Directed by
| William Dear | ||
Writing Credits
| Jackson Davies | ... | (written by) |
| Norm Foster | ... | (based on the original play by: "The Foursome") |
Cast (in credits order) complete, awaiting verification
Produced by
| Robert E. Baruc | ... | executive producer (as Robert Baruc) |
| Nicholas Glass | ... | executive producer |
| Ivan Harmatny | ... | executive producer |
| Darryl Hebert | ... | associate producer |
| Joseph E. Kovacs | ... | executive producer (as Joseph Kovacs) |
| Ron McNeil | ... | executive producer |
| Ivo Staiano | ... | co-executive producer |
| James Thom | ... | associate producer (as James E. Thom) |
| Carrie Wheeler | ... | producer |
| Gavin Wilding | ... | supervising producer (uncredited) |
Music by
| Chris Ainscough | ... | (music composed by) |
Cinematography by
| Ron Williams | ... | director of photography |
Editing by
| Will Wilson | ... | (as William A. Wilson) |
Casting By
| Candice Elzinga | ||
Production Design by
| Shannon Murphy | ||
Costume Design by
| Farnaz Khaki-Sadigh | ... | (as Farnaz Khaki0Sadigh) |
Makeup Department
| Charlene Dunn | ... | hair swing / makeup swing |
| Ellen Pratt | ... | key makeup artist |
| Sarah Bergeest Still | ... | key hair stylist (as Sarah Bergeest) |
Production Management
| Pam Gillies | ... | production manager |
| Gavin Wilding | ... | post-production supervisor |
Second Unit Director or Assistant Director
| Alex Burnett | ... | third assistant director |
| Cory Faulkner | ... | second assistant director |
| Dave T. Nall | ... | trainee assistant director (as David Nall) |
| John Penhall | ... | first assistant director |
| Mark Shulz | ... | trainee assistant director |
| Adam J. Piechnik | ... | background coordinator (uncredited) |
Art Department
| Dean Barker | ... | property master |
| Kasia Dzieciolowska | ... | set decorator buyer (as Kasia Dziecolowska) |
| Steve Martin | ... | construction foreman |
| Sean McGee | ... | assistant property master |
| Nancy Pownall | ... | assistant property master |
| Brendan Taylor | ... | assistant set decorator |
| Kevin Tomecek | ... | construction coordinator |
| Lori West | ... | graphic designer |
| Spencer West | ... | on-set set decorator |
| Christopher Rodgers | ... | construction foreman (uncredited) |
Sound Department
| Ken Biehl | ... | background editor |
| Stephen Cheung | ... | dialogue editor |
| Tony Gort | ... | sound designer |
| Don Harrison | ... | foley artist |
| Mark Hensley | ... | re-recording mixer |
| Ian Mackie | ... | foley artist |
| Linda McAteer | ... | vice president sound post production |
| Paul Novokshonoff | ... | boom operator |
| Rick Senechal | ... | foley engineer |
| Greg Stewart | ... | re-recording mixer |
| Steven Weakes | ... | sound mixer |
| Christopher Cleator | ... | adr mixer (uncredited) |
| Andy Welker | ... | adr mixer (uncredited) |
Special Effects by
| David Barkes | ... | special effects coordinator |
Stunts
| Janina Dall | ... | stunts (as Janina Nenadic) |
| Bruce Fontaine | ... | stunts |
| Leslie McMichael | ... | stunt coordinator (as Leslie McMichaels) |
| Steven McMichael | ... | stunt coordinator (as Steven McMichaels) |
| Janina Dall | ... | stunt double (uncredited) |
Camera and Electrical Department
| David Burstow | ... | grip (as Dave Burstow) |
| Melody Chan | ... | camera trainee |
| Zack Cole | ... | gaffer |
| Audrey Dennison | ... | second assistant camera: "b" camera |
| Marty Gagnon | ... | videographer: EPK |
| Fiona Garden | ... | still photographer |
| Timothy Hanson | ... | lamp operator (as Tim Hanson) |
| Tammy Jones | ... | first assistant camera: "a" camera |
| Jill MacLauchlan | ... | camera operator: "a" camera (as Jill Maclaughlin) |
| Sean McPhee | ... | best boy electric (as Shawn Mcphee) |
| Quincy Paglaro | ... | Steadicam operator / camera operator: "b" camera |
| Andrew Pepper | ... | dolly grip operator: "a" camera / key grip |
| Ralph Riviers | ... | generator operator |
| Greg Simmonds | ... | first assistant camera: "b" camera (as Greg Simmons) |
| Cail Stein | ... | grip |
| Krista Stumph | ... | second assistant camera: "a" camera |
| Todd Thibideau | ... | best boy grip |
| Chad Wansley | ... | lamp operator |
Casting Department
| Alicia Scott | ... | extras casting director |
| Martina Smyth | ... | casting associate |
Costume and Wardrobe Department
| Liliana Patino | ... | truck costumer |
| Gloria Tsui | ... | assistant costume designer / set supervisor |
Editorial Department
| Don Thompson | ... | post production supervisor |
| Lorne Wright | ... | color correction / online |
Location Management
| Shane Davis | ... | assistant location manager |
| W. Robert Millar | ... | location manager |
| Brandon Williams | ... | assistant location manager |
Music Department
| Chris Ainscough | ... | music supervisor |
Script and Continuity Department
| Laura Collini | ... | script supervisor |
Transportation Department
| Lori Merchant-O'Dwyer | ... | transportation captain (as Lori O'Dwyer) |
| Thomas O'Dwyer | ... | transportation coordinator (as Tom O'Dwyer) |
| Georgina Petropoulos | ... | cast driver |
Additional Crew
| Darren Baker | ... | security coordinator |
| Alain Daniel | ... | food and beverage manager |
| Lesley Diana | ... | unit publicist |
| Patrick Mokrane | ... | production accountant |
| Georgina Petropoulos | ... | assistant accountant / production coordinator |
| Mike Sandyke | ... | craft service (as Mike 'Crusty' Sandyke) |
Thanks
| Bryan Adams | ... | very special thanks: for "18 'til I Die" |
| Carmen Bonnici | ... | special thanks |
| Lodi Butler | ... | very special thanks |
| Jeff Flowers | ... | very special thanks |
| Desiree Foisy | ... | the producers wish to thank |
| Norm Foster | ... | very special thanks |
| Joyce Horton | ... | very special thanks |
| George Margellos | ... | very special thanks |
| Kim Matheson | ... | very special thanks |
| Tammy Preast | ... | very special thanks |
| Michael Karl Richards | ... | very special thanks |
| Judy Robinson | ... | very special thanks |
| Greg Sprung | ... | the producers wish to thank |
| Marsha Wheeler | ... | very special thanks |