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Interviews and news footage explore the rise of black metal music in Norway in the 1990s, including artists who were involved in suicide, murder and arson.Interviews and news footage explore the rise of black metal music in Norway in the 1990s, including artists who were involved in suicide, murder and arson.Interviews and news footage explore the rise of black metal music in Norway in the 1990s, including artists who were involved in suicide, murder and arson.
Fenriz
- Self - Darkthrone
- (as Gylve 'Fenris' Nagell)
Varg Vikernes
- Self - Burzum
- (as Varg 'Count Grishnackh' Vikernes)
Euronymous
- Self - Mayhem
- (archive footage)
- (as Øystein 'Euronymous' Aarseth)
Hellhammer
- Self - Mayhem
- (as Jan Axel 'Hellhammer' Blomberg)
Per Ohlin
- Self - Mayhem
- (archive footage)
- (as Per 'Dead' Ohlin)
Abbath
- Self - Immortal
- (as Olve 'Abbath' Eikemo)
Demonaz
- Self - Immortal
- (as Harald 'Demonaz' Nævdal)
Bård Eithun
- Self - Emperor
- (as Bård 'Faust' Eithun)
Kristoffer Rygg
- Self - Ulver
- (as Kristoffer 'Garm' Rygg)
Frost
- Self - Satyricon
- (as Kjetil 'Frost' Haraldstad)
Storyline
Did you know
- Crazy creditsAfter the credits roll, there is a clip of Fenriz mockingly saying "Satan!"
- SoundtracksBallad of the Broken Birdie Records
Performed by Múm
Written by Gunnar Tynes, Kristín Anna Valtýsdóttir, Gyda Valtysdóttir, Oevrar Smarason
Composed by Gunnar Tynes, Kristín Anna Valtýsdóttir, Gyda Valtysdóttir, Oevrar Smarason
Courtesy of Morr Music
Published by Warner/Chappell Music Publishing Ltd.
Featured review
As someone who was quite entranced with the (decidedly early) Black Metal scene as an impressionable teenager way back in the early to mid 90's, a documentary like this is more a walk down memory lane than a revelation. As such, some prior knowledge of the genre is required before sitting down and watching this documentary. Do not expect a musical walk through, nor an explanation on the aesthetics of the genre, what you'll get is an account of the ideologies of the musicians, their perception of a bankrupt society with a complete disclosure of their (questionable) morals.
The interview with Varg Vikernes of Burzum should be taken with a whole bag salt: it comes over as an apologetic discourse of his past crimes, his idealogical and political standpoints are more then questionable. The true star of this docu is without a doubt Fenriz, whose down to earth attitude is refreshing and serves as a stark contrast to the somewhat pompous and overblown pose of Satyricon's Frost and Mayhem's Hellhammer. Fenriz (Gylve Nagel) offers insight in the dealings of the Black Circle, the going-ons in Euronymous shop "Helvete" and power struggle of the main antagonists in the early black metal scene without ever going too far.
The documentary is well constructed, through a collection of interviews it focuses on the people in the scene and as such there is no overdubbed narrator. The soundtrack fits rather well, ambient pieces (by Burzum, Mum and ulver) mixed with furious early day black metal (courtesy of Mayhem, Darkthrone, Thorns and Burzum) serve to pinpoint the resemblance and the blend of the two genres. The ambient pieces also stress the ferociousness and ugliness of black metal, something present day black metal sorely lacks.
No frills, no bs, no plastic bands and no Gorgoroth: highly recommended for fans of black metal, present and past (like me)!
The interview with Varg Vikernes of Burzum should be taken with a whole bag salt: it comes over as an apologetic discourse of his past crimes, his idealogical and political standpoints are more then questionable. The true star of this docu is without a doubt Fenriz, whose down to earth attitude is refreshing and serves as a stark contrast to the somewhat pompous and overblown pose of Satyricon's Frost and Mayhem's Hellhammer. Fenriz (Gylve Nagel) offers insight in the dealings of the Black Circle, the going-ons in Euronymous shop "Helvete" and power struggle of the main antagonists in the early black metal scene without ever going too far.
The documentary is well constructed, through a collection of interviews it focuses on the people in the scene and as such there is no overdubbed narrator. The soundtrack fits rather well, ambient pieces (by Burzum, Mum and ulver) mixed with furious early day black metal (courtesy of Mayhem, Darkthrone, Thorns and Burzum) serve to pinpoint the resemblance and the blend of the two genres. The ambient pieces also stress the ferociousness and ugliness of black metal, something present day black metal sorely lacks.
No frills, no bs, no plastic bands and no Gorgoroth: highly recommended for fans of black metal, present and past (like me)!
- bernd-van-de-maele
- Jul 29, 2012
- Permalink
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Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Поки світло не забере нас
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $130,441
- Opening weekend US & Canada
- $7,246
- Dec 6, 2009
- Gross worldwide
- $130,441
- Runtime1 hour 33 minutes
- Color
- Aspect ratio
- 1.85 : 1
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By what name was Until the Light Takes Us (2008) officially released in India in English?
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