Directed by
| Lenny Lenox | ... | (segment "Turnout") |
| Neil McCurry | ... | (segment "Night Screams") |
| Lance Polland | ... | (segment "The Range") |
| Steven Richards | ... | (segment "Dead Letters") |
| Vito Trabucco | ... | (segment "The Exterminator") (wrap around segments) |
Writing Credits (in alphabetical order)
| Bret Culpepper | ... | (additional dialogue) (segment "The Range") |
| Lenny Lenox | ... | (segment) (segment "Turnout") |
| Neil McCurry | ... | (segment) (segment "Night Screams") |
| Matt Olivo | ... | (wraparound segment) (as Matthew Olivo) |
| Lance Polland | ... | (segment) (segment "The Range") |
| Steven Richards | ... | (segment) (segment "Dead Letters") |
| Vito Trabucco | ... | (segment) (segment "The Exterminator") |
| Vito Trabucco | ... | (wraparound segment) |
Cast (in credits order)
Produced by
| Bret Culpepper | ... | associate producer (segment "The Range") |
| Lenny Lenox | ... | producer |
| Neil McCurry | ... | producer |
| Matt Olivo | ... | producer (segment "Wraparound") (as Matthew Olivo) |
| Lance Polland | ... | producer |
| Steven Richards | ... | producer |
| Vito Trabucco | ... | producer |
Music by
| Fabrizio Castania | ... | (segment "Turnout") |
| David Paul Dorn | ... | (segment "Dead Letters") |
| Matt Olivo | ... | (segment "The Exterminator") (as Matthew Olivo) |
| Carlos Vivas | ... | segment composer |
Cinematography by
| Vito Trabucco | ||
Editing by
| Steven Richards | ||
Costume Design by
| Bret Culpepper | ||
Makeup Department
| Justine Baker | ... | assistant special effects makeup intern |
| Al Cortez | ... | special makeup effects artist (segment "The Exterminator") |
| John Hart | ... | assistant special effects makeup artist (segment "The Range") |
| Gerardo Iribe | ... | assistant special effects makeup artist (segment "The Range") |
| Rich Knight | ... | key special effects makeup artist (segment "The Range") |
| Robert Wesley Knight | ... | assistant special effects makeup artist (segment "The Range") |
| Nina Markert | ... | assistant special effects makeup artist (segment "The Range") |
| Mindy Shaeffer | ... | makeup artist (segments "Dead Letters", "Turnout") |
Production Management
| David Ament | ... | production manager (segment "Turnout") |
Art Department
| Vincent E. Culpepper | ... | property master (segment "The Range") |
Sound Department
| Justin Blakely | ... | sound designer |
| Brian Stroner | ... | sound effects editor |
| Steve Verduft | ... | re-recording mixer |
Special Effects by
| Larry S. Carr | ... | special effects makeup (segment "Dead Letters") |
| Rich Knight | ... | key special effects makeup artist (segment "The Range") |
| John Rusnak | ... | special effects coordinator (segment "Night Scream") |
| Niki Schindler | ... | special effects makeup |
| Vito Trabucco | ... | special effects makeup (segment "Turnout") |
Stunts
| Bret Culpepper | ... | stunt gaffer |
Camera and Electrical Department
| John Rusnak | ... | gaffer (segment "Night Scream") |
Animation Department
| Jose Bedoya | ... | animator (segment "Dead Letters") |
| Kevin R. Harman | ... | animation director (segment "Dead Letters") |
| Candy Hernandez | ... | background designer (segment "Dead Letters") |
| Sara Iyer | ... | track reader (segment "Dead Letters") |
| Nick Schade | ... | key animator (segment "Dead Letters") |
Costume and Wardrobe Department
| Devorah Lynne Dishington | ... | wardrobe: Ethyl Freemont |
Additional Crew
| Bret Culpepper | ... | key set medic |
| Vincent E. Culpepper | ... | armorer |
| Max Haaga | ... | production assistant |
| Jason Pietras | ... | titles |
Thanks
| Jacob John Buterbaugh | ... | special thanks |
| Don Calfa | ... | very special thanks |
| Michael Gingold | ... | special thanks |
| Marcus Koch | ... | special thanks |
| Shelby McIntyre | ... | special thanks |
| Daniel Roebuck | ... | special thanks |