This movie gets it right. From a simple and "seen-it-before" premise-- a man reunites with his daughter he never knew he had--comes a tale of human frailties, failures, fears, familial fraternity and future-looking forgiveness. The themes and concept may be old news, but the look, feel and refined storytelling of this one is as refreshing as a cold beer in summer. It is quirky & funny with fine nuanced performances by both leads. Isabella Leong got a few acting nods for her role and she really carries the piece well trying to gain her father's favour and exploring a relationship she never had.
Music-wise this film is also covered with a prominence of powerful pieces that not only set the mood, but sometimes tell the story themselves. Peter Kam also get recognized for his work, but arguably its Ho-Cheung Pang's choices as well as calculated visual and sound editing that makes it all work.
Ho-Cheung Pang really gets the best of everyone with this. Earthy real sets & decors from the arts department, lighting & impressive camera-work, etc. From the potent acting to the steady interior shots or the moving exterior close-ups, everything fits into the beautiful puzzle. The cinematography is innovative, alluring, but properly restrained and like the music also tells the story in its own way. A little hint of Kar Wai Wong here with occasional focus on feet or parts of the body, but always very well done and adding to realness and proposed point-of-view.
The movie leaves the audience in a happy contemplative mood. Having enjoyed the slice of life, embarked with the characters and feeling all the better for it.
This is a great picture that will have me seeking Ho-Cheung Pang's past & future projects. A voice I definitely want to hear more from in Hong Kong cinema...
