13 reviews
- cristi_lala
- Jan 30, 2009
- Permalink
For 20 years I have been waiting for a Romanian movie that I could actually enjoy. Don't get me wrong, I am not about to comment from an advised point of view the post-revolutionary Romanian cinematography - I am sure it is of great value, but I have simple tastes - I like emotions and I like beauty wherever I can find it. Seeing this movie I was moved to tears by its simple yet very clever story, nice decent humor and lovely settings. And hearing again my lovely language - I cannot tell you what it felt like - no swearing, no ugly words, just pure poetry. THANK YOU. This last part of my message is addressed to the administrator of the IMDb site. I must say I am not particularly pleased with this rule that states that our comments must be at least 10 rows long. Comments should be as lengthy as they must be, I see no reason why I should invent things just to get published.
È pericoloso sporgersi, Asphalt Tango, Filantropica... The ingredient are the same: lots of humor on a tragic background. 'Restul e tacere' has the same Caranfil style, and more... Without a doubt, his best work. It's a story about the making of the first Romanian movie in 1911, the age when Bucharest was still 'little Paris', and the national identity feelings were probably at the highest level of all times. Although as a Romanian i felt really close to this movie, i must say there is no over - nationalist propaganda, just a simple decent story with a little bit of history as background, telling us how talent met with business to do the "War of independence" film. The humor is great, the story is a must know, the acting is extraordinary, especially the two main characters (Leon Negrea played by Ovidiu Niculescu and Grigore Ursache played by Marius Florea Vizante), the music is right on cue, the 'little Paris' atmosphere is greatly recreated and the rest is silence...
just saw the movie. In a cinema theater. Sunday morning, only four people in the audience, myself included.
I'm blown away.
here, normally, I would have added only another sentence to this post - but the IMDb rules state a post must have a minimum 10 lines.
so I might write that this is not just a movie. It's a tribute to all movie makers, of all times. It's a tribute to all the people passionate enough with an idea to be able to follow it until the very end. A tribute to those few people that do not sell their soul, or their ideals. In a way, one might read it as Caranfil's manifesto.
but ignore all the above. Ignore all the comments. Just go see the movie. It speaks for itself better than anybody ever could.
the rest is silence.
I'm blown away.
here, normally, I would have added only another sentence to this post - but the IMDb rules state a post must have a minimum 10 lines.
so I might write that this is not just a movie. It's a tribute to all movie makers, of all times. It's a tribute to all the people passionate enough with an idea to be able to follow it until the very end. A tribute to those few people that do not sell their soul, or their ideals. In a way, one might read it as Caranfil's manifesto.
but ignore all the above. Ignore all the comments. Just go see the movie. It speaks for itself better than anybody ever could.
the rest is silence.
An absolute masterpiece of Romanian cinematography and a solid quality picture. Its romantic and humorous atmosphere, its gorgeous reconstruction of Romanian belle epoque is fantastic (since that time, beginning of XX century, Bucharest was named 'Little Paris', due to many resemblances to the original city), the acting is impeccable and scenario is well-paced, humorous and inventive. The story is the making off of the making off of the Independence War that Romania, along with Russia took part against Otoman Empire in period 1877 - 1878. A must see picture, remarkable for the new spirit in Romanian cinematography.
The latest hits of Romanian cinematography are all movies which show Romania in gray tones. So far they've been successful and i really appreciate those movies but it's about time that a director does the normal thing, to change the pace of Romanian films a little. Through the magic of Nae Caramfil and the help of a consistent budget, we have a film good enough to compare with Hollywood productions and who still keeps his artistic integrity and doesn't fall into commercialism.
The script is brilliant and fearless, with cleaver lines and a language to suit the depicted times.
Marius Vizante has a great performance as a frustrated but proud young director, and Ovidiu Niculescu's unlikely (Niculescu having neither the age, neither the stature of Leon Negrescu) cast in the role of Leon proved to be a really good choice.
I sincerely believe that this movie will be a milestone in Romanian cinematography and i hope that many as good as this one will follow.
The script is brilliant and fearless, with cleaver lines and a language to suit the depicted times.
Marius Vizante has a great performance as a frustrated but proud young director, and Ovidiu Niculescu's unlikely (Niculescu having neither the age, neither the stature of Leon Negrescu) cast in the role of Leon proved to be a really good choice.
I sincerely believe that this movie will be a milestone in Romanian cinematography and i hope that many as good as this one will follow.
- soadjackass
- Mar 5, 2008
- Permalink
- PaulCristian
- Mar 9, 2008
- Permalink
Love films. Always have, always will. Would like to love Romanian films too, because it just feels good to hear a film unfold in my very own language. But things are as they are and I can't make them any different. All I can try is change my "optic" of things, which I can't seem to do in this particular case. Some films sway you to, others don't. It's just as simple as that.
In Caranfil's style, "Restul e tacere" is a jolly new film about film, but also about jolly old Romania and the people inhabiting it. It looks good and is decently acted, as a young protagonist tries to make a film about the Romanian battle of independence, against the Turks, which leads him on a road of enlightenment about the people of that world. A lot of character types pop up in this morally vile Romania which bear a lot of criticism to the contemporary one as well.
What disappoints me is that subtlety is often sacrificed for clarity, with an ending so full of itself that it just undermines many of the things said and done along the way. It is undeniable that the film has moments of poignant humor and all in all manages to sketch a very true form of the ill society which rules the land, now and then, but it isn't "round" enough to be placed on the shelf it wishes to place itself.
I may be overly harsh about Caranfil's latest effort, but I do not wish to ignore the underlying themes and motifs he ties in with the story, the allegorical parallels of other stages of the world and some of the great single elements which are part of it. However it isn't enough - as far as I'm concerned - to be really smart about the things you say, if the way you say them doesn't fit.
In Caranfil's style, "Restul e tacere" is a jolly new film about film, but also about jolly old Romania and the people inhabiting it. It looks good and is decently acted, as a young protagonist tries to make a film about the Romanian battle of independence, against the Turks, which leads him on a road of enlightenment about the people of that world. A lot of character types pop up in this morally vile Romania which bear a lot of criticism to the contemporary one as well.
What disappoints me is that subtlety is often sacrificed for clarity, with an ending so full of itself that it just undermines many of the things said and done along the way. It is undeniable that the film has moments of poignant humor and all in all manages to sketch a very true form of the ill society which rules the land, now and then, but it isn't "round" enough to be placed on the shelf it wishes to place itself.
I may be overly harsh about Caranfil's latest effort, but I do not wish to ignore the underlying themes and motifs he ties in with the story, the allegorical parallels of other stages of the world and some of the great single elements which are part of it. However it isn't enough - as far as I'm concerned - to be really smart about the things you say, if the way you say them doesn't fit.
- tributarystu
- Mar 26, 2008
- Permalink
Well first of all I like the title : it is very suggestive , very theatrical . This movie is a needed change of rhythm in the Romanian cinema because it is depicting an episode of pioneering cinema in Romania . The year is 1912 but INDEPENDENCE WAR do not forget : is not the very first Romanian movie , maybe it is the first historical movie , even from the historical point of view the real UNION came in 1918 with Basarabia and Transilvania joining Valahia and Moldova ...but we are getting too much into national history .That era depicted in film is when Bucharest was opening more to European influences and especially french culture , it later became LITTLE Paris and it was not an exaggeration at all. French was spoken by aristocrats , intellectuals , artists and even common people. Of course the movie is got a lot of comic moments , we are Romanians N'EST CE PAS ? Do not forget also that haughty people they despised cinema , they preferred theater . I know they we're right but , let's get over it . Cinema was incredible cheap , even in those days , it was a sort of entertainment for low social classes , for the mob . But of course in time people they changed up minds , it is to admire the passion the people involved in this project they sacrifice to see their dream come true . Also it is showing us how VOLATILE and transient the films are ......they burn so easily .I enjoyed watching this movie , and is a nice feeling to know that they are still people who cares about CINEMA .
- simonasidorin
- Jul 6, 2008
- Permalink
First time when i heard about this movie i thought it's gotta be another sad romanian movie with a low budget, but i was wrong! After i saw it, all i can say it's that this movie is one of the greatest romanian movie made in last 20 maybe 30 years. It has great humor, the acting it's very well done and the story-board it's amazing. I didn't knew that romanians are the first who made a long movie.
Anyway, from all the movies that i saw this year "Restul e tacere" it's in top 5 of my favorite movies.
After i saw it, i decide to buy it! If you want to see it, don't pirate it, buy it!
Anyway, from all the movies that i saw this year "Restul e tacere" it's in top 5 of my favorite movies.
After i saw it, i decide to buy it! If you want to see it, don't pirate it, buy it!
Story of a movie. Story of a Romanian society and the image of movie-adventure. A film about small things, warm, nostalgic, like a spring day.A comedy but, in same time, description of a fight. Old fashion atmosphere and subjective view. And large circles of collective memory. A film about present with words of past.Simple, naive and natural, classic and childish, cruel analysis of a victory and scene of soft discover of national modernity's roots. Ioana Bulca in a impressive come-back. Marius Florea Vizante as brilliant pioneer. And the ash of a lost time. A film about the deep images of soul. Piece of self-definition. A sort of game out of gray reality. A movie. About sense of art, fight, success, fame and truth. Small fragment of a huge mirror.
it could be another successful film of a special Romanian director. or the return of Romanian cinema to the historical genre. or occasion to see great actors in impeccable performances. or, just, a different film. but its virtue is the status of beautiful homage. to film. to sacrifice of few idealist people. to a slice of Romania modernity. to figures who looking for change everything. it is a basket with stories. love, humor, dramas. and the beginning of Romanian cinema. the same flavor of films and making of and clashes between different visions. for me, "Restul e tăcere" has two fundamental virtues : the original portrait of the king Carol I, the splendid presence of Ioana Bulcă. and , sure, the impeccable atmosphere.
- Kirpianuscus
- Apr 14, 2017
- Permalink