Armed men hijack a New York City subway train, holding the passengers hostage in return for a ransom, and turning an ordinary day's work for dispatcher Walter Garber into a face-off with the... Read allArmed men hijack a New York City subway train, holding the passengers hostage in return for a ransom, and turning an ordinary day's work for dispatcher Walter Garber into a face-off with the mastermind behind the crime.Armed men hijack a New York City subway train, holding the passengers hostage in return for a ransom, and turning an ordinary day's work for dispatcher Walter Garber into a face-off with the mastermind behind the crime.
- Awards
- 1 win & 7 nominations
Luis Guzmán
- Phil Ramos
- (as Luis Guzman)
Ramón Rodríguez
- Delgado
- (as Ramon Rodriguez)
Aunjanue Ellis-Taylor
- Therese (Garber's Wife)
- (as Aunjanue Ellis)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaJohn Travolta chose not to promote the film with the rest of the cast because he was still reeling from the loss of his son Jett.
- GoofsWhen Garber is instructed by Lt. Staley in the use of the Walther PPK .380 he is told that the safety is on when the lever is up and off when it is down. This is the opposite of the safety's actual operation. When the lever is up, exposing a red dot, the safety is off. When down it is in the SAFE position.
- Crazy creditsThe film starts with the picture way in the distance and it slowly approaches, making it appear as if the audience is in a subway tunnel.
- ConnectionsFeatured in The 81st Annual Academy Awards (2009)
- Soundtracks99 Problems
Written by Leslie West (as Leslie Weinstein), John Ventura, Norman Smart (as Norman Landsberg), Felix Pappalardi, Billy Squier, Ice-T (as Ice T), Alphonso Henderson and George Clinton (as George Clinton, Jr.)
Performed by Jay-Z
Courtesy of Roc-A-Fella Records/The Island Def Jam Music Group
Under license from Universal Music Enterprises
Contains a sample of "Long Red"
Performed by Mountain
Courtesy of Columbia Records
By Arrangement with Sony Music Entertainment
Also contains a sample of "The Big Beat"
Performed by Billy Squier
Courtesy of Capitol Records
Under license from EMI Film & Television Music
Featured review
The new Tony Scott movie gives one helluva ride, but don't sit and analyze the plot for credibility during the closing credits, this is not that kind of movie. Four sleazy thugs, who could be spotted as bad guys by a blind man, hijack a Lexington Avenue subway and take passengers as hostages. A ransom-for-hostages negotiation begins via radio between the driver's compartment on the train and the central control center for the New York City subway system. The premise is hardly new territory, and, for those who have seen the Walter-Matthau-Robert-Shaw version of the John Godey novel, the film is even less original.
However, for audiences that want a night out at the movies with a rousing action flick, "The Taking of Pelham 123" will fill the bill nicely. The editing is often frenetic, and the camera moves even during dialog-heavy scenes. The chases are fast paced, the car crashes are over the top, and the bloody scenes are properly bloody. While all of this is enough for some mindless entertainment, four excellent performances enhance the proceedings and make the film seem better than it is. John Travolta pulls out the stops as Ryder, the head hijacker, and, in his full wacko persona, steals his every scene. As the man on the other end of the phone, bespectacled Denzel Washington, dressed down in everyman frumpy, is quiet and assured, although nothing quite suggests that the character of Walter Garber will or could rise to his climactic actions. James Gandolfini plays the mayor with a sly sense of fun, and John Turturro is a hard-to-gauge hostage negotiator. "Pelham" is a man's movie, and the women are relegated to small, peripheral roles as wives, conductors, and hostages. How refreshing the film might have been if Scott had cast a female in one of the four main roles.
However, whatever the movie's flaws, and there are many, "The Taking of Pelham 123" does what it sets out to do: entertain and engage the audience for two hours. Don't expect more, and you won't be disappointed, and, in a summer movie, "Pelham's" assets are exactly what most of us are looking for anyway.
However, for audiences that want a night out at the movies with a rousing action flick, "The Taking of Pelham 123" will fill the bill nicely. The editing is often frenetic, and the camera moves even during dialog-heavy scenes. The chases are fast paced, the car crashes are over the top, and the bloody scenes are properly bloody. While all of this is enough for some mindless entertainment, four excellent performances enhance the proceedings and make the film seem better than it is. John Travolta pulls out the stops as Ryder, the head hijacker, and, in his full wacko persona, steals his every scene. As the man on the other end of the phone, bespectacled Denzel Washington, dressed down in everyman frumpy, is quiet and assured, although nothing quite suggests that the character of Walter Garber will or could rise to his climactic actions. James Gandolfini plays the mayor with a sly sense of fun, and John Turturro is a hard-to-gauge hostage negotiator. "Pelham" is a man's movie, and the women are relegated to small, peripheral roles as wives, conductors, and hostages. How refreshing the film might have been if Scott had cast a female in one of the four main roles.
However, whatever the movie's flaws, and there are many, "The Taking of Pelham 123" does what it sets out to do: entertain and engage the audience for two hours. Don't expect more, and you won't be disappointed, and, in a summer movie, "Pelham's" assets are exactly what most of us are looking for anyway.
Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- Rescate del metro 1 2 3
- Filming locations
- Lower Bay Station, Toronto, Ontario, Canada(as several different NYC subway stations)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $100,000,000 (estimated)
- Gross US & Canada
- $65,452,312
- Opening weekend US & Canada
- $23,373,102
- Jun 14, 2009
- Gross worldwide
- $150,166,126
- Runtime1 hour 46 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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