A sister and brother face the realities of familial responsibility as they begin to care for their ailing father.A sister and brother face the realities of familial responsibility as they begin to care for their ailing father.A sister and brother face the realities of familial responsibility as they begin to care for their ailing father.
- Nominated for 2 Oscars
- 17 wins & 33 nominations total
- Burt
- (as Hal Blankenship)
- Real Estate Agent
- (as Laura Palmer)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaDirector Tamara Jenkins contacted Carter Burwell to score the movie. Burwell had already committed himself to score No Country for Old Men (2007), so he refused, but recommended Stephen Trask to Jenkins.
- GoofsJon Savage drives his Polish girlfriend to the airport at 6:30 AM, in broad daylight. But in November in Buffalo, it would be pitch dark at this hour (even on November 1, sunrise isn't until 7:46).
- Quotes
Jon Savage: Dad's not the one that has a problem with the Valley View. There's nothing wrong with Dad's situation. Dad's situation is fine. He's never gonna adjust to it if we keep yanking him outta there. And, actually, this upward mobility fixation of yours, it's counterproductive and, frankly, pretty selfish. Because it's not about Dad, it's about you and your guilt. That's what these places prey upon.
Wendy Savage: I happen to think it's nicer here.
Jon Savage: Of course you do, because you are the consumer they want to target. You are the guilty demographic. The landscaping, the neighborhoods of care; they're not for the residents, they're for the relatives. People like you and me who don't want to admit to what's really going on here.
Wendy Savage: Which is what, Jon?
Jon Savage: People are dying, Wendy! Right inside that beautiful building right now, it's a fucking horror show! And all this wellness propaganda and the landscaping, it's just there to obscure the miserable fact that people die! And death is gaseous and gruesome and it's filled with shit and piss and rotten stink!
- SoundtracksI Don't Want to Play in Your Yard
Written by Henry W. Petrie (as Henry Petrie), Philip Wingate, and Dick Manning
Performed by Peggy Lee
Courtesy of Geffen Records
Under license from Universal Music Enterprises
From there, Linney and Hoffman's characters meet up with the father whom they haven't seen in years, and who was never very compassionate towards them. However, their father has dementia, and slowly begins to forget who they are. Instead of their main concern being whether or not he's kind to them, the kids are afraid they won't be able to communicate with him at all. The way Tamara Jenkins handles this, from both the perspective of the kids and the perspective of the father, is brilliant. She really understands the way family relations work, as her film is spot-on in that aspect.
The three performances are all great for their own reasons. Linney plays a woman who is really confused with her life: she's having an affair with a married man who's ten years older than her, she lies to everyone she knows about things that aren't worth it, and she is having a lot of trouble getting produced as a writer. Hoffman, her older brother, has a really relaxed humanistic side to him, always countering Linney's loud worrisome actions with a calm, mind-processing technique. The chemistry between this brother-sister duo - probably the only opposite-sex-adult-aged-duo that doesn't have any romantic elements (for obvious reasons) - is one of the most realistic works of chemistry you'll find in a theater this year. Throw in Phillip Brosco - who absolutely conquers the dementia that his character has (my aunt has dementia, so I see her all the time and know that his face and way of talking and mannerisms are all spot on) - and you've got three characters who are so strong alone that they're enough reason to see this movie, funny-touching script and story aside.
While all three performances were incredible, I'd have to say that my favorite performance came from Hoffman. Linney played the confused-wreck card very well, but it's not like she's the first actress to confront or conquer that territory. Brosco was astoundingly realistic as a man with dementia, but his role doesn't carry very far beyond that. Hoffman's performance, while not "loud" in any way, is simply the best portrayal of an ordinary human being I've seen in years, if that makes any sense. Everything, from the way he reacts to what people say, to the way he talks, to the way he expresses emotion when he's feeling it - all of it is executed so well that I can't believe that he was actually acting.
The ending of the film is very humane. It doesn't have any major twists or bangs, but it doesn't end on a nothing-note either. It teaches us that the lessons we learn from one experience can help us deal with the next, and it's the many small messages like this and the very life-like feel of the film's craft that make it one of the most special films I had the experience of seeing at a theater this year.
- billybobwashere
- Nov 11, 2007
- Permalink
- How long is The Savages?Powered by Alexa
Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- Дикуни
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $6,623,082
- Opening weekend US & Canada
- $151,859
- Dec 2, 2007
- Gross worldwide
- $10,653,221
- Runtime1 hour 53 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1