Directed by
Louise Osmond | ... | (directed by) |
Jerry Rothwell | ... | (directed by) |
Writing Credits
Jerry Rothwell | ... | (original treatment by) |
Cast (in credits order)
Produced by
Jonathan Banatvala | ... | executive producer |
Katja Hollmann | ... | associate producer: Lipsync (as Katja Lazare) |
François Ivernel | ... | executive producer (as Francois Ivernel) |
Stewart Le Marechal | ... | co-producer (as Stewart le Maréchal) |
Ralph Lee | ... | executive producer |
Cameron McCracken | ... | executive producer |
Al Morrow | ... | producer (produced by) |
Jonny Persey | ... | producer (produced by) |
Jerry Rothwell | ... | co-producer (co-produced by) |
John Smithson | ... | producer (produced by) |
Paul Trijbits | ... | executive producer |
Music by
Harry Escott | ... | (original music by) |
Molly Nyman | ... | (original music by) |
Cinematography by
Nina Kellgren | ... | director of photography |
Editing by
Ben Lester | ... | (edited by) |
Casting By
Sarah Bird | ... | voice casting director |
Production Design by
Jane Linz Roberts |
Production Management
Chris Atkins | ... | post production supervisor: S2S Post |
Dan Bentham | ... | post production supervisor: S2S Post |
Orlagh Collins | ... | head of physical production: Pathé |
Fiona Morham | ... | head of production: UK Film Council |
Gerardine O'Flynn | ... | production manager: FilmFour |
Kevin Phelan | ... | head of post production: Lipsync |
Marion Comengre | ... | production manager: Met Film (uncredited) |
Art Department
Rupert Allan | ... | assistant art director |
Gareth Bowen | ... | construction: Visual Scene |
Ian Buchanan | ... | design assistant |
Martin Cottis | ... | models |
Carl Fairweather | ... | graphics artist |
Adam Hunter | ... | models |
Matt Hunter | ... | assistant art director |
Adam Jenns | ... | graphics artist |
Marcus Moresby | ... | graphics artist |
Brett Naylor | ... | construction: Visual Scene |
Mark Warrington | ... | graphics artist |
Sound Department
Olly Astles-Jones | ... | sound recordist (as Ollie Astles-Jones) |
Lola Boström | ... | foley artist |
Per Boström | ... | re-recording mixer |
Daren Clark | ... | sound recordist: Australia crew |
John Hagenstede | ... | sound recordist |
Christer Melén | ... | sound effects editor |
Ricardo Renaldi | ... | sound recordist: Argentina crew |
Joakim Sundström | ... | supervising sound editor |
Stuart Thompson | ... | sound recordist |
Peter Davis | ... | second sound assistant (uncredited) |
Mark Kenna | ... | sound consultant (uncredited) |
Visual Effects by
Derek Bird | ... | digital compositor (uncredited) |
Camera and Electrical Department
Stuart Biddlecombe | ... | EPK camera |
Neil Blackman | ... | gaffer: underwater crew |
Paddy Blake | ... | focus puller (as Patrick Blake) |
Peter Byrne | ... | clapper loader: Canary Islands crew |
Mark Campany | ... | electrician: underwater crew |
Simon Chapman | ... | additional photography: Australia crew |
Johnny Colley | ... | gaffer (as John Colley) |
Justin Denchfield | ... | gaffer |
Ennio Di Santolo | ... | gaffer |
John Domeney | ... | gaffer: Australia crew |
Bonnie Elliott | ... | camera assistant: Australia crew |
Jamie Hammond | ... | camera assistant |
Saul Harris | ... | electrician |
David Katznelson | ... | additional photography |
Nina Kellgren | ... | additional stills photography |
James Lewis | ... | clapper loader: underwater crew |
Dean Morrish | ... | focus puller: underwater crew |
Jem Morton | ... | grip |
Edward Rutherford | ... | additional photography: Canary Islands crew |
Adam Shawyer | ... | stills scanning |
Ollie Upton | ... | stills photographer |
Mike Valentine | ... | director of photography: underwater crew |
Andrew Walsh | ... | additional stills photography |
Nick Watson | ... | additional stills photography (as Nicky Watson) |
Editorial Department
Cinzia Baldessari | ... | assistant editor |
Mark Burton | ... | assistant editor |
James Clarke | ... | digital lab supervisor: Lipsync |
William Foxwell | ... | digital lab operator: Lipsync (as Will Foxwell) |
Stuart Fyvie | ... | senior colourist: Lipsync |
Scott Goulding | ... | senior digital lab operator: Lipsync |
Bjorn Johnson | ... | edit assistant |
Jeffrey May | ... | conform: Lipsync |
Daniel Tomlinson | ... | digital lab operator: Lipsync |
Justine Wright | ... | supervising editor |
Marion Comengre | ... | post-production manager: Met Film (uncredited) |
Location Management
Enda Murray | ... | fixer: Australia crew |
Tom Tilley | ... | fixer: Australia crew |
Laura Zommer | ... | fixer: Argentina crew |
Music Department
David Clegg | ... | counter tenor |
Harry Escott | ... | music arranged by / music conducted by / music orchestrated by |
Isobel Griffiths | ... | orchestra contractor |
Gabrielle Lester | ... | orchestra leader |
Everton Nelson | ... | musician: violin |
Molly Nyman | ... | music arranged by / music conducted by / music orchestrated by |
Steve Orchard | ... | live recording engineer (as Steven Orchard) |
Jimmy Robertson | ... | music mix engineer |
Mark Berrow | ... | musician: violin (uncredited) |
Rachel Bolt | ... | musician: viola (uncredited) |
Dave Foster | ... | music preparation (uncredited) |
Steve Mair | ... | musician: double bass (uncredited) |
Allen Walley | ... | musician: double bass (uncredited) |
Bruce White | ... | musician: viola (uncredited) |
Script and Continuity Department
Sarah Golding | ... | script consultant |
Transportation Department
Chris Fox | ... | captain: Hispaniola of Leith - Canary Islands crew |
Additional Crew
Reno Antoniades | ... | legal services provided by: Lee & Thompson |
Charlotte Bates | ... | production runner |
Caroline Beamish | ... | translation and interpretation |
Cassandra Bennitt | ... | specialist archive consultant |
Sophie Borowsky | ... | additional legal services |
Anthony Brenner | ... | archive materials |
Tom Cochrane | ... | marine consultant |
Max Cole | ... | legal services provided by: Lee & Thompson |
Mark Cranwell | ... | additional legal services |
The Crowhurst Family | ... | archive materials |
Bertrand Cumet | ... | translation and interpretation |
Simon Fawcett | ... | finance director: Pathé |
Colin Forbes | ... | archive materials |
Paul Gardner | ... | archive consultancy: Darlow Smithson Productions |
Paul Grindey | ... | head of business affairs: FilmFour |
Austyn Hallworth | ... | archive materials |
Simon Hallworth | ... | archive materials |
Peter Harcourt | ... | safety diver: underwater crew |
Monique Harvey | ... | translation and interpretation |
Chris Irvine | ... | business affairs executive: FilmFour |
Himesh Kar | ... | senior executive: UK Film Council |
Kalen Lee | ... | production runner |
Alix Macfarlane | ... | additional research |
Charles McDonald | ... | unit publicist: Premier PR |
Anna Mohr-Pietsch | ... | production assistant (as Anna Mohr Pietsch) |
Françoise Moitessier de Cazalet | ... | archive materials |
Stephan Moitessier | ... | archive materials |
Kevin O'Shea | ... | insurance provided by: AON |
Gordon Pirie | ... | translation and interpretation |
Phoebe Rudomino | ... | diving co-ordinator: underwater crew |
Mike Runagall | ... | international sales: Pathé |
Rafael Saralegui | ... | fixer: Argentina |
Sally Shell | ... | business affairs: Darlow Smithson Productions |
Vicky Skea | ... | head of business affairs: Pathé |
Ulla Streib | ... | physical production: Darlow Smithson Productions |
Sarah Teboul | ... | production accountant |
Eve Tetley | ... | archive materials |
Grant Thornton | ... | production auditor |
Natalie Usher | ... | senior business affairs executive: UK Film Council (as Natalie Bass) |
Françoise Valentine | ... | underwater co-ordinator: underwater crew (as Francoise Valentine) |
Patrick Whistler | ... | production runner |
Laura Zommer | ... | translator: Argentina crew |
Thanks
Larry Bennett | ... | with special thanks to |
Chay Blyth | ... | with special thanks to |
Geoff Bowles | ... | with special thanks to |
David Broscombe | ... | with special thanks to |
Ann Buchanan | ... | with special thanks to |
Robert Buchanan | ... | with special thanks to |
Richard Caseby | ... | with special thanks to |
Norma Chavero | ... | with special thanks to |
Clare Crowhurst | ... | with special thanks to |
Rachel Crowhurst | ... | with special thanks to |
Roger Crowhurst | ... | with special thanks to |
Simon Crowhurst | ... | with special thanks to |
Jane Darke | ... | with special thanks to |
Tony Dowmunt | ... | with special thanks to |
Harold Evans | ... | with special thanks to |
Guy Feldman | ... | with special thanks to |
Alona Ferber | ... | with special thanks to |
Daniel Flexer | ... | with special thanks to |
Adrianna Franchessi | ... | with special thanks to |
Sara Louise Gilmore | ... | with special thanks to |
Andy Griffith | ... | with special thanks to |
Paula Griffiths | ... | with special thanks to |
Ian Hamilton | ... | with special thanks to |
Denis Herbstein | ... | with special thanks to |
Brian Hill | ... | with special thanks to |
Terence Kelly | ... | with special thanks to |
Bill King | ... | with special thanks to |
Leonie King | ... | with special thanks to |
Tarka King | ... | with special thanks to |
Moses Kirkconnel | ... | with special thanks to |
Bruce Maxwell | ... | with special thanks to |
Winston McDermott | ... | with special thanks to |
Leslie Mogford | ... | with special thanks to: Eastwoods Marina |
Paul Morrison | ... | with special thanks to |
Mr. Dupuy | ... | with special thanks to (as Mr Dupuy) |
John Norman | ... | with special thanks to |
Philip Norman | ... | with special thanks to |
Andy Porter | ... | with special thanks to |
Alan Renton | ... | with special thanks to: Porthcurno Telegraph Museum |
Craig Rich | ... | with special thanks to |
Ben Ridley | ... | with special thanks to |
Simon Rooks | ... | with special thanks to |
Maria Salvatti | ... | with special thanks to |
Murray Sayle | ... | with special thanks to |
Richard Stenning | ... | with special thanks to: Charles Frodsham & Company |
Peter Straus | ... | with special thanks to |
Eve Tetley | ... | with special thanks to |
Paul Vanezis | ... | with special thanks to |
Hal Watmough | ... | with special thanks to |
Nicole Whittington | ... | with special thanks to |