In a seemingly perfect community without war, pain, suffering, differences or choices, a young boy is chosen to learn from an elderly man, the true pain and pleasure of the "real" world.In a seemingly perfect community without war, pain, suffering, differences or choices, a young boy is chosen to learn from an elderly man, the true pain and pleasure of the "real" world.In a seemingly perfect community without war, pain, suffering, differences or choices, a young boy is chosen to learn from an elderly man, the true pain and pleasure of the "real" world.
- Awards
- 3 wins & 6 nominations
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaJeff Bridges had been trying to have the film made for nearly 20 years and even filmed a version of it with his family. Speaking on the Nerdist Podcast he said: "I originally wanted to direct my father in it. As a matter of fact, somewhere in some garage, there is a version of this movie with my father (Lloyd Bridges) playing The Giver, Bud Cort narrates the whole thing, Beau's kids, one is shooting it, one is playing Jonas. We did the whole book, so that's around somewhere."
- GoofsWhen Jonas flees through various terrain and weather conditions at the end of the movie, his wardrobe changes a number of times to where he finally wears a thick winter parka. All the while he never has a backpack or bag or anything with him and the baby when he initially flees on the motor bike. And where could he have even gotten a spare parka from anyway, since the whole society was climate controlled to perpetual summer-like conditions?
- Quotes
Chief Elder: When people have the freedom to choose, they choose wrong--every single time.
- SoundtracksSilent Night
Lyrics by Joseph Mohr
Music by Franz Xaver Gruber
(Incorrectly attributed as "Traditional")
Performed by The von Trapp Children
Courtesy of Rattlesby Records, Inc.
Featured review
If you think that the world that George Orwell created in 1984 was a rigid one they were positively hedonistic compared to the society shown in The Giver. Playing the title role is Jeff Bridges who is called that because he has a very special duty to be the one entrusted with the memories of the past. The ruling body of the society has to be able to refer to the past to be guided in making decisions. But we can't have everyone knowing about lest they long for the good things of the past. It's all been abolished the good and the bad, conformity and sameness is the order of things. Color is not even allowed everyone wears drab clothing like they were in prison. The family is abolished, kids are born and then assigned to nurturers, women particularly go into that occupation and it is an occupation like being a plumber.
A new group of young people are being given new assignments and young Brendon Thwaites sits eagerly awaiting his occupation. He gets the prize as he is chosen to be the Receiver of all the past knowledge from Bridges. His training is to telepathically connect with Bridges all the experiences of the past, the good and the bad.
The use of color in film is never thought of this day, it's simply assumed that films now will be photographed that way. But The Giver takes its place along side Schindler's List and Pleasantville in using color sparingly and to make a point. Color comes into Thwaites world as it has been in Bridges' and the equation of knowledge with color is a point well made.
When Thwaites decides that there's something more out there than what he's grown up with, society shakes. None other than chief elder Meryl Streep wants measures to be taken to stop Thwaites from questioning the order of things.
Thwaits, Streep, and Bridges head a cast that tells a thought provoking tale of curiosity and rebellion and curiosity in seeking something better always proceeds rebellion. The film ends abruptly and I suspect there's some box office soundings being taken to see if a sequel is to be made. I hope one is, but if it's not The Giver can certainly stand on its own.
A new group of young people are being given new assignments and young Brendon Thwaites sits eagerly awaiting his occupation. He gets the prize as he is chosen to be the Receiver of all the past knowledge from Bridges. His training is to telepathically connect with Bridges all the experiences of the past, the good and the bad.
The use of color in film is never thought of this day, it's simply assumed that films now will be photographed that way. But The Giver takes its place along side Schindler's List and Pleasantville in using color sparingly and to make a point. Color comes into Thwaites world as it has been in Bridges' and the equation of knowledge with color is a point well made.
When Thwaites decides that there's something more out there than what he's grown up with, society shakes. None other than chief elder Meryl Streep wants measures to be taken to stop Thwaites from questioning the order of things.
Thwaits, Streep, and Bridges head a cast that tells a thought provoking tale of curiosity and rebellion and curiosity in seeking something better always proceeds rebellion. The film ends abruptly and I suspect there's some box office soundings being taken to see if a sequel is to be made. I hope one is, but if it's not The Giver can certainly stand on its own.
- bkoganbing
- Jan 11, 2015
- Permalink
Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- El dador de recuerdos
- Filming locations
- University of the Witwatersrand, Johannesburg, South Africa(Some exteriors)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $25,000,000 (estimated)
- Gross US & Canada
- $45,090,374
- Opening weekend US & Canada
- $12,305,016
- Aug 17, 2014
- Gross worldwide
- $66,980,456
- Runtime1 hour 37 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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