Joe Ma’s Sasori is a film that comes with all sorts of expectations and baggage attached being, as it is, not only a restart but also something of a re-envisioning of the classic 1970’s Japanese exploitation series Female Convict Scorpion 701. It should come as no surprise then that reactions to the film have been sharply polarized, that this is a film that people either love or hate, but what is a bit surprising is why. It’s not that the film has in any way toned down the exploitation elements, those are there in spades. It’s not the fusion of Hong Kong and Japanese influences, that was expected with the film coming out of the ongoing partnership between Hong Kong’s Sameway and Japan’s Art Port and it falls in nicely with the bleak, hard edged 1980’s aesthetic already established in Shamo and Dog Bite Dog. No,...
- 7/13/2008
- by Todd Brown
- Screen Anarchy
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