A drama about the awakening of painter Margaret Keane, her phenomenal success in the 1950s, and the subsequent legal difficulties she had with her husband, who claimed credit for her works i... Read allA drama about the awakening of painter Margaret Keane, her phenomenal success in the 1950s, and the subsequent legal difficulties she had with her husband, who claimed credit for her works in the 1960s.A drama about the awakening of painter Margaret Keane, her phenomenal success in the 1950s, and the subsequent legal difficulties she had with her husband, who claimed credit for her works in the 1960s.
- Nominated for 2 BAFTA Awards
- 3 wins & 18 nominations total
- 2nd Olivetti Girl
- (as Emily Bruhn)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaMargaret Keane: Reading a book on a park bench behind Margaret and Walter, when they paint in front of the San Francisco Palace of Fine Arts. The end-credit photo of her sitting with Amy Adams was taken when this scene was filmed.
- Goofs"Tomorrow Forever," the UNICEF painting Margaret Keane painted for the 1964 Worlds Fair, was never actually mounted in the Hall of Education. Robert Moses, who had control over everything that was included in the fair, hated it. Once New York Times critic John Canaday trashed it after seeing a photograph of it, Moses had it thrown into the garbage.
- Quotes
Ruben: What's that with the big crazy eyes?
Walter Keane: Oh. Well, I believe that you can see things in the eyes. The eyes are the window to the soul.
A premise that has lots of potential is partially wasted in aimless scenes or in repetitiveness. The film doesn't really make a point about anything and has way too much flashy stuff to feel grounded in any way. There would be nothing wrong there, but the fact that in it's uneven tone there seems to emerge a will to give an accurate and worthy recounting of these events makes so much of the drama feel out of nowhere. Storytelling isn't exactly where the movie succeeds. The courtroom scenes are definitely the weakest of all and made me mad multiple times because of their absolute preposterousness.
Anyways, the film is built around a strong enough cast, photography, premise, writing and design that it would be hard to get bored in anyway. The pace is fluent enough and the duration of the film is just about right for the content it presents. I wanted to like this more and see the story be given a better portrayal, but in no way I could say "Big Eyes" was a failure.
- Giacomo_De_Bello
- Jan 1, 2015
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Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Doi Mat To
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $10,000,000 (estimated)
- Gross US & Canada
- $14,482,031
- Opening weekend US & Canada
- $3,001,738
- Dec 28, 2014
- Gross worldwide
- $29,261,617
- Runtime1 hour 46 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1