After Christine's son goes missing, she reaches out to the LAPD to find him, but when they try to pass off an impostor as her son to quiet public protests, she refuses to accept him or give ... Read allAfter Christine's son goes missing, she reaches out to the LAPD to find him, but when they try to pass off an impostor as her son to quiet public protests, she refuses to accept him or give up hope.After Christine's son goes missing, she reaches out to the LAPD to find him, but when they try to pass off an impostor as her son to quiet public protests, she refuses to accept him or give up hope.
- Nominated for 3 Oscars
- 14 wins & 55 nominations total
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaScreenwriter J. Michael Straczynski first learned of the story of Christine Collins from an unnamed source at Los Angeles City Hall. The source had stumbled across case files regarding the Wineville Chicken Coop Murders among other discarded documents scheduled for destruction. Straczynski took the files and became obsessed with the case, doing extensive research over the course of a year. He tried to make it into a television project, but never found a solid way to do that. Virtually every event depicted in this movie appears as cited in legal documents, with dialogue often taken verbatim from court transcripts. Straczynski wrote his first draft of the screenplay in only 11 days.
- GoofsDetective Ybarra uses the term "serial killer," coined by FBI Special Agent Robert K. Ressler in the 1970s.
- Quotes
[last lines]
Christine Collins: Three boys made a run for it that night, Detective, and if one got out, then maybe either or both of the other two did too. Maybe Walter's out there having the same fears that he did. Afraid to come home and identify himself, or afraid to get in trouble. But either way, it gives me something I didn't have before today.
Detective Lester Ybarra: What's that?
Christine Collins: Hope.
- Crazy creditsThe black-and-white Universal logo used in the 1940s opens the film.
- ConnectionsFeatured in Los 10 magníficos: Clint Eastwood (2008)
Angelina Jolie does a superb job of portraying a Los Angeles woman ("Christine Collins") in the late 1920s whose boy is kidnapped. Five months later, the "proud" police department brings her kid back, making it a good PR session. Unfortunately, it's not her kid and stupidly, although she's naturally upset about, she poses with the kid and takes him home. (Would that really happen?).
Then she begins her quest of finding her real "Walter." Further twists and turns make the story increasingly horrifying. In all, you won't be able to keep your eyes off the screen wondering if justice will ever prevail in the end and who exactly is involved in what. It's not particularly a fun ride - you'll have a frown on your face for quite some time - but it sure is interesting and an excellent two hour-plus of entertainment. By the end, you'll be emotionally exhausted.
Kudos to all the actors in here for riveting performances and to the production and design team for a great period piece. Where else can you feel you're back 75-80 years in time with the boxy cars and flapper hats than in movies?
- ccthemovieman-1
- Jul 25, 2009
- Permalink
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Sự Hoài Nghi
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $55,000,000 (estimated)
- Gross US & Canada
- $35,739,802
- Opening weekend US & Canada
- $489,015
- Oct 26, 2008
- Gross worldwide
- $113,398,237
- Runtime2 hours 21 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1