The lives of Edith Bouvier Beale and her daughter Edith, aunt and cousin of Jacqueline Kennedy Onassis.The lives of Edith Bouvier Beale and her daughter Edith, aunt and cousin of Jacqueline Kennedy Onassis.The lives of Edith Bouvier Beale and her daughter Edith, aunt and cousin of Jacqueline Kennedy Onassis.
- Won 6 Primetime Emmys
- 36 wins & 33 nominations total
Louis Ferreira
- David Maysles
- (as Justin Louis)
Louis Grise
- Young Buddy
- (as Louis Grisé)
Storyline
Did you know
- TriviaIn the original Grey Gardens (1975), David Maysles asked Edith 'Little Edie' Bouvier Beale who she would want to portray her mother, Edith Bouvier Beale, if a movie based on Grey Gardens were made. She suggested Ethel Barrymore, Drew Barrymore's great-aunt, who died in 1959.
- Quotes
Phelan Beale: Damn Ganymede.
George 'Gould' Strong: I'm right here Phelan, I can hear you!
- Crazy creditsAt the end of the credits, where the American Humane Society's traditional credit is displayed, Little Edie's voice adds "No animals were harmed in the making of this movie."
- SoundtracksTea For Two
from the musical "No No Nanette"
Lyrics by Irving Caesar
Music by Vincent Youmans
Performed by Drew Barrymore and Jessica Lange
Featured review
I just wish little Edie could have seen this film...
Not sure why it took me so long to view this film (I rarely watch made-for-cable-television films, so that explains that.) I've seen the documentary a number of times and always came away from it wishing I would have had the opportunity to meet the Edies and, particularly, little Edie. I can't explain it, but there's just something so marvelously endearing about her. She should have been a "somebody" other than just being Jackie O.'s cousin.
Watching the 1975 Maysles record of the closing days of Grey Gardens always sets me to thinking, perhaps too much, about what I saw play out between my own deceased mother and grandmother. It always takes me a couple of days to shake that film loose.
I watched the documentary, again, three days ago. Tonight I watched the film--is there a genre known as augmented documentary? The augmented documentary floored me. In particular, Barrymore's performance is stunning. She IS little Edie! I know the documentary very well, all the "classic" lines; and, Barrymore's delivery of them was like...well, watching little Edie in the documentary. Yet, seeing more of the Beales' past played out in rich detail connected so many dots for me (e.g. the very special gift given to Edith by Krug that figures prominently at the film's end.)
At the film's end, I was sorely missing my mother. She was the little Edie in my life; and, she would have loved this film. My grandmother, or big Edie, would have loved it, too. Thankfully, furniture covered with plastic and strict rules about animals in the house (never cats, and only the occasional small dog not allowed in bedrooms) kept the living arrangement tidy; but, the big Edie and little Edie dynamic was all there. So much laughter, so many tears, so much love and so much dislike. This film captured it all for me. Perhaps, to really appreciate it, one needs to have lived it to a certain degree. If one hasn't, I can see where the film might come across less than excellent.
9/10 stars from me and only because the film didn't incorporate "The Marble Faun" eating corn with big Edie; and, I missed little Edit remarking on her "revolutionary" dress for the day.
Watching the 1975 Maysles record of the closing days of Grey Gardens always sets me to thinking, perhaps too much, about what I saw play out between my own deceased mother and grandmother. It always takes me a couple of days to shake that film loose.
I watched the documentary, again, three days ago. Tonight I watched the film--is there a genre known as augmented documentary? The augmented documentary floored me. In particular, Barrymore's performance is stunning. She IS little Edie! I know the documentary very well, all the "classic" lines; and, Barrymore's delivery of them was like...well, watching little Edie in the documentary. Yet, seeing more of the Beales' past played out in rich detail connected so many dots for me (e.g. the very special gift given to Edith by Krug that figures prominently at the film's end.)
At the film's end, I was sorely missing my mother. She was the little Edie in my life; and, she would have loved this film. My grandmother, or big Edie, would have loved it, too. Thankfully, furniture covered with plastic and strict rules about animals in the house (never cats, and only the occasional small dog not allowed in bedrooms) kept the living arrangement tidy; but, the big Edie and little Edie dynamic was all there. So much laughter, so many tears, so much love and so much dislike. This film captured it all for me. Perhaps, to really appreciate it, one needs to have lived it to a certain degree. If one hasn't, I can see where the film might come across less than excellent.
9/10 stars from me and only because the film didn't incorporate "The Marble Faun" eating corn with big Edie; and, I missed little Edit remarking on her "revolutionary" dress for the day.
- keith-712-383468
- Sep 8, 2016
- Permalink
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- 灰色花園
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $12,000,000 (estimated)
- Runtime1 hour 44 minutes
- Color
- Sound mix
- Aspect ratio
- 1.78 : 1
Contribute to this page
Suggest an edit or add missing content