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This movie has been unduly panned by IMDb critics as being Catholic propaganda, when there is hardly any. It's actually an exploration of questions on faith and morality, viewed from the perspective of Rev. Henri Kremer, a priest who has been "on leave" from Dachau to convince the Bishop of Luxemburg to support Nazism, who has been a silent opponent all throughout. At one point the film even mentions that the Pope however congratulated Hitler on his birthday - that clearly indicates the acquiescence of the Catholic world - to me that's quite the opposite of propaganda.

**** SOME SPOILERS AHEAD **** The movie chronicles each of the 9 days that Rev. Kremer is allowed, and his conversations with Gestapo officer Gebhardt. When Kremer fails to convince the Bishop, he is persuaded to write a memo himself, given his own respectability due to his family status. In return he can have all the priests in Dachau released. Kremer at one point thinks he is being like Judas betraying the Christian cause (also to be noted that his personal cash upon release amounted to 30 marks), which Gebhardt, a former theology student himself, argues is a necessary evil, because without Judas there would be no martyrdom of Christ, and hence no Christianity. Rev. Kremer also learns that by giving Nazi policies the official blessing of Catholicism, he can be responsible for the deportation of thousands - although some 40 priests could be let go from Dachau. The resulting dilemma of Kremer dominates the movie.

Ulrich Matthes is very convincing in the role of Kremer with his sunken cheeks and eyes, and watch the young actor August Diehl in the role of Untersturmfuehrer Gebhardt.

During WW2 a priest named Henry Kremer(Ulrich Matthes) imprisoned in concentration camp of Dachau is freed along a period of 9 days. He's threatened by a SS Unterstumfuhrer(August Dhiel) to convince the Luxemburg bishop(Tathe) to write a declaration for supporting the Nazi regime . The priest is affected because of his decision whether or not to collaborate with the Nazis.

This is an intelligent and thought-provoking film , correctly based on real events. The director covers a wide variety of plot developments at a rare pace by means of continuous flashbacks in which remembers horrible events at concentration camp of Duchau. Excellent performances by main cast as Ulrich Matthes (Goebbles in ¨The downfall¨) and August Dhiel(Ingorious bastards). Good secondary cast as Bibiana Beglau (Legend of Rita by Schlondorff) as the affecting sister . The musical score is often despairing and screeching with surprising witty touches , it is composed by Russian musician Alfred Schnitke(1934-88). The motion picture is well directed by Volker Scholondorff. He's an expert on Nazi issues as proved in ¨Tim drum¨ , ¨The ogre¨ and this one. Schlondorff does a very unusual pictures with important insight into how the past affects the present and root causes of war. His first feature film, ¨Young Torless¨ was showed around the world and he was pretty heard by international viewers when directed ¨The lost honour of Katharine Blum¨, getting similar success his fellow-countrymen as Fassbinder, Herzog and Wenders. His reputation was greatly enhanced when his phenomenal movie ¨Tin drum¨ was awarded the Oscar as best foreign-language film. Later on,Schlondorff consolidated with ¨Circle of deceits¨. Since then his films have been less satisfactory as ¨Murder in the Bayou¨ , ¨Handmaid's tale¨and ¨Palmetto¨.

Rating : Very good , Schlondorff's one the last impressive film to date. The film is admirable coherent , though in complicated narrative and never sags under its approx. hundred minutes . The movie will appeal to Nazi theme buffs

"The Ninth Day" is one of Volker Schlondorff's finest directorial feats. It covers an episode of the Nazi concentration Camp of Dachau in which there was a lesser known group of Catholic priests who were incarcerated and half of them exterminated by the oppressive regime that had enveloped Germany in the 30's and 40's during WW II. It particularly revolves around a priest from Luxemburg, Father Henri Kremer, who is released for a nine day period from the camp in order to develop positive relationships between the Bishop of Luxemburg and the Pope and Adolph Hitler's Nazi goals of extermination of specific groups of peoples. Ulrich Matthes plays Henri Kremer and he is very convincing in his strength of faith and love of family in his struggle to accomplish what he has been requested by the Gestapo to do. August Diehl is brilliant in his portrayal of Unterstumfuhrer Gebhardt, the demanding and ruthless Gestapo leader who degrades and tortures his victims to the nth degree. The cruel treatment and crucifixions of the priests is difficult to watch, yet this is a true recollection of events documented by the writer of the book by the same name. He was one of the few Catholic priest survivors of the camp. This film was released in 2004, and it is now on DVD and well worth the viewing for an historical standpoint with a different twist.

The Ninth Day is based on the true story of a Luxembourger priest (Henri) who is sent to Dachau concentration camp (among thousands of other priests in WW II) for standing against the Nazi regime. The film brilliantly contrasts the hell of the concentration camp with making a deal with the devil (i.e. the Nazi regime that sent him there) once Henri is "freed" to return home. Some very weak-minded individuals will call this film "propaganda", since it accurately portrays the persecution of the Catholic church (both the clergy and the laity) under the Nazi regime rather than the historical revisionism which was popularized by the communist bloc over the last few decades. Not for the faint of heart (there is very graphic brutality throughout), it is definitely worth watching as both a time-capsule of life during occupied countries during the Nazi regime as well as a wake-up call to future generations.

I have no great sympathy for the Catholic Church, but I found the movie quite moving while watching it. There were some rank-and-file Catholic (and Protestant) clergy who spoke up against Nazism. They paid a heavy price - in part because there wasn't an outcry on the part of the higher-ups in the church hierarchy. They were more interested in keeping their perks and playing nice with the powers-that-be. This silent betrayal is very well conveyed in the movie.

Unfortunately some of the other dramatic elements don't work as well. I think the movie would have been stronger if Henri Kremer's relationship with his family -- his sister especially, who was willing to put her life on the life so he could flee to freedom -- had been more fleshed out. They don't even show their parting! So although I was interested throughout the movie, it was not quite satisfying.

The basic idea of this film is rather interesting. There was a catholic priest from Luxembourg imprisoned in the concentration camp Dachau during the Second Word War. He wrote a diary describing daily camp life. But for 9 days he is allowed to get back to his family for the funeral of his mother. It is known that he is interrogated by the GESTAPO. But he does not tell anything about it in his diary. So the film fills the historic gap with some fiction. We are told the story of a young Nazi official who tries to convince the priest to get his bishop to stop his passive resistance. So far so good. Quite conceivable that this actually happened. But. The whole thing is just not believable. The dialogs are weak, so far as there are dialogs at all. Most of the time Uli Matthes, who is supposedly one of the best German actors, is silent. You just see his face with an expression that you can put anything into. That of course is impressive. But it is not acting. We are told that he is brilliant, but it is never shown. He just has switched uniforms. He recently played Goebbels in the Downfall. What I had expected was some real intellectual argument between the Nazi guy and a catholic intellectual. There is next to nothing of it. Some argument about Judas but it is never clear what this is supposed to proof. There is never a moment of doubt about the outcome of the "intellectual battle". And because of this the film is a failure. Very good music, though and some good scenes of the concentration camp life.

After reading some of the reviews below, I could not resist the frustration and decided to register and express my own opinion on the subject. First of all, it is a great movie, very humanistic and powerful. It is a movie about inner human struggle, it has nothing to do with church propaganda or any other nonsense so cheaply expressed by some "commentators". Being myself raised and atheist (in the former Soviet Union), subsequently going through Christian transformation but eventually abandoning it and becoming a naturalistic pantheist, I found the movie extremely resonating and devoid of any propaganda at all. It is a story about life the way it was, about people cast into the horror of the state machine, powerless and nearly broken. You will see no heroics, no pretty faces, no romantic interludes, only the bleak atmosphere and a masterful portrayal of the events. The most persistent feeling the movie leaves inside is the torturous question "What character could I actually be had I lived back then?" – and the chilling realization of the answer – "anyone of them." I only hope that the History is not going to repeat itself the way it always persistently did over the past millennium.

Most people are "conditioned" with the false sense of Hollywood "reality" in movies, but the real life is very different and this movie provides a great example of it. It actually is a big plus that the language is German, it adds a lot to the authenticity of the feeling. I have no difficulties following the English subtitles, the dialogs are sparse and do not divert from the main flow (needless to say, my native language is Russian). Finally, the soundtrack is simply incredible. The morons who call it "weak" should check the credits at the end – the bulk of the sound uses Alfred Schnittke's symphonic works – a perfect ornament to the gloomy and hopeless flow.

If you are looking for a movie to entertain yourself, you are definitely in a wrong place. By if you are like me, looking for a movie to enhance your soul and understanding of the drama of our life, then it is definitely worth checking out. 10/10

This is a truly powerful film. Faith is not a prerequisite to having an almost religious experience in viewing it.

I do not at all understand how someone can dismiss this film as a "Catholic propaganda movie". That's utter rubbish. I was raised catholic and have converted to paganism but this was still an excellent movie. It does not try to push the catholic faith onto anyone. What it is about is, simply, one man's principles. In an awful time, in the face of torture and abuse, when he is being confronted with the most persuasive arguments and when no one could blame him for taking the easy way out and saving himself, can he stand by what he believes? Will he save himself and then live the rest of his life hating himself for it? This movie was completely engrossing from beginning to end. It absolutely gripped my emotions and my mind and held me riveted. It also left me thinking about it and haunted by it long afterward. I cannot recommend this movie highly enough. Brilliant. I found myself both attracted to and repelled by the character of the Nazi sent to persuade him. Amazing subject matter beautifully executed.

In World War II, after a period living hell on earth in the concentration camp of Dachau with other catholic priests, Father Abbé Henri Kremer (Ulrich Matthes) gets a nine days leave to return to his home town for his mother's funeral. Along this period, the SS Gestapo lieutenant Gebhardt (August Diehl) tries to persuade Henri, who was born in silver-spoon and member of an influent Luxembourgian family, to convince the local bishop to give-up resisting to the Germans and write a letter to the Vatican in the name of the Catholic Church of Luxemburg convincing the Pope to support Hitler and the Nazi regime. The ambivalent Henri questions himself and the bishop what he shall do.

Based on a true story, "Der Neunte Tag" is an awesome movie and another impressive example of the powerful German cinema, of which I am a great fan. The philosophical duel between the characters of Ulrich Matthes and August Diehl is simply fantastic, with magnificent silence and dialogs. Sometimes, silence associated to the expression of the face is more significant than words. The direction is stunning and very realistic, particularly in the concentration camp; the music score and the cinematography are very beautiful; and the performances are perfect, with the two lead actors deserving nominations to the Oscar. My vote is nine.

Title (Brazil): "9o Dia" ("9th Day")

It showed just all the considerations that the Vatican and the clergy had to make and how complicated and not black and white their decisions were based upon. Not everything is as obvious as it seems. And it was not a Catholic based excuse movie for decisions made, it was just the facts. And it wasn't just the church that had to make these difficult considerations in WW2, but many governments and institutions. When your dealing with a madman who can like current day Putin, kill tens of and hundreds of thousands of people because of a single slight, you certainly have to be careful in your decisions. Just as the NATO decision on a no fly zone over Ukraine decision is. Sure we want to do it but is it worth starting WW3 over? Decisions I'm certainly glad I'll never have to make.

This is a rather philosophical movie who relies almost entierly on dialogues, except for a couple of violent scenes here and there. It adresses a series of interesting religious and political issues through the encounter-clash between a priest and SS officer. Imho, it would have worked better as atheatrical play. Diehl's acting is always on point.

This movie is full of symbols, noticeable and hidden, and takes quite a different step from other WWII movies. A test of will and faith is the lesson that we are given, and I must admit, the whole concept of Judas as the traitor and Luxembourg as the had me confused at moments because above all, "Der Neunte Tag" is a very philosophical movie.

Somebody mentioned the word "propaganda of the Catholic church" in a previous comment-well here's my thoughts on this. When's the last time you celebrated Christmas, had an Ester egg, saw a Pope on TV (not to mention-DIDN'T see any Jewish, Islamic, Hindu, Taoist and other important religious figures) or just passed a Catholic church on the way home. We are surrounded by propaganda, and because a monstrous conqueror of the world used it to achieve his objectives almost 70 years ago people make your so called "propaganda" of the 2nd World War as well, right? Don't be so ignorant and offended without a cause my man-it's the Catholic church that started most historical and current wars in the first place.

Now, back onto the tracks. Well written, well acted (I got a chance to ask August Diehl some questions and congratulate him for his role- the 16th Ljubljana Film Festival rocks!!!), and well paced "Der Neunte Tag' is a memorable movie that has something to say and let's you decide everything else.

"It's a philosophical sport, boomerang: you give something and it comes back to you"

9/10 - Recommendations-Anyone seeking a thought provoking movie

At the time of the WWII, Europe witnessed a great battle of values, beliefs, ideologies - call it what you want. Almost all roles in the movie are same sex, that is they are male, reflecting brutality and focusing the spectator on the great battle of values - here's no room for romance and no place for comedy, it's all about changing the world, and about survival. Every scene is a grand battle of values.

...namely the fact Luxembourgers up to this day very rarely speak German when they're among their fellow country people (or standard German if you consider Luxembourgish a German dialect), especially those who during German occupation didn't appreciate the nazis. In those times they basically only spoke German if they were forced to.

Another inaccuracy in this film are the nazis calling Luxembourgers by their official first name, which were usually of French origin. During occupation there was a whole operation by the nazis to germanise the Luxembourgers' names. The main character would not have been called "Henri" by the nazis but "Heinrich". And then there is the very common practice of Luxembourgish "nicknames" totally omitted by the film, like calling a "Henri" "Heng" or a "Roger" "Rosch" (his brother),

Nonetheless this film depicts hauntingly how the nazi occupiers acted, not only by using brute force but also by trying to mess with their victims minds, how gruesome the conditions were for prisoners of concentration camps and how powerless the catholic church of the occupied territories was opposed to nazi terror.

These depictions alone make this film worth to be seen.

You may go into this, thinking that it's an interesting, unique and intense Nazi film. Think again. When I read the summary, I thought the same thing, however I was quite a bit disappointed with the end result. Granted, this is a true story, and someone's real life experiences (especially as horrible as Holcocaust survivors' usually are) are nothing to be sniffed at, this however was not one of the best WWII films I've ever seen. And, although it was a German movie, and therefore, not in English, it did make it difficult to enjoy it as much had it been an American made film, where I could have watched it in my native language. Though, I won't say that the film was bad, either. It had excellent cinematography, direction, and the acting was not only realistic, but the makeup was profoundly superb.

The only things I had against the film, were that some of the scenes seemed too long, while the story dragged on. The music was cheap and not of good quality, while the story itself was written and directed very slow.

All in all it wasn't a terrible film, but again, it's the kind of movie that has much more dialogue, and intellect, than most Holocaust films do. This is not a, "Shindler's List" or even a "The Pianist", but rather something more along the lines of a business Nazi movie. There were a couple of very graphic scenes, in the very beginning and then towards the middle and end, though the majority of the film is spent indoors, offices, and homes. It's not the best film dedicated to that period of time, but you might enjoy it. Just make sure you watch it in a language you'll understand completely. That will help a great deal.