A young fighter named Kham must go to Australia to retrieve his stolen elephant. With the help of a Thai-born Australian detective, Kham must take on all comers, including a gang led by an e... Read allA young fighter named Kham must go to Australia to retrieve his stolen elephant. With the help of a Thai-born Australian detective, Kham must take on all comers, including a gang led by an evil woman and her two deadly bodyguards.A young fighter named Kham must go to Australia to retrieve his stolen elephant. With the help of a Thai-born Australian detective, Kham must take on all comers, including a gang led by an evil woman and her two deadly bodyguards.
Nathan Jones
- T.K.
- (as a different name)
Xing Jin
- Madame Rose
- (as Jin Xing)
Phetthai Vongkumlao
- Mark
- (as Petchtai Wongkamlao)
Bongkoj Khongmalai
- Pla
- (as Bongkod Khongmalai)
Jon Foo
- Wushu Fighter
- (as Jonathan Patrick Foo)
David Asavanond
- Officer Rick
- (as David Chatchavan Asavanod)
Storyline
Did you know
- TriviaContains one of the longest no-cut fight scenes in movie history: the fight up floor after floor lasted four-plus minutes.
- GoofsIn the long-take brothel fight, Kham knocks a thug's head into a frame and glass shatters. However, the shattering glass is a CG effect and the reflection on the glass is still there. (This is due to an on-set mistake when the prop failed to break)
- Alternate versionsUS version was cut by the distributor (The Weinstein Company) from 109 minutes to 81 minutes to 'tighten up' the film (which is frequently done with martial arts films owned by them). Additionally it has a new score by RZA.
- SoundtracksBaby
(Uncredited)
Written by Michael Baiardi and Maurice
Published by Soundfile Publishing
Performed by Maurice
Courtesy of Soundfile Productions, Inc.
Featured review
The Jatalangkabaht people are proud villagers who live as one with the elephants. Kham and his father look after the mighty Por Yai and the baby Korn and, when they learn of a royal elephant inspection, decide to travel to the city to take part. However the two elephants are taken and Kham's father shot. One fight later, Kham learns that the elephants have been taken to Sydney, Australia. Kham travels to Australia to recover his elephants a path that brings him into the lives of police officer Mark, call girl Pla and crime boss Madame Rose.
I'm not entirely sure why this flopped because, like Ong Bak, although everyone knows the plot and acting will generally be weak, few will be in the cinema for anything other than impressive action. Of course Warrior King delivers this but I was also reasonably impressed by how the other factors had improved to a certain degree. The narrative is still a weak excuse for lots of people to get kicked in the head and there are still lots of scenes that don't seem to make sense and, well, just happen. However the film does feel a little bit more professional; touches of humour such as the comment about pirate DVD's for example. Of course none of this means that the plot is any good but at least it is better than previous. Perhaps it is not PC to say it, but the use of English with Thai helps as well I find the latter a very ugly language and the way it is scaled back does make it more accessible to a western audience.
The lack of a really engaging plot does rather mean that the action exists as a separate entity and is not part of a gripping total film the temple fights being a good example as they are more like baddies in a video game than a film. Of course with action this good it doesn't really matter and you will still find yourself gasping at some of the violent kicks. Some of it is a little overdone (the rollerblading bit was all a bit daft) but some is surprisingly well done. There is a continuous tracking shot that moves up several floors and encompasses many individual fights that I thought was stunning and must have been so difficult to get right. Jaa's skills are undeniable and he is helped by the way his character is given more anger to work with and isn't a "naïve country boy" to the degree he was in Ong-bak. He still isn't a great actor but he is getting better at least in his native tongue. Wongkamlao has less to do here but his English is good and he comes off well. Khongmalai is a good addition as she is natural and very easy on the eye (although I did feel a bit cheapened by her gratuitous mud bath scene). Xing's Rose isn't great but De Montemas has a bit more menace (shame his character is so poor), while Nguyen is generally a good turn.
Overall then this is not a great film because of the weaknesses in the plotting and some reasonably average acting turns. However it is a marked improvement on Ong-bak in these areas and should be a bit more accessible as a result. The action suffers from being cut off from the narrative but is still very enjoyable for what it is. Fans of the genre should love it.
I'm not entirely sure why this flopped because, like Ong Bak, although everyone knows the plot and acting will generally be weak, few will be in the cinema for anything other than impressive action. Of course Warrior King delivers this but I was also reasonably impressed by how the other factors had improved to a certain degree. The narrative is still a weak excuse for lots of people to get kicked in the head and there are still lots of scenes that don't seem to make sense and, well, just happen. However the film does feel a little bit more professional; touches of humour such as the comment about pirate DVD's for example. Of course none of this means that the plot is any good but at least it is better than previous. Perhaps it is not PC to say it, but the use of English with Thai helps as well I find the latter a very ugly language and the way it is scaled back does make it more accessible to a western audience.
The lack of a really engaging plot does rather mean that the action exists as a separate entity and is not part of a gripping total film the temple fights being a good example as they are more like baddies in a video game than a film. Of course with action this good it doesn't really matter and you will still find yourself gasping at some of the violent kicks. Some of it is a little overdone (the rollerblading bit was all a bit daft) but some is surprisingly well done. There is a continuous tracking shot that moves up several floors and encompasses many individual fights that I thought was stunning and must have been so difficult to get right. Jaa's skills are undeniable and he is helped by the way his character is given more anger to work with and isn't a "naïve country boy" to the degree he was in Ong-bak. He still isn't a great actor but he is getting better at least in his native tongue. Wongkamlao has less to do here but his English is good and he comes off well. Khongmalai is a good addition as she is natural and very easy on the eye (although I did feel a bit cheapened by her gratuitous mud bath scene). Xing's Rose isn't great but De Montemas has a bit more menace (shame his character is so poor), while Nguyen is generally a good turn.
Overall then this is not a great film because of the weaknesses in the plotting and some reasonably average acting turns. However it is a marked improvement on Ong-bak in these areas and should be a bit more accessible as a result. The action suffers from being cut off from the narrative but is still very enjoyable for what it is. Fans of the genre should love it.
- bob the moo
- Mar 9, 2007
- Permalink
Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Người Bảo Vệ
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- THB 200,000,000 (estimated)
- Gross US & Canada
- $12,044,087
- Opening weekend US & Canada
- $5,034,180
- Sep 10, 2006
- Gross worldwide
- $27,165,581
- Runtime1 hour 51 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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