Directed by
Robert Connolly |
Writing Credits
David Williamson | ... | (written by) & |
Robert Connolly | ... | (writer) |
Jill Jolliffe | ... | (book) |
Cast (in credits order)
Produced by
Andrew Barlow | ... | executive producer |
Anthony LaPaglia | ... | producer |
John Maynard | ... | co-producer |
Andrew Myer | ... | executive producer |
Dominic Purcell | ... | producer |
Sarah Shaw | ... | line producer |
Paul Wiegard | ... | executive producer |
Rebecca Williamson | ... | co-producer |
Mark Woods | ... | executive producer: MIFF Premiere Fund |
Music by
Marcello De Francisci | ||
Lisa Gerrard |
Cinematography by
Tristan Milani |
Editing by
Nick Meyers |
Casting By
Jane Norris |
Production Design by
Robert Cousins |
Set Decoration by
Peter Malatesta |
Costume Design by
Cappi Ireland |
Makeup Department
Angela Conte | ... | hair designer / makeup designer / special effects designer |
Second Unit Director or Assistant Director
Nathan Croft | ... | assistant director |
Art Department
Tam Morris | ... | storyboard artist |
Sound Department
Asha Ardill | ... | sound mix liaison |
Ann Aucote | ... | sound recordist |
Emma Bortignon | ... | sound designer |
Brendan Croxon | ... | assistant sound editor |
Bruce Emery | ... | technical services |
Glen Forster | ... | boom operator |
Phil Heywood | ... | re-recording mixer |
Doron Kipen | ... | foley mixer |
Peter Palankay | ... | adr recordist |
Sam Petty | ... | sound designer |
Liesl Pieterse | ... | mix assistant |
Livia Ruzic | ... | dialogue editor |
Special Effects by
Tim O'Brien | ... | special effects technician |
Peter Stubbs | ... | special effects supervisor |
Kevin Turner | ... | assistant supervisor |
Visual Effects by
Julia Egerton | ... | compositor: Iloura |
Alan Fairlie | ... | compositor: Iloura |
Ineke Majoor | ... | visual effects producer: Iloura |
Matthew Pascuzzi | ... | compositor: Iloura |
Peter Webb | ... | visual effects supervisor: Iloura |
Stunts
Zev Eleftheriou | ... | stunt coordinator |
Leigh Nemeth | ... | safety supervisor |
Camera and Electrical Department
Matthew Blyth | ... | video assist operator |
Kevin Campbell | ... | first assistant camera / still photographer |
Darrin Keough | ... | a camera operator/dp: splinter unit |
Leigh Nemeth | ... | best boy |
Casting Department
Lara Signorino | ... | casting assistant |
Costume and Wardrobe Department
Francisca Maia | ... | costume assistant |
Sarah Parr | ... | costume assistant |
Maria Pattison | ... | assistant costume designer |
Barbara Pinn | ... | costume assistant |
Editorial Department
Jessica Lucas | ... | first assistant editor |
Claudia Maneka Maharaj | ... | film scanner (as Claudia Maharaj) |
Brett Manson | ... | digital intermediate colorist |
Rachel McKellar | ... | digital intermediate producer (as Rachel McKellar-Harding) |
Amanda Short | ... | rushes colorist |
Nic Smith | ... | digital intermediate technical director |
Shaun Smith | ... | assistant editor: handovers |
Location Management
Mary Barltrop | ... | location manager |
Music Department
Marcello De Francisci | ... | music scoring mixer |
Adam Fawcett | ... | assistant musical producer |
Nick Meyers | ... | music editor |
James Orr | ... | music mixer |
Script and Continuity Department
Russell Campbell | ... | script consultant |
Katherine Fry | ... | script consultant |
Additional Crew
Graham Begg | ... | head of film & television finance: ContentFilm International |
Gabriel Dowrick | ... | electronic press kit editor |
Jenny Kent | ... | dialect coach |
Kate Murphy | ... | production accountant |
Leigh Nemeth | ... | medic |
Beatrice Neumann | ... | production executive |
Katherine Slattery | ... | post production coordinator / production coordinator |
Caroline Verge | ... | legals |
Scott Warwick | ... | armorer |
Thanks
Scott Meek | ... | thanks |
Drew Rhodes | ... | thanks |