Author Michael Enslin specializes in debunking paranormal occurrences, checks into the fabled room 1408 in the Dolphin Hotel in New York City, settles in, and soon confronts genuine terror.Author Michael Enslin specializes in debunking paranormal occurrences, checks into the fabled room 1408 in the Dolphin Hotel in New York City, settles in, and soon confronts genuine terror.Author Michael Enslin specializes in debunking paranormal occurrences, checks into the fabled room 1408 in the Dolphin Hotel in New York City, settles in, and soon confronts genuine terror.
- Awards
- 4 wins & 12 nominations
Storyline
Did you know
- TriviaIn the movie, Mike Enslin (John Cusack) says to his recorder, "Hotel rooms are just naturally creepy places, don't you think? I mean, how many people have slept in that bed before you? How many of them were sick? How many were losing their minds?" Stephen King wrote this in his explanatory note of 1408 in his compilation book of short stories.
- GoofsWhen Mike Enslin is on the ledge outside, the size of the ledge changes. When there is a shot of just his feet, he appears to only be able to fit half of his foot on the ledge at most, however when there are long shots which include Enslin's feet, they are fully on the ledge and are given about an inch of space. However, as the movie's main theme is based around reality and Mike's (and therefore our) perception of it, this may well be deliberate - the ledge really is wide enough for his feet but to his eyes it's far too narrow, thus heightening his fear.
- Quotes
Mike Enslin: [Olin gives Enslin the room key] Most hotels have switched to magnetics. An actual key. That's a nice touch, it's antiquey.
Gerald Olin: We have magnetic cards also, but electronics don't seem to work in 1408. Hope you don't have a pacemaker.
Mike Enslin: [into his tape recorder] General manager claims that the phantom in room interferes...
Gerald Olin: I have *never* used the word "phantom."
Mike Enslin: Oh, I'm sorry. Uh, spirit? Specter?
Gerald Olin: No, you misunderstand. Whatever's in 1408 is nothing like that.
Mike Enslin: Then what is it?
Gerald Olin: It's an evil fucking room.
- Alternate versions-***Spoiler Alert - Alternate Ending*** The Director's Cut contains a more tragic ending. Mike Enslin sets fire to 1408 but is not rescued by the fire department. Instead, the last we see of him is when he's lying on his back in the burning room and we hear the words of his daughter "everybody dies". The camera zooms in on the numbers on the outside door, just as they melt from the heat. The next scene is at Mike's funeral where his coffin is lowered into the ground right next to his daughter's; just as the visions 1408 prophesied. Lily is there, being consoled by Mike's agent. As the procession ends, Lily walks to her car and is met by Gerald Olin who is carrying a box. Gerald introduces himself and gives his condolences. He says the box contains some of Mike's belongings still left in the room. He offers it to Lily while also trying to explain, with a sense of hope, that Mike's death of was not in vain and that because of his actions no one else will *ever be able to stay in room 1408. Lily, in too much grief to listen, cuts him off and refuses to accept the box. Gerald returns to his car and opens the box, which contains the nightgown that was sent through the fax machine as well and the burned tape recorder. Gerald plays it and hears the same dialog between Mike and his daughter heard at the end of the theatrical release. As he listens, he sees a young girl in his rear-view mirror waving in his direction. He turns around to look at her and catches a brief vision of Mike Enslin in his back seat, hideously burned. Gerald jumps but the vision quickly disappears. He looks back at the girl who has found her dad that was looking for her. Gerald catches his breath, starting his car and driving off. The final scene goes back to room 1408. We see a specter Mike Enslin staring out the window. The last shot is of him finishing his cigarette and walking towards the door just as he vanishes.
- SoundtracksWe've Only Just Begun
Written by Roger Nichols (as Roger S. Nichols) and Paul Williams (as Paul H. Williams)
Performed by The Carpenters
Courtesy of A&M Records
Under license from Universal Music Enterprises
I decided to watch this after Polanski's "the Tenant" and that was probably a bad choice, because that film is precious.
This one consists of three elements, typical of the King formula.
The first is the expression of terror, shaped safely so that you can watch but not be personally threatened. I think this is a King invention. Here, we know WE would have taken seriously the warnings so he deserves what he gets. It relieves us.
The second element is trite, so far as I am concerned. Also a King specialty is to weave some sort of emotional trauma into the otherwise merely decorative horror. Here it is the death of our character's child, which happened before we meet him. This allows for the final zinger.
The third element is the stuff I study and that King knows well. I call it narrative folding. Situations are nested in each other. Time gets shifted, at the same time that the period in the room proceeds in real time, even with a clock counting down. Ghosts inhabit ghosts and all people are ghosts. Cold is hot. Water is land. Daughter is wife.
This is the stuff that makes the film work, and I think it is done pretty well. Its why they picked Cusak. He understands this stuff. Has since "Malkovich" and "Fidelity" and mastered in "Identity."
Ted's Evaluation -- 3 of 3: Worth watching.
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- 1408: Căn Phòng Bí Ẩn
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $25,000,000 (estimated)
- Gross US & Canada
- $71,985,628
- Opening weekend US & Canada
- $20,617,667
- Jun 24, 2007
- Gross worldwide
- $132,963,417
- Runtime1 hour 44 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1