American troops arrive in Britain and the Corps of Engineers building an airstrip on a Hastings farm is met with resentment.American troops arrive in Britain and the Corps of Engineers building an airstrip on a Hastings farm is met with resentment.American troops arrive in Britain and the Corps of Engineers building an airstrip on a Hastings farm is met with resentment.
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- TriviaThe decorations for the dance at the American base incorporate the Morse code symbol for "V" (...-). This was commonly used in World War II as a symbol for victory and was often associated with the first four notes in Beethoven's Fifth Symphony.
- GoofsWhen Captain Kieffer initially tries to block Foyle's attempts to investigate the murder, he points out that the American base in technically American soil. This is incorrect, since the base is not an embassy or consulate.
- Quotes
[last lines]
Captain John Kieffer: I'm new here. I know how you British are always murdering each other, but I didn't expect to get caught up in it like that, so, uh... maybe I behaved like a jerk.
Christopher Foyle: Well, you did much that was right.
Captain John Kieffer: Can we put all this behind us?
Christopher Foyle: Course.
Captain John Kieffer: Good. And in the interest of furthering British - U.S. friendship, I happen to have a quart of Jack Daniels in the back. Don't suppose you'd care to come back to the base and help me in drinking it, would you?
Christopher Foyle: To, um, help the war effort?
Captain John Kieffer: Exactly.
Christopher Foyle: Don't see why not.
Captain John Kieffer: Climb aboard.
[they get in the Jeep and start off]
Christopher Foyle: By the way, what's a jerk?
Captain John Kieffer: Ah, let me explain.
Christopher Foyle: Nothing to do with dried meat?
Captain John Kieffer: Nothing to do with dried meat. That's jerky.
Christopher Foyle: That's jerky.
Captain John Kieffer: Okay, look, a jerk is someone who... i-it's...
- ConnectionsFeatured in Masterpiece Mystery: Foyle's War, Series IV: Invasion (2007)
All the previous episodes ranged between great to brilliant. "Invasion" is another example of a very good 'Foyle's War' episode but not quite great. The Americans are somewhat stereotypically portrayed agreed and the ending is not one of the surprising ones of the series, also guessed it before it happened (while also still finding it well done). Also felt that Jay Benedict overdid the gruffness and that the captain character was on the cartoonish side. As clichéd as this sounds, even when 'Foyle's War' was not at its best it was much better than a lot of shows at their weakest with none of the episodes being what one would deem "bad". Like with many 'Foyle's War' episodes, on re-watch there was much more appreciation had for how well established the character development, tone and themes are and things that didn't quite connect entirely at first made more sense on re-watches.
With that being said, "A War of Nerves" is an excellently executed episode otherwise. Have always admired the visual detail that went into 'Foyle's War' and how high quality the production values are, with beautiful costumes, the evocative way the characters are made up, the look of the houses and cars, pretty locations and authentic-looking scenery. The music is in keeping with the mood and doesn't overpower the drama while still making an impact.
Writing is intelligent, sophisticated and thought-provoking, establishing Foyle's personality with so much depth already and providing some tense and heart-tugging moments. The story has its issues, but is still compelling and never dull. It does require full attention as ever, and is mostly very clever and intriguing, pacing itself deliberately but as ever with a lot happening things don't feel dull and there are some nice twists and turns.
All the conflicts, social/ethical themes and how the period is portrayed are handled beautifully and tastefully and there is a real sense that war itself is a central character and its dark nature is explored very well here.
One thing that wasn't picked up by me but now is and admired hugely is the tackling of what was seen as truths but some really misconceptions and seeing British during the war in a new light. This was a bold move and dealt with a lot of honesty and tact. The background information is so well researched and is every bit as interesting as the mystery itself. The character tensions were also handled very well and added a lot of intrigue, despite the stereotypical characterisation the conflict between the British and the Americans is not that far from the truth.
Michael Kitchen is truly superb as Foyle, subtle, intensely determined, commanding and above all human. One of the most interesting television detectives there's ever been and Kitchen has rarely been better. Honeysuckle Weeks is charming and loyal, with some nice touches of subtle humour as ever, and Anthony Howell is wonderful.
Support acting is mostly solid, though few are outstanding. Phillip Jackson is very good though as always.
Overall, didn't wow me but hardly a clunker. 8/10 Bethany Cox
- TheLittleSongbird
- Nov 2, 2017
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