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7.2/10
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A documentary on the history of the slasher film.A documentary on the history of the slasher film.A documentary on the history of the slasher film.
Amy Holden Jones
- Self
- (as Amy Holden-Jones)
Anthony Timpone
- Self
- (as Tony Timpone)
Storyline
Did you know
- TriviaBased upon the novel of the same name by author Adam Rockoff
- Quotes
John Carpenter: New talents come along, old talents fade away.
- ConnectionsFeatures The War of the Worlds (1953)
Featured review
This is an interesting and pretty thorough documentary on the slasher film. It's not as good as reading a book on the subject, of course (there are several now, and this documentary is based on one of the better ones), but you get lots of films clips, and some interviews, not only with the usual horror convention attendees like Tom Savini and Felissa Rose,but also with more obscure characters like the Rabbi Herbert Freed who directed the obscure slasher "Graduation Day" (before he was a rabbi, of course).
What's most interesting for someone like me who is old enough to remember the first wave of slasher movies, is to recall how alarmed adults were at the time by these movies, which look like pretty harmless fun now. I especially remember the way they actually picketed "Silent Night, Deadly Night" because they were upset by the idea of an axe-murdering Santa Claus (in an ideal world these kind of idiots would be met with tear gas and police batons, just like anti-war protesters--who often have a legitimate reason for being upset--often are).
It's also ironic how widely available, thanks to DVD, uncut versions of these movies are today, considering how they were hacked up by American censors back then or outright banned over in Britain. It's probably just as stupid to get worked up about movies like "Hostel" or "Captivity" like people do nowadays. Remember the famous ad-line to "Last House on the Left" (one movie this doc barely mentions, although I guess it isn't really a slasher). "It's only a movie... It's only a movie. . .
What's most interesting for someone like me who is old enough to remember the first wave of slasher movies, is to recall how alarmed adults were at the time by these movies, which look like pretty harmless fun now. I especially remember the way they actually picketed "Silent Night, Deadly Night" because they were upset by the idea of an axe-murdering Santa Claus (in an ideal world these kind of idiots would be met with tear gas and police batons, just like anti-war protesters--who often have a legitimate reason for being upset--often are).
It's also ironic how widely available, thanks to DVD, uncut versions of these movies are today, considering how they were hacked up by American censors back then or outright banned over in Britain. It's probably just as stupid to get worked up about movies like "Hostel" or "Captivity" like people do nowadays. Remember the famous ad-line to "Last House on the Left" (one movie this doc barely mentions, although I guess it isn't really a slasher). "It's only a movie... It's only a movie. . .
Details
- Release date
- Country of origin
- Language
- Also known as
- Going to Pieces - el éxito y la caída del cine de destazamiento
- Filming locations
- Los Angeles, California, USA(Hollywood Forever Cemetary)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $600,000 (estimated)
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Top Gap
By what name was Going to Pieces: The Rise and Fall of the Slasher Film (2006) officially released in Canada in English?
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