A woman stumbles upon a pair of pink high heels while walking down a subway platform. She picks them up and takes them home only to find out that they are cursed and can ruin her life.A woman stumbles upon a pair of pink high heels while walking down a subway platform. She picks them up and takes them home only to find out that they are cursed and can ruin her life.A woman stumbles upon a pair of pink high heels while walking down a subway platform. She picks them up and takes them home only to find out that they are cursed and can ruin her life.
- Awards
- 1 nomination total
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Storyline
Did you know
- TriviaItalian censorship visa # 99509 delivered on 15 December 2005.
- GoofsThe colour of the shoes in the modern day moments of the film are a purplish pink, however during the moments where it was presumably the Japanese occupation of Korea at that time, the shoes are a reddish pink, perhaps due to the fact that the shoes have been worn for a very long period of time.
- Quotes
Sun-jae: [Angry] Mommy loves Tae-soo very much... But mommy really hates when Tae-soo lies.
Tae-su: [Crying] It's not a lie! Daddy really came! He said he's too cold and to take him out!
Sun-jae: [Angry] Don't lie to me!... I told you that daddy couldn't come here. How can he? I told you he can't come here, so how could he? How can he?... Why did you lie? Why did you lie?
Tae-su: [Crying] Mommy. Mommy.
Sun-jae: [Sun-jae realizes what she had done to her daughter and hugs her]
[Crying]
Sun-jae: Tae-soo. Tae-soo... Tae-soo, I'm sorry. Mommy was wrong... Tae-soo. Tae-soo... Tae-soo, mommy was wrong. I was wrong. Mommy was wrong...
[Sun-jae becomes obsessed by the red shoes again and grabs her daughter's hair angrily]
Sun-jae: [Angry] But mommy... Really hates when Tae-soo lies.
- Crazy creditsAfter Taesoo, who is covered in thick makeup and wears a black top and white tutu while dancing and looking at her reflection in the mirror, part of the beginning of the credits show. However before they get past the second actor in the cast list, the screen shakes and the text turns red as if there is a technical problem, before it reverts to a scene of people walking in the park. The pink shoes can be seen again in the park, and a girl with roller blades leans down to pick them up. After her hand covers the camera, the credits roll normally.
- ConnectionsFeatured in WatchMojo: Top 10 Fairy Tale Horror Movies (2020)
The thing that links most Asian horror films are the slender, pale ghosts with long, black hair draped in front of their faces. They aren't exactly lacking in Bunhongsin, but that's where the similarities end. While J-Horror often craves ugly ultra-realism and scares, their Korean counterparts are extremely stylized and fare on a solid dramatic base.
Underneath the horror lies a tale about adultery and the tough life of a single mother raising a young daughter, craving her dad. This core story is actually pretty well developed and receives its fair share of screen time. Above that lies a story about haunted shoes going after whoever tries to steal them from their rightful owner. And the curse itself is of course due to a tragic event in the past.
Like I said, if you've seen a few Korean horror films before, there's nothing that will shock or surprise you here. The films plays according to the genre rules and does little to cross those artificial boundaries. On the other hand, that's exactly why it'll be called a true genre film in 20 years time.
So why all the fuss? Well, even though there are some small hick-ups, the presentation of the film is seemingly perfect. Visually the film is nothing less than impressive. The use of lighting is magnificent, with lots of flashing lights, toned-down colors, neon lighting and a Doyle-like choice of scenery, making this a very colorful film while remaining its dark edge.
Shots and framing are equally strong, with many strong images resulting in memorable scenes. The music is just as impressive, with many different choices of music, all of them suiting the scenes they are set to, always improving the intended atmosphere. The only critique lies in the editing, which could've been a bit tighter, and the range of styles and effects applied, making the style of the film a little too chaotic. But those are really just minor quirks.
One thing to keep in mind is that Bunhongsin isn't exactly the most scary film out there. Maybe it's because I'm used to this kind of horror film by now, but don't expect many scares or extreme suspense. The tension is held well and the atmosphere is spot on, but Bunhongsin is probably better described as a tense supernatural thriller than a real horror movie. Not that it matters much, but it's often good to approach films like these with the correct expectations.
The ending is pretty cool (especially the short second ending), the film never bores, remains beautiful throughout and is just plain good at everything it tries and does. So if you're looking for an excellent genre film, Bunhongsin is probably a very good bet. Lush visuals, pretty score and a good solid story to drag you through the slower parts. Very nice surprise indeed. 4.0*/5.0*
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Details
Box office
- Gross worldwide
- $7,853,740
- Runtime1 hour 43 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1