17 reviews
It was great seeing the locations around NYC, but it was a seriously boring, going nowhere, total disaster of a movie.
How the talented cast said the words, deserves some appreciation, but the film said nothing, and never had an iota of cleverness, or humor.
It seemed more like a film school project, then an actual film.
How Patrick Wilson and Amy Smart got to star in this, is a bigger mystery and more thought-provoking then the actual movie.
Anyone who grew up in NYC, and has been away for a while, might be able to enjoy the various places the film was shot, but, there's many better films to watch.
How the talented cast said the words, deserves some appreciation, but the film said nothing, and never had an iota of cleverness, or humor.
It seemed more like a film school project, then an actual film.
How Patrick Wilson and Amy Smart got to star in this, is a bigger mystery and more thought-provoking then the actual movie.
Anyone who grew up in NYC, and has been away for a while, might be able to enjoy the various places the film was shot, but, there's many better films to watch.
- marvinbluth
- Dec 25, 2009
- Permalink
A truly terrible script that can't be saved by even a very good actor such as Patrick Wilson. All the other acting is pretty mediocre.
Saw this at Tribeca Film Festival and was surprised by the wretched writing. The cast is professional, and the photography, set and production design are all first class. The problem is a script that presents a somewhat dopey male lead, an unredeemable monster (b*tch) of a wife, and a seven-year-itch scenario.
The result is good actors reciting bad lines in overwrought scenes. We bought these tickets expecting that a cast including Patrick Wilson, Amy Smart and several other fine actors would deliver a good result. Tied to that script, they couldn't stay afloat.
The movie inspires me to create a new rule for young filmmakers: don't write a script with an architect as your main character, unless you are remaking "The Fountainhead." And don't remake "The Fountainhead."
The result is good actors reciting bad lines in overwrought scenes. We bought these tickets expecting that a cast including Patrick Wilson, Amy Smart and several other fine actors would deliver a good result. Tied to that script, they couldn't stay afloat.
The movie inspires me to create a new rule for young filmmakers: don't write a script with an architect as your main character, unless you are remaking "The Fountainhead." And don't remake "The Fountainhead."
I liked this movie. The dialogue felt natural, the conversations unforced and believable. The story explores, in a subtle, non-judgmental way, two people at an emotional crossroads. The wife didn't strike me as shrewish, but rather as oriented to success, not the best match for her husband, who was more reflective, more questioning. I've been there in my own way, so I can relate. I liked the ending. Like the rest of the movie, it felt natural, unforced, organic. The casting was good, with the exception of Fred Weller, who is distractingly obnoxious, which, according to what I've seen him in so far, seems to be his default role. In spite of that, this quiet study made me think, and do some questioning of my own.
Patrick Wilson usually makes good choices!
Unfortunately this film wasn't one of them. It was painful very painful to watch his movie. Hopefully Patrick Wilson will read the next script before he agrees to be in it! I really do wonder how it even has a three star rating, those people Musta had some really good weed or brownies While watching. I love the LITTLE CHILDREN! Instead of watching this movie you should watch that one.
Unfortunately this film wasn't one of them. It was painful very painful to watch his movie. Hopefully Patrick Wilson will read the next script before he agrees to be in it! I really do wonder how it even has a three star rating, those people Musta had some really good weed or brownies While watching. I love the LITTLE CHILDREN! Instead of watching this movie you should watch that one.
- danreyessat
- Apr 22, 2021
- Permalink
- stockpicker01-1
- Apr 26, 2008
- Permalink
Patrick Wilson seems born to these sensitive professional male roles that require a rethinking of the smooth path the character is on. Director Tracey Hecht has a firm hand on an interesting and large cast and her script meshes the characters deftly,creating some drama without knocking heads. The film is realistically and interestingly placed within the world of architectural design and construction while at the same time offering an older New York office milieu kind of story. Without being cliché wealthy types, the main characters are likable genteel professionals on the way up, but reconsidering some avenues of personal and professional fulfillment. Amy Smart is charming, Wilson spot on, and Lynn Collins solid. Cinematography is excellent as are sets and locations. It's a truly unpretentious film and so may not be exciting enough for some.
- gracenotesstudio
- Feb 6, 2012
- Permalink
Sometimes the movies that show up on Netflix are a gamble. Hadn't heard of Life in Flight, thought I take a chance. Ugh, I lost this bet. I GET the movie, its just poorly done. Cliché story, bad script, cliché characters, overdone sets, overdone costuming. I mean, what the hell was Kate wearing in her opening scene? This movie just tried way to hard. I don't know who financed the movie and I don't know how it got into Tribeca, but the writer-director needs to put this one behind her and focus her filmmaking talents on more substance, less cheese. I admit I didn't watch the whole movie because I couldn't, every second of it was killing me. Let's start with the first scene with Catherine and Will in bed. How can she still be lying in bed if she's that agitated about starting her day. Will notices the look on her face, but puts the moves on her anyway, instead of asking "Hey what's up? Why so stressed?" Why make it that she's a megabitch and him totally clueless in the first scene! It just doesn't work. The obviousness made me want to wretch. Another 17 minutes and I was done. Just awful!
- stewiegriffin6666-737-240878
- Jul 13, 2013
- Permalink
Life is good, if it's really is. Being successful can be a plus or a minus. Here you got a designer who is married, successful, yet something was missing in his life: Happiness. This man has a wife who takes care of their son happens to be a follower rather than a supporter. At his job site he meets a beautiful woman who not only helps him out with his business, she helps him out on life. He takes heed of her words, especially about the birds flying in a certain direction. It turns out that his life isn't all he wanted to be. His wife was more of a go-getter and crowd pleaser, satisfying her needs instead of asking her husband how he feels about it. It was not a good marriage from the get-go, being materialistic and non-communicative, that can destroy a marriage. But the more understanding woman who took a job in the West Coast, automatically got homesick already. Both of those people have suffered similar consequences. Successfullness can be a plus or a minus in you life. Being steadfast is necessary to be living well. The fast-life will send you crashing fast, and being slow can get you fired. This movie teaches a lesson about being happy. Those two were a perfect match. It help me be happy, it'll do the same for you, too. 5 stars!
Life in Flight is truly full of badly written characters and horrific messages. Great- end a marriage and FAMILY because he's a bad communicator, and he's "unhappy". He can't communicate with his son because his wife bullies him away from it?? Come on... So then he turns away from both of them. He even admits that he "pretended" to want the career advancement that his wife is fighting, on their behalf, for. Why lie in the first place? And then run off with a woman that can't tell pigeons from sparrows, who obsesses with him on the basis of a few conversations. Heads up, lady, if he does this to his wife and son, he'll do it to you, too. How can this be an "Inspiring family drama?" If you have the least sense of moral responsibility, don't waste your time.
Great movie despite the mediocre cast. Inspiring, shows that life is more than the chase for a dollar and selling out in order to feel like you can become someone. The movie is about staying true to nature of being human. I thought it was great because it inspires the search for something real not materialistic but soulful in the concrete jungle where the human connection has been displaced by sensual pleasures and the endless chase for the next big thing and happiness thats never found. The movie inspires stepping back and evaluating life's values, slowing down, smelling the roses and hearing the long lost voice of the yearning soul within self as well as someone else. I recommend this movie to everyone.
- czardesign
- Apr 16, 2011
- Permalink
Seriously one of the worst, most clichéd, extremely boring and annoying movies I've seen in a long long time. The movie ran only 78 minutes and felt like five hours. The script was just awful. The acting not much better. Who let this vanity project get out to the public? All involved should be ashamed and the screening committee at Tribeca should hang their heads low for letting this into the festival. It really tarnishes Tribeca's reputation. You would not want to know or associate with any of the characters in this movie, if they came anywhere near, you would run really fast the other way. They are stupid, vapid and walking clichés, with not an interesting thought or aspect to their beings. The ones that are supposed to be better are even stupider and more empty. While watching the film one can perfectly understand and sympathize with whomever came up withe the slogan "die yuppie scum" . The movie takes place in New York City and uses many familiar locations, the only entertainment value I found as a New Yorker was trying to identify where each shot was filmed . But let me tell you that lasted split seconds so don't even think of going for that reason. It is an insult to New York, New Yorkers and the Tribeca Festival. I really don't like being this harsh on a film because I know no one sets out to make a bad film and everyone works extremely hard to make it all happen. But I felt really ripped off of $15 x3. Why, after seeing the final product would anyone so carelessly and arrogantly consider unveiling it to the public and having them pay for it to boot, while so many good Independent films never get this kind of exposure or even get made.
19 January 2012. Not since Closer (2004) has a movie presented the dynamics of human relationships. With Life in Flight, it is both more simple and less intensely dramatic and polished, yet at the same time it is more subtle and in some ways more authentic in its depiction and resonating of real life though it comes off with less energy and compelling appeal. It's depiction and presentation style is more in line with Lars and the Real Girl (2007) though addressing different familial subject matter. In some ways there's a bit of the self-reflective element of Anne Hathaway's character as found in The Devil Wears Prada (2006) and the existential dilemma as found in Sliding Doors (1998) which in that movie's case was even more imaginatively done as more captivating. Nor does Life in Flight have the sharpness and singular dramatic crisp bite of American Beauty (2000) nor Shopgirl (2005). Nevertheless, Life in Flight has a substantive quality pertinent to contemporary life and provokes valuable reflection on living in today's world.