the present day (such as "SPL 2: A Time for Consequences", "The Monkey King 2", and "Motorway").

The lead actor is Louis Koo, who earlier in his career appeared in a bunch of the "Troublesome Night" movies. Most fortunately, his roles subsequent to that franchise were far more reliable and entertaining. He's definitely an actor whose filmography is worth exploring because he's been in a lot of good movies. "Accident" is one of them, and I really liked his performance in this. It's a bit on the eccentric and gloomy side, but that's important for his character.

I definitely recommend "Accident", which is one of the better slow-burn suspense thrillers in recent memory. It is widely available on DVD, so be sure to check this one out.

With an intense score from Xavier Jamaux (who has done a few films for Milkyway Productions), and stunning cinematography from Edmond Fung - who incidentally shot the fantastic Dog Bite Dog, and Shamo, for director Cheang - you can't help but get drawn into the film, even with its slow-burning pace.

Accident is like watching a regular Johnnie To flick, but with an added darkness as director Soi Cheang harks back to his earlier films (mentioned above) to bring us an often intense, violent and dark thriller that - in my opinion - is quite underrated!

Louis Koo plays the Brain (literally) of a small but covert team of assassins who get paid to take out people, all while making it look like an accident. It may sound simple, but the team go to some lengths in their planning to pull of some convincing accidents that makes Death from Final Destination seem like a 60's Bond villain...

Of course, as a viewer, this means stretching the imagination a little as some of the plans rely on coincidences and chance to work. But not to a ridiculous degree, and of course at the end of the day - its just a film.

With some incredible, atmospheric night scenes in floods of rain, the film starts to take a turn for the worse as plans start to go wrong, and Brain's paranoia kicks in believing that he is now under threat - a victim to someone else's planning...

I don't want to give too much more away really, but Accident is most definitely worth the watch. Louis Koo gives a great performance as Brain, as does everyone else in their roles to be honest. It was great to see Stanley Fung (the Lucky Stars series) back in such a serious role. While he has been appearing in many films over the years, I definitely think this is one of his finest roles that saw him nominated for Best Supporting Actor at the 29th Hong Kong Film Awards.

While it may have its flaws and is not supposed to be the kind of film that leaves you feeling happy, Accident is well worth the watch and should definitely have gained more international attention with Hong Kong film fans!

Overall: A tense, atmospheric thriller, beautifully shot with an amazing score and performances from all involved!

I honestly wanted to like this one, it is somewhat moody and slow and ponderous, which I normally don't mind if it is done well. Take David Lynch for example, to whom this movie is likened... Now he does that kind of thing probably better than anyone else I feel because he reaches right down deep into the subconscious, and even though one might not consciously understand exactly what is going on, there IS indeed a powerful atmosphere and you do really feel a tugging at your subconscious which can affect you rather deeply.

BUT... this movie here sort of tries to do that. Technically, it is put together really well, and the acting is fine. Even the basic idea of this special group who arranges 'Accidents' is intriguing. Unfortunately though, in my lowly and wretched opinion, there just isn't enough true substance behind it. Or... if it had even half of the kind of deep atmosphere that Lynch can create, then this could have worked better as more of an 'Art' film. But, I honestly feel that it simply just doesn't have enough going on to do that.

I usually don't mind 'Slow'... But, this one is really, REALLY SLOW, but without any underlying mood or strong enough vibe to make it truly interesting. Yes, the story and plot ultimately are quite good, and the running time most thankfully isn't drawn out unnecessarily which I feel would indeed have made it quite a bit worse. BUT... when all is said and done it really just comes across as very slight and I'm sure more superficial than the filmmakers intended.

There just is not enough characterization to interest you in the people. And, there also is simply not enough going on surrounding the intriguing concept I feel ultimately to make it truly satisfying or honestly in any way really entertaining. Just not much 'there' there...

So, I can see how some might be able to 'tune in' to the VERY mild and extremely understated vibe here and possibly enjoy it more so. But, to me the bottom line is that if you are going to make a story that is this extremely slow and somewhat mysterious, you absolutely HAVE to have more going on, at least in creating a substantial, palpable mood of some kind in order to justify the rather slight things that are happening on the actual screen.

So, yeah, because of what I felt was a pretty strong deficit in the result, despite a very intriguing idea, I really could only give this a '5' It wasn't awful, but I truly think it will leave many feeling like there is nothing much really there when it is over...

This Hong Kong crime drama is centred on a group of assassins who specialise in murders that look like accidents. They are Ho Kwok-fai, aka 'The Brain'; 'Fatty'; 'The Woman' and 'Uncle'. So far these murders have never been suspected as anything other than accidents but they know that one mistake could lead to them all being investigated. Their latest job is carefully planned but something goes wrong... a bus careers out of control, just misses The Brain and kills Fatty. Was it just an accident or is somebody trying to eliminate The Brain using his own methods. He quickly become convinced that it is the latter. Is he paranoid or is somebody really out to kill him?

One might expect a Hong Kong crime drama to be full of martial arts, shooting and exciting chases; this is different though. It eschews such things, instead opting for a '70s style paranoid thriller where the protagonist isn't sure what is happening but still struggles to stop what might be happening. This approach keeps the tension high as we don't know who can be trusted. Mostly it is gripping but one does occasionally have to suspend ones disbelief... solar eclipses are not surprise events they can be predicts centuries in advance! The cast is solid; I especially liked Louis Koo's performance as The Brain. Overall I'd certainly recommend this to fans of Hong Kong films looking for something a bit different.

These comments are based on watching the film in Cantonese with English subtitles.

This is the sort of movie I love if done right. I will say right off the bat this one is not done well. The premise is good = a gang of contract killers arrange murders to look like accidents. The leader of the gang gets trapped by his own paranoia forgetting that accidents can really do happen.

The murders reminded me of those serial action contraptions we had as kids that have one thing lead to another in a complicated sequence--a marble rolls down an incline to land on a lever that activates a spring that pours some water etc etc.....What ever happened to those toys? I guess computer games perempted them.

The idea is good why couldn't they have polished it up and made the thing believable? The murders are accomplished by unbelievably complicated serial actions that are just that UNBELIEVABLE---the first target gets out of his car because a canvas sign is covering part of the windshield (this is near the end of one of these unbelievable trip wire sequences)...why doesn't he just drive on? Better yet have the sign cover the whole windshield and make it believable!!! In another murder an old man in a wheel chair rolls down a street out of control to the exact spot where a wire is dangling from a high tension overhead power line---put there by a kite in a rain storm.

The visuals kind of sum up the caliber of the film....gory cheesy Kung Fu death sequences with watery blood belching out of mouths..

Over all plot where paranoia tricks the main character is also a good idea...but come on write a more convincing story--an eclipse of the sun ruining one of these things dumb! yawn!

Art Film Quality? You have to be kidding---well maybe not considering what wins at those things.

How is wish this movie had been better!

DO NOT RECOMMEND

If every effect is the son of the cause and every cause is simply the inescapable track towards it, then what is an accident? Is there really a possibility that the events in this world can move without direction, without any puppeteer, at no charge? Brain does not believe in chance. His wife died in a car accident with no apparent responsible and to believe in coincidences would mean to give up any why. Uncle, Fatman and Woman are other accomplices (no other specific name will be given) with which the brain, for a fee, plan very complex human models that transmute a murder into what seems nothing more than an accident. When the organization clashes with the unexpected death of Fatman during the staging of a difficult job, then something clicks in Brain, who betrayed his illusion of total control of human events, begins to investigate on the event becoming suspicious of his own friends. Paranoia, revenge and mirror games become the ingredients of the investigation against those who would have sabotaged the puppet theater of which he is a betrayed deus ex machina and will accompany us to a final resolution (that is one of the best things about this movie). Soi Cheang is part of the team of Johnny To and the new Hong Kong cinema. The Chinese city is perpetually shrouded in an aura of inhuman and sometimes sterile suspension. Violence erupts as is, without too much indulgence and without any cutting. The intricate accident sequences are thrilling in their complexity and streaked here and there by a certain poetry. The rain, the neon lights and a solar eclipse dusty become the dominant hue of the photography. We can think Brain not as a criminal, but a sort of artist who paints on a canvas the instruction book of human-robot who thinks he can choose, who thinks things randomly happen to him, who thinks he's really living.

Giovanni Cassanese www.kayfa.be

This movie is so stupid, I just had to write a review. Enough has been said, so I'll just add this : One of the final scenes in the movie involves a sudden (yes, sudden) Total Solar Eclipse which everyone looks at with delightful joy with bare naked eyes... And even take pics with their smartphones and call other loved ones who are busy shopping across the street even while the Total Solar Eclipse turns day into night. The movie has so much more brilliant stupidity, it's worth me giving it more than 1*

No pun intended - watching this may make you question everyday stuff. Or things in general ... is all being manipulated and orchestrated? Will the movie give a definitive answer to that? Will you become a conspiracy follower? Well hopefully not ... but also hopefully you will enjoy this. It is a movie after all - there is a heightened feeling all around.

And with the great actors it has at hand and at disposal ... well it really does work nicely. There is one event that kicks off ... the rest of the movie. But the beginning itself is quite something ... again the idea is intriguing. Hopefully you are open to movies outside the US/Hollywood pond ... or whatever you want to call it. If you are, you probably already know that a lot of really good movies come from all around the world.

And if you don't mind the moral "issues" the movie has (do not try this at home or wherever "accidents" can happen) ... remember this is just a movie ... a very good one at that.

I hadn't heard about this 2009 Hong Kong movie named "Accident" (aka "Yi ngoi") before I stumbled upon in here in 2020. Needless to say that with my interest and fascination with the Hong Kong cinema, I needed no persuasion to sit down and watch the movie.

Turns out that "Accident" wasn't much of an outstanding movie. Why? Well, the storyline just failed to really sink its hook in me. I never really felt fully immersed in the storyline as it felt rushed and just too simplistic for me.

Little did it help that all the characters in the movie were essentially one and the same, as they had little or no distinctive personalities or traits, so they could effectively have been portrayed by one and the same actor or actress. And the fact that the movie had the likes of Louis Koo, Richie Jen and Suet Lam on the cast list and still failed to be interesting, well... I will chalk it up to some really lousy writing and character development.

For a Hong Kong movie, then "Accident" failed to leave a lasting impression and it was a less than mediocre movie experience as a whole. I just felt that the story was half-hearted and missing very crucial elements to make it a more enjoyable and enriching movie experience.

I am rating "Accident" a mere four out of ten stars. And I can in all honesty say that this is not a movie that I will be watching a second time around.

Really cool shot sequences that play with the central character's paranoia. Engaging story and character arch that explores the power of illusion and confusion in the human mind. Way better than Shawshank Redemption.