Ranch foreman Pete Perkins looks to fulfill the promise to his recently deceased best friend by burying him in his hometown in Mexico.Ranch foreman Pete Perkins looks to fulfill the promise to his recently deceased best friend by burying him in his hometown in Mexico.Ranch foreman Pete Perkins looks to fulfill the promise to his recently deceased best friend by burying him in his hometown in Mexico.
- Awards
- 5 wins & 9 nominations
Julio Cesar Cedillo
- Melquiades Estrada
- (as Julio César Cedillo)
Irineo Alvarez
- Manuel
- (as Irineo Álvarez)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaMuch of the movie was shot on Tommy Lee Jones's own ranch.
- GoofsWhen Pete and Mike are in the ruins at Jiminez, a crew member can be clearly seen crouching in a corner as the camera pans past him.
- Quotes
Melquiades Estrada: Promise me one thing, Pete. If I die over here, carry me back to my family and bury me in my home town. I don't want to be buried on this side among all the fucking billboards.
- Crazy creditsThe title of the film and the various title cards are in both English and Spanish.
- Soundtracks9 Million Pictures
Written by Augie Meyers
Performed by Augie Meyers
© Brujo Music, Administered Worldwide by Bug Music Inc.
Courtesy of French Fried Music
Courtesy of Brujo Music
Featured review
Powerful and moving modern western
The "Three burials of Melquiades Estrada" is a multi-layered story of death, retribution, loneliness, and remembrance. Although it takes place in modern day Texas, its main character Pete Perkins, superbly played by Tommy Lee Jones, seems to be living resolutely in the past. He is determined to seek justice for his best friend's death and forces the guy responsible for to a journey across the borders in Mexico to locate the village of the deceased for a proper burial. This journey will bring forward the stark contrast between the values of two ways of life and the landscape transversed is both geographical and emotional.
Modern civilization throughout the film is mainly represented by 4WD cars, sniper rifles, dinners, shopping malls, trailers, and TV-sets incessantly showing soap operas, while the characters revelling into those manifestations are invariably emotionally numb, disaffected people, trapped to a perfunctory life from which they seem unable or unwilling to escape. Concomitantly the values of the old west, based on friendship, loyalty and commitment have ebbed, though they are still existent as embodied by the relationship of Pete with his best friend. Pete is forced to pursue his own sense of justice after being repeatedly scorned by the contemptuous behavior of the authorities towards him and his demand for rightful punishment of the culprit, a cool, violence prone and emotionally detached border-guard.
The story is masterly told in a sturdy manner that perfectly serves the complexity of the excellent screenplay by an apposite use of flashbacks and wonderfully shot sequences. All the performances are top notch in their expressive minimalism, greatly contributing to the lasting emotional impact of this outstanding film.
Modern civilization throughout the film is mainly represented by 4WD cars, sniper rifles, dinners, shopping malls, trailers, and TV-sets incessantly showing soap operas, while the characters revelling into those manifestations are invariably emotionally numb, disaffected people, trapped to a perfunctory life from which they seem unable or unwilling to escape. Concomitantly the values of the old west, based on friendship, loyalty and commitment have ebbed, though they are still existent as embodied by the relationship of Pete with his best friend. Pete is forced to pursue his own sense of justice after being repeatedly scorned by the contemptuous behavior of the authorities towards him and his demand for rightful punishment of the culprit, a cool, violence prone and emotionally detached border-guard.
The story is masterly told in a sturdy manner that perfectly serves the complexity of the excellent screenplay by an apposite use of flashbacks and wonderfully shot sequences. All the performances are top notch in their expressive minimalism, greatly contributing to the lasting emotional impact of this outstanding film.
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Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- The 3 Burials of Melquiades Estrada
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $15,000,000 (estimated)
- Gross US & Canada
- $5,027,684
- Opening weekend US & Canada
- $23,859
- Dec 18, 2005
- Gross worldwide
- $12,045,362
- Runtime2 hours 1 minute
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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By what name was The Three Burials of Melquiades Estrada (2005) officially released in India in English?
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