Directed by
Daniel Percival |
Writing Credits (in alphabetical order)
Lizzie Mickery | ||
Daniel Percival |
Cast (in credits order)
Produced by
Luke Alkin | ... | producer |
Stephen Barrett | ... | research producer |
Yvonne Isimeme Ibazebo | ... | line producer |
Liza Marshall | ... | executive producer |
David M. Thompson | ... | executive producer (as David Thompson) |
Paul Woolwich | ... | executive producer: BBC Current Affairs |
Music by
Joe Walker |
Cinematography by
Graham Smith |
Editing by
Melanie Oliver |
Casting By
Lucy Bevan | ||
Kahleen Crawford | ||
Des Hamilton |
Production Design by
Will Hughes-Jones |
Art Direction by
Richard Bullock |
Costume Design by
Lucinda Wright |
Makeup Department
Laura Schiavo | ... | makeup artist |
Catherine Scoble | ... | makeup designer |
Leda Shawyer | ... | makeup artist |
Production Management
Richard Hill | ... | unit manager |
Second Unit Director or Assistant Director
Amy Coop | ... | additional third assistant director (as Adam Coop) |
Kelly Dennis | ... | third assistant director |
Beth Elliott | ... | second second assistant director |
Mark Goddard | ... | first assistant director |
Nic Jeune | ... | first assistant director: second unit |
Paul Morris | ... | second assistant director |
Christian Rigg | ... | additional third assistant director |
Alex Streeter | ... | additional third assistant director |
Art Department
Kyvan Ali-Mardani | ... | dressing props |
Mario Bueno | ... | property master |
Cathy Cosgrove | ... | production buyer |
Emily Daines | ... | art department assistant |
Douglas Ingram | ... | storyboard artist |
Mark Keene | ... | carpenter |
Dan Marsden | ... | construction supervisor |
Gary Martin | ... | dressing props |
Shaun Mitcheson | ... | stand-by art director |
Adrian Platt | ... | stand-by props |
Tony Statham | ... | signs and graphics |
Graham Ward | ... | stand-by props |
Sound Department
Tom Barrow | ... | sound assistant |
Max Bygrave | ... | sound effects editor |
Graham Day | ... | sound assistant |
Steve Finn | ... | boom operator |
Tim Fraser | ... | sound recordist |
Jamie Gambell | ... | additional boom operator |
Paul Hamblin | ... | dubbing mixer |
Simon Hayter | ... | additional sound recordist |
Tim Owens | ... | dialogue editor |
Becki Ponting | ... | adr editor |
William Towers | ... | sound maintenance (as Will Towers) |
Rowena Wilkinson | ... | foley artist |
Special Effects by
Tony Auger | ... | special effects supervisor |
David Broadfoot | ... | sfx rigger |
Stunts
Andy Bradford | ... | stunt coordinator (as Andrew Bradford) |
Camera and Electrical Department
Edward Bishop | ... | camera trainee |
Edward Bishop | ... | camera trainee |
Kerry Brown | ... | still photographer |
Sue Cane | ... | focus puller |
Vincent Carroll | ... | electrician |
Tom Craig | ... | still photographer |
David Genge | ... | electrician |
Nick Green | ... | gaffer |
Nick Vernon | ... | clapper loader |
Darren Vincent | ... | camera trainee |
Costume and Wardrobe Department
Joanne Hayes | ... | wardrobe assistant |
Elizabeth Wilson | ... | costume supervisor |
Editorial Department
Chris Beeton | ... | colorist |
Gez Morris | ... | assistant editor (as Gerald Morris) |
Location Management
Syd Ezrouki | ... | location assistant |
Matthew Wortman | ... | location manager |
Music Department
Rachel Bolt | ... | musician: viola (uncredited) |
Script and Continuity Department
Kirstie Edgar | ... | script supervisor |
Mona Qureshi | ... | script editor |
Additional Crew
Biola Bankole | ... | assistant accountant |
Stephen Barrett | ... | research producer |
Naomi Bradford | ... | researcher |
Mhairi Brennan | ... | production coordinator |
Mark Kinsella | ... | production coordinator: re-shoots / production secretary |
Susy Liddell | ... | head of production |
Kevin McSweeney | ... | production accountant |
Jenny McVeigh | ... | researcher |
Elizabeth Pavitt | ... | production runner |
Alex Small | ... | floor runner |