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Sarah Russell (Amber Tamblyn) is an associate buyer at Macy's and aspires to get into medical school. She finds out that she has leukemia. She's going home to tell her parents (Tim DeKay, Mary Elizabeth Mastrantonio). She holds off when her parents tell her that she got into Northwestern University. She reconnects with old boyfriend Evan Carroll. There is something dark in the past with her next door neighbors Lorainne Morrissey (Jennifer Ehle) and Howard Morrisey (Henry Czerny). She wonders if her leukemia is karma for past deeds.

The movie is a little too precious with the secret. This is not really a mystery movie. I'm fine with holding off the reveal but it lasts about 10-20 minutes too long. It gets a little annoying that the movie won't say it out loud. Tamblyn delivers a very compelling performance. It's a great little movie after the reveal with Sarah struggling to connect with Lorainne. Jennifer Ehle also gives a great full performance. It never gets too surprising and the movie is a traditional tear-jerker.

Sarah (Amber Tamblyn) left her small town in the Missouri area to live in Chicago. When she was barely out of high school, a tragedy occurred, something Sarah feels was her fault. Her former boyfriend, Evan (Paul Wesley) was heartbroken about the young lady's exit from his life and he moved to Texas, where he became a successful money manager. Although Sarah stays in touch with her parents and younger brother, she remains remote from all who love her for five years. Now, bad news arrives. Sarah learns that she is seriously ill, though doctors tell her she has a chance of recovery. Unhappily, Sarah thinks her sickness is the result of "karma", a tit-for-tat for the accident that happened half a decade ago. So, Sarah heads back to her hometown. Her parents welcome her, but don't give her an opportunity to convey her secret, as they are always rushing here and there. A neighbor woman, Lorraine (Jennifer Ehle) is upset beyond tears, for the tragedy struck her family. No one, not her caring husband or her two teenage sons can help her out of a lingering grief. With Sarah's return, she is shaken to the core. What will be the end result? Meanwhile, Sarah finds that Evan has returned, also, to care for his ailing, widower father. Before long, sparks are flying between them, something Sarah tries to repress since she doesn't know if she will beat her illness. With all of these serious life events unfolding, will there be a way to go beyond the singular happening that changed everyone's lives? This is quite a sensitive film, tackling many deep issues but it is hardly a happy Hallmark movie. Tears will probably fall for all who choose to watch it. The cast is great, with Tamblyn, Ehle, Mary Elizabeth Mastriantonio, Wesley and all of the others doing a great job. The setting is likewise wonderful, a beautiful, well-preserved small city with lovely surroundings. Though the plot unfolds slowly and is told with the aid of flashbacks, it still has a huge amount of courage in its presentation. Therefore, although it is part of the Hallmark collection, its not for all viewers. But, its exploration of tragedy, lingering grief, misplaced blame, guilt and other serious issues makes it a cathartic blessing for some. Act accordingly.

If the news is not good ...

Of COURSE the news isn't good. This is a Hallmark Hall of Fame production.

Sarah Russell is a buyer for Macy's in Chicago. She wanted to go to medical school, but so far she has not been accepted anywhere. But now she may not get the chance to go to medical school anyway. She has Acute Myelogenous Leukemia, and while it can be treated, she needs to act quickly.

Sarah goes home, since she has vacation time coming. Once she has returned to her hometown, she meets former boyfriend Evan, who works at his father's gas station. Evan is actually an investment banker in Dallas, but when his father had a stroke, he had to come home temporarily to help out, doing what he could in his other job by means of technology. After a minor accident, Sarah has an excuse to spend time with Evan, who can do the necessary repairs to her car.

When Sarah returns to her parents' house, Lorraine from across the street sees her, goes inside and tells her husband "The Russell Girl" is back, in a tone that makes it appear Sarah was part of some scandal years ago. Lorraine, who restores furniture and related items, soon becomes depressed and bitter, and almost incapable of functioning because of migraines. She won't even watch her teenage son playing in an important baseball game.

Sarah's parents are happy to see her, and they have a telephone message she believes they would rather not have heard. No, it's not that. She actually has been accepted to Northwestern's medical school. Sarah can't give them the bad news now. There may be more to her refusal to say anything, though.

The movie has important messages about forgiveness and dealing with guilt. Amber Tamblyn and Jennifer Ehle both give superior performances. Ehle has the greater challenge because of her wide range of moods, but she also delivers some unexpected moments. Tamblyn also has to show a wide range. Fortunately, a movie that could have been quite depressing has some pleasant moments and even some humor. For example, the girl at the karaoke bar would never make it past Simon Cowell.

Young children may be upset by one scene (although the references to cancer would be enough to discourage them anyway), but the event is critical and only implied (the tragic result is mentioned explicitly several times). Brief flashbacks, and one longer one, look like a World Book Encyclopedia illustration of one type of color blindness. It is the long flashback that is the key to the whole movie.

It was worthy of the name Hallmark.

I enjoyed the wonderful acting in this movie, and the story line was of forgiving oneself, and others. This portrayal of a young woman's emotional plight was warm and enlightening as sometimes it is easier to forgive others, but yourself is much more difficult. Until she forgave herself, she couldn't go on with her life. Guilt is also many times coming from outside sources, which makes it a challenge to be able to heal. Yes I highly recommend it. James Welch Henderson Arkansas 1/25/2021

This movie is not in any way a romance. There is a couple, but their relationship is not the focus of the movie.

This movie is mostly depressing until near the end. The viewer slowly learns about the tragedy that has taken control of Sarah's life and of her neighbor Lorainne. There are snippets, but it takes a while before the viewer actually sees what happened.

The focus of the movie is dealing with loss and blame. Sarah and Lorainne are bound together in loss. Sarah has recently been diagnosed with leukemia and dwells on that as a kind of Karma or punishment for her part in the tragedy. After the event, she left town to avoid dealing. Lorainne has locked herself away in a kind of self imposed isolation from everyone. It is implied that prior to Sarah's return to town, Lorainne was "doing better" with time, but Sarah's appearance is a setback.

This is where things began to seem odd to me. Despite obviously being unwanted there, Sarah tries to hang out with Lorainne, using excuses to facilitate it. Her purpose seems unclear, but perhaps she is seeking absolution. Lorainne's husband tells Sarah to stay away. Events conspire to bring things to a head, and even some of these developments seemed odd.

In the end, the movie makes its statement about forgiveness and blame. There is also a great deal of courage in one of the characters, that to me, came up out of nowhere.

There are excellent things about this movie, especially the main themes. The acting is mostly good. I deducted a few stars because: 1) the depressing atmosphere pervades most of the movie. I have seen other movies by Hallmark that went deep into the subject of loss with a much lighter tone. Two Turtle Doves stands out as a movie I think of for the subject of loss. 2) I just didn't buy the way Sarah and Lorraine interacted, especially before the turning point. I'm also not sure the movie gave enough explanation for the reason behind that turning point. It's tough to fit everything into a 90 minute movie, but maybe they could have left out some of the story about Sarah and her high school ex.

I'm sure many people will find this movie compelling. In that sense I recommend it. I'm just not sure I want to watch it again.

While one should not expect an Emmy award winner out of the movies Hallmark typically puts out, "The Russell Girl" was OK entertainment for two hours. I appreciated the lack of long commercial breaks. It was difficult to say if the lead actress, Tamblyn, made the movie slow down in parts or if it was just the script itself. It did seem to drag out as she kept playing a "keep-away" game of her secret from her family.

Even though she was relatively young (early 20's) she had not resolved a major event that had happened five years ago, one she ran away from. This movie did fairly well in showing the results of not forgiving as well as the ineffectiveness of running away from a bad situation. It just seemed to take awhile to get to the ending that wasn't a surprise but was nice to see anyhow.

The strength of the movie came in giving the audience a chance to examine their own lives, if given the news of having an "aggressive cancer". Would we accept it as some sort of karma for the bad things we have done? Would we try to right past wrongs? How would we spend the little time we have left? Considering the junk that passes for entertainment on TV lately (watching someone strapped to a lie detector for an hour?), I did not have any regrets using up two hours of my life on this movie.

(A better Hallmark movie on forgiveness is "The Christmas Gift" with Neal Patrick Harris.)

This is one of the best movies I've seen in years. While the "Matrix" crowd may consider the plot "slow," I consider it natural and unhurried. This movie rests on its WRITING and PERFORMANCE, not fancy graphics, nudity, or profanity. You can watch this show with your 3-year-old.

Two families are caught in a very plausible conflict. There is a lot of judgment, anger, blame, self-loathing, and fear involved. The conflict rises to an almost intolerable level, but then is eventually resolved.

Like many real-life conflicts and wounds, the Russell girl walls herself off in unhealthy denial and self-judgment. The family doesn't help either, with the mother blinding herself to the depth of her daughter's guilt.

True to the self-righteous, self-justified attitude of humans in their worst light, the antagonist (Jennifer Ehle) had deepened the wound for many years, but with the artful interplay of emotions and relationships woven by Blotevogel, the wound is finally punctured and healed.

My hat is off to Jill Blotevogel, Jeff Bleckner, Amber Tamblyn, and all the people involved in making this excellent film.

Although the story is quite interesting, for me it was too similar and predictable; especially towards the end. This movie is just like Candles on Bay Street because for one thing, the main characters are females with cancer; the only difference is that one died and the other lived. I wasn't too keen on the performances though Amber Tamblyn does a fairly nice job than Alicia Silverstone. Aside from that, there's really nothing special about this film. It's just something that's better suited for an episode in a TV drama, nothing more or less. Hallmark has done some good movies, but the end result for this one is simply "meh" at best. Overall, this film is better watched just to pass the time.

This is a movie that could have had me crying my eyes out, but one bad actress ruined the entire movie. The grieving mother seemed to think her best acting attribute was her lip quiver. The movie was also unrealistic in its family dynamics. You don't go from being sad mom for 6 years and then just overnight become super mom. It would have been a gripping story, but the person I as I mom, I know that we have the instinct that something is wrong, but mom & dad were just happy in their oblivion. I would have liked the story to have extended a bit with the girl and her family, but I guess we are left at the end knowing what we are supposed to know. I would not recommend watching this movie for the time it takes to watch it.

Times flies. The last time I saw Mary Elizabeth Mastrantonio--well, was when she was Tom Cruise's girlfriend in "The Color of Money". Now, she is playing a mother.

Without giving the plot away, the movie deals with guilt, denial, grief, and loss. Secrets are lethal, and they seem to abound in so many families.

This film is a sumptuous production. Only the likes of Hallmark and Playhouse 90 could offer such a magnificent presentation. There is a stellar cast, brilliant direction, and fine editing. The story is true to life, and naturally slow as the arduous events pull at your heart strings. This is a tearjerker, and you will need at least one box of tissue. Generously pass the Kleenex around because all of the viewers will need them. The timing is just right for some serious issues, there is actually some resolution, and the ending is a myriad of emotional fireworks.

I cannot praise this film enough, and rank it a 10 out of 10. This movie is a definite award winner, and a must see. But, it's not just a film for families. It's a film for singles, and everyone. But, to really appreciate this movie, you must be open to feelings, and be willing to deal with issues. Yes, life can be as difficult, as it can be rewarding. But, with just the right measure of love and support, we can rise to life's joys and its challenges. Bravo!

Karma is not God's retribution or reward in this life as stated by the mother of the main character. Either the mother is stupid/ignorant as a character, which does not seem to make sense, or the screenplay writer is.

Karma..................... 'In Indian philosophy, the influence of an individual's past actions on his future lives or reincarnations. It is based on the conviction that the present life is only one in a chain of lives . The accumulated moral energy of a person's life determines his or her character, class status, and disposition in the next life. The process is automatic, and no interference by the gods is possible. In the course of a chain of lives, people can perfect themselves and reach the level of Brahma, or they can degrade themselves to the extent that they return to life as animals. The concept of karma, basic to Hinduism, was also incorporated into Buddhism and Jainism.'

A very different and exceptional Hallmark entry dealing with grief, guilt, blame, and hope. The entire cast is fine, with the wonderful Jennifer Ehle, Amber Tamblyn, and Mary Elizabeth Mastrantono standing out in pivotal roles.

The Russell Girl deals about fear, guilt, suppressed feelings, anger, and the need to let go of the past, and to embrace the future.

The Russell Girl went back to visit her family, to tell the news about her health. She was suffering from leukemia. However, when she got home, she couldn't find the courage to let her parents know about it.

And her distant past caught up with her. She remembered vividly what had happened years ago, when she was entrusted to babysit her neighbor's's kids. Tragedy ensued that night, and they blamed her for the mishap.

Overall, a good film, albeit a tad too slow for my liking. The ending was predictable and expected.. However, that is in no way saying that the film wasn't good or anything. It is just that it may not be everyone's cuppa tea.

Can't stand movies where no one can talk about their feelings and they never say what they mean! Totally annoying. Seems they would rather suffer in silence than unburden their souls despite opportunities to do so. For this reason I couldn't stand this long suffering dragged out miserable film. I wouldn't recommend this movie to anyone. The sudden transformation in the relationship with the neighbor is Also unrealistic. Finally got to the point mid way through the movie the Husband has enough sense to tell his wife it wasn't Sarah's fault. And Sarah's medical condition so far has not surfaced with anyone except the hospital!

Had to give it a 5 since I could not bring myself to watch the whole thing.

I just want to warn people that very little happens for the first 18 minutes of the film other than watching people get looks on their faces like they feel sick and sad (and very mum).

To call it a slow beginning to a film would be an understatement. I really don't know how much more of this I can stand. I don't mind wondering why someone is upset for a few minutes, but this is ridiculous.

At 24 minutes it is still a guessing game what the girl is so upset about. Oh, and the neighbor(s) of the girl's parents are upset too, but they don't tell why either. Ugh. I gave up watching at 25 minutes.

People who rated this low should be kicking themselves now. Hallmark use to make good films like this one. What they do now is pure junk. My review is too short. Ya de da. Ya de da.

I don't think people can understand a movie like this, without actually being able to know the difficulties of dealing with cancer.

I am 30 years old and fighting with cancer, and I am aware of how hard it is to tell your loved ones how sick you have been.

Please, think of this movie as a guide, don't judge it for anything else.

Sappy story; sappy acting; sappy music - and to make it even worse, it's excruciatingly slow. Please shoot me.

There is no story here, or character development or anything other than depressing music, long-faced actors, and interminably long scenes. By the first break, you don't even know what it's about - except miserably, self-absorbed people.

And the typical movie-of-the-week production values don't add anything to it either.

The only thing worse was the Hallmark commercial at the first break. But that, at least, was mercifully short. In fact, that's what this movie seems to be - a sappy 30-second commercial padded out to two hours.