User reviews

This movie did a great job with the period details of 1982 and making Australia look like America and Australians sound like Americans. One mistake though: "Horror Smash" in the newspaper headline is not a phrase you would see in an American newspaper. It's Australian.

The movie starts out alright, but the comic tone at the beginning sadly is not the tone of much of the movie. Then the film tries to be more than it is. Near the end there was this heavy emotional scene where the viewers are supposed to be moved and cry with the characters, but it just didn't work. The "Horror Smash" accident scene around which a lot of the story revolves actually looked pretty minor and how anyone could have possibly been hurt is hard to imagine.

This film has some stellar reviews by IMDb users so far. Look closely and you'll see a lot of those reviewers have never reviewed another film. Gotta make you suspicious. Maybe if you are closely tied to the production, you would really like to believe it is a monumental movie, but it isn't.

Accidents Happen – Sydney Film Festival, June 2009 I was sold on this film by a description of Geena Davis who "shines as the screwball mother". The SFF program seemed to promise a screwball family comedy, with Davis' fearlessness in performance carrying the required bravado. So I was surprised when the opening sequence, a slow-motion shot of a playing child interrupted by an elderly neighbour accidentally barbecuing himself, suggested another tone was in the offing: a coming-of-age black comedy. That combination works well here.

To labour the labeling a little, ladling on a portmanteau, ACCIDENTS HAPPEN is a 'dramedy'. It's a realistic story of an early 80s suburban family unit fractured by an auto accident. The emotional weight of their tragedy squeezes absurdity out of the cracks in their stasis. Gloria Conway (Davis) turns her rapid-fire wit to lashing her 'useless' ex-husband but that is clearly a losing game for her as she is not much more on top of her grief for their lost children than he is.

The relationship between surviving but bereft younger son Billy and his ballsy mother is the meat of the film. They present a remarkably compelling take on an interdependent relationship. They made me really care that they would work it out, and a refreshing change from the common film stereotype of merely alienated teens.

The film overall is a showcase of great characterization through screen writing and performances, not just from the poised teen-aged leads but also minor characters like the barbecue-induced widow Mrs Smolensky. She steps startlingly out of being a background character in the payoff scene at the film's end.

That final sequence also left me backpedaling on conclusions I leapt to earlier about the film's symbolism. Up until that point, the crucial role of a bowling ball in the plot lent itself to symbolism of emotional baggage, a crushing burden to carry and destructively out of control when neglected. That ball's ultimate destination revealed over the end-credits indicates the authors either didn't have that in mind, or were pointing us to some other significance entirely. Comments here suggesting what that significance might be are very welcome.

Originally posted at http://moviebookchats.posterous.com/movie-review-accidents-happen

I recently ventured to the 8th Annual Tribeca Film Festival to see the anticipated film "Accidents Happen".

I was aware that the wonderful Geena Davis was in the picture which enticed me but was unaware that the cast had a few outstanding younger actors.

I expected a great film from the first scene but did not expect the outstanding, true and genuine performance that a young new shining talent - Harry Cook gave from start to finish. Every scene was honest & true there was an underlining depth that young actors rarely possess. I am never teary in films, but Cook's incredible performance brought me to tears on more than one occasion.

14 yr old Harrison Gilbertson also stood out in this film to me as someone you genuinely cared for. The cast were fabulous.

It was an absolute pleasure to watch this film & Harry Cook stood out in my eyes as truly remarkable talent that the world has been searching for for quite some time. I'm very impressed by everyone's work & look forward to seeing more from them all in the future.

Jane Griffin review-tribecafilm-accidentshappen09(C)

Sydney director Andrew Lancaster did well to lure Geena Davis to our shores to star in Accidents Happen. I suspect he didn't have much hassle with a screenplay as biting and sharp as Brian Carbee's to use as bait. During a Q&A after the Australian premiere Davis herself admitted that she has always been drawn to interesting characters that challenge her; Gloria Conway definitely fits that mould. Carbee arms Gloria with acerbically humorous dialogue throughout – her quick wit a shield for the hurt that lies beneath – in addition to providing an idiosyncratic story about how different people cope with tragedy.

It's hard to imagine someone else filling the lead role, Davis finds such a perfect blend of steeliness and vulnerability that she embodies Gloria completely. The non-spoken instances are given extra gravitas by the Oscar winning actress whilst Carbee's words are delivered pitch perfectly. At the other end of the age scale, the young Gilbertson (also seen in the recent Beneath Hill 60) is one to watch out for in the future. He almost runs away with the film as the emotionally-uncertain Billy, displaying a tremendous power in the dramatic scenes. Best of all, he and Davis share an excellent mother / son chemistry in the movie's most important personal connection, their dynamic relationship is a treat to watch.

Kicking off his feature film CV, Lancaster has started strongly. His sturdy direction offers some memorable moments – the opening sequence comes way out of left field, but works all the better for it – although the slightly annoying 'Wonder Years' style voice-over probably could have been subdued. Lancaster demonstrates a terrific knack for slow motion; the aforementioned pre-credits sequence, the fateful car accident and a touching scene near the end all showcase the tremendous effect slow mo can have if used correctly. Hopefully this affecting little film marks the beginning of a long career for Lancaster.

With a shamefully limited theatrical run in Oz, don't let this one slip you by: write it down to buy the DVD later this year.

4 out of 5 (1 - Rubbish, 2 - Ordinary, 3 - Good, 4 - Excellent, 5 - Classic)

I was fortunate enough to see this film at the world premiere at the TriBeCa Film Festival. And I have to say I loved it. From the opening frames it proved itself to be a film which is fresh, funny, sad, curious and smart.

Geena Davis is a delight to watch as she inhabits this rather self-focused, wise talking character who surprises us constantly with her ability to move through tragedy and yet still find humor and heart.

Newcomer Harrison Gilbertson, at just 14 years old, shows incredible depth of maturity and range as his character Billy Conway deals with the ups and downs of life.

It's essentially a story of life, albeit a life peppered with tragic accidents. But it manages to avoid being bleak, which is quite a feat given some of the subject matter. It's always human and the writing by Brian Carbee is sharp, funny and poignant.

A great film whose visually stunning scenes will continue to replay in my mind, thanks to the brilliance of first time director Andrew Lancaster and cinematographer Ben Nott.

Don't miss it.

Call me abnormal, but a movie based around families loved ones all dying in random car crashes, is nothing I can digest as a comedy. This movie seemed like it was going for a Indie feel, but didn't have any real edge to it. It was a bunch of tragedies after another, but they weren't really funny or ironic. Even the moments that were supposed to be emotional, were awkward or set up poorly. This movie just couldn't pull things together to connect emotionally with the viewer. That said, one thing this movie did do a good job at was with making the set look like things from the 80s. It looked like it could have been the set from E.T..

I just finished watching this on Netflix Instant Play & it was completely horrific. Pointless and depressing. It is not a dark comedy and it is not a comedy-drama. Geena Davis had about two moderately humorous lines - the rest of it was completely lacking in humor.

Let me be clear, IMO, the acting was mostly acceptable & I found no fault with the direction. The problem was the writing...awful, awful, awful. You've gotta feel for the guy who wrote this - I'd hate to have a mind that could create something like this.

I should have followed my instincts and turned this off after the first 15 minutes. But based on good reviews here, I figured it was bound to get better. It did not!

Never again will I watch (or read) anything written by this guy!

'Monumental' was the word that flashed through my mind during the emotional climax. The film itself or the emotional place it had taken me to, I don't know, but that was the word. Mostly I laughed my way through the film but when I stopped laughing I cried great buckets. I also had to keep relaxing the tension in my face and body as I found it a very stressful journey. Right from the beginning we learn that there will be no easy outs, anything and everything can happen. Like all good films this one let me leave my inner critic at the door and completely surrender to the unfolding twisting tale of searing black comedy and bitter soulful tragedy.

Geena Davis has always been brilliant but has she ever had such a brilliantly written role? Has any female actor? What starts as a dragon that breathes caustic wit unravels to reveal a woman that despite all odds continues to be the foundation, mortar and soulful centre for everyone. I found her character so utterly real and so refreshing for a female lead. She had balls, vulnerability, sex appeal, intelligence and of course great wit.

It must be hard for any nationality to see themselves played by others. One character is one thing but a whole neighbourhood and era could seem presumptuous. I couldn't comment on US reaction, accents or historical correctness, however, I did find it interesting to apply Australian storytelling to a universal tale and then set it in North America. What you get is an almost unbearably tragic but ultimately stoic tale told through an unrelenting, disposable wit and a brevity of emotion which never once falls into sentimentality or over indulgence.

It is sumptuous to watch in its cinematography and art direction and the young cast is deftly directed to deal with some of life's cruelest blows. What matters most is the story and there is so much meat to chew on in terms of character, plot and themes. It moves so swiftly from one cataclysmic event to the next proving not only that in life the only constant is change but also that it is bloody hard to keep up with that change; that life is uncontrollable and we are at its mercy to make sense of its absurdity. This film has a great future for a hip audience. From a viewer's entertainment perspective this film is monumental.

It's 1982, and Billy Conway (Harrison Gilbertson) lives in a shattered family. Eight years ago, his family was in a car accident that killed his sister and made his brother a vegetable. His father has since left the family. His older brother is an angry drunk. His mother (Geena Davis) is struggling mightily to keep things together.

The boy is an irresponsible destructive selfish brat. It is impossible to root for him. Certainly he makes it hard to find anything likable in his behavior. It is very tiring to watch this idiot destroy everything he touches. Geena Davis does get some great lines. In one superb scene, she almost saves the movie all by herself. She's really the only thing to watch this movie for.

ACCIDENTS HAPPEN – CATCH IT ( B+ ) Accident happen, is truly a delightful surprise. I am a sucker for Dysfunctional families and Coming of Age movies and this was a perfect combination of both. The movie is beautifully crafted and the slow motion accidents sequences are wonderfully shot. I really appreciate the director Andrew Lancaster who choose a simple story and portrayed so beautifully plus the comic view of severe issue was a different touch. Geena Devis did a fantastic job & her comic timing was just perfect. She proved yet again that she is a great actress. Harrison Gilbertson stole the show for me, he is cute kid and a great performer. I could see in her eyes how talented he was and standing in front of Geena Davis in such complex yet humorous story was wonderful. I surely can bet he will be a huge once he grows up a little more. Overall a great movie with great ensemble cast. Everyone did a great job making this movie memorable for me. Watch it!

They were trying to make it funny in a British way I suppose because I don't understand British humor at all. They were trying to make it funny and serious at the same time but the result was a parody of a movie. I usually hate people who say "acting was bad" because I rarely think so but I must say in this movie some actors were acting painfully bad. I couldn't understand the point of a movie. Were they trying to say something with this? Well, I couldn't get the message. Maybe it was said out loud but I couldn't FEEL it. If I can't feel it then I can't believe it. I was too disturbed by the way the movie was made. I couldn't feel anything for the characters, I was feeling like I was watching some bad parody. I can only ask the question "What was that?"...

Just saw this "dysfunctional family because of tragedy" movie on cable. Thought I'd give it a try even though it just had a 2.5 star rating and was labeled a comedy (?!). Turned out someone made a boo-boo on both. I was blown away by the story, the directing, the acting, the cinematography... All I can think of is the fact that the movie is "Australian" might have held it back. There was nothing else that could have done so. Definitely worthy of an Oscar nomination for picture, acting and directing. One expects Geena Davis to give a fine performance, but all the young actors surrounding her made her job so much easier. I was crying along with them. The only thing I didn't like was the ending. Leaves you hanging. But, that's life.

Story good, and there are so much opportunity to make it great, but the durector ruined it.

The worst is the narrator, He killed the atmosphere totaly.

The caracters so simular, cant see who is who. Boys look alike. Bad choosing by casting director.

Dramaturg is a bit boring also.

I dont know why they ruined this geeat opportunity!? It could be so good film, but ruined:/

I am so sorry tonsaw that:(

This is a candid look at a family dealing with issues in very real ways. The characters are well thought out and developed. I can't reveal too much without spoilers, but it's definitely worth watching. It'll make you laugh at times, cry at times, but every minute of this film is enjoyable as you follow the Conroy Family on their journey.