Æon Flux is a mysterious assassin working for the Monicans, a group of rebels trying to overthrow the government. When she is sent on a mission to kill the Chairman, a whole new mystery is f... Read allÆon Flux is a mysterious assassin working for the Monicans, a group of rebels trying to overthrow the government. When she is sent on a mission to kill the Chairman, a whole new mystery is found.Æon Flux is a mysterious assassin working for the Monicans, a group of rebels trying to overthrow the government. When she is sent on a mission to kill the Chairman, a whole new mystery is found.
- Awards
- 5 nominations total
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaAccording to director Karyn Kusama, after finishing the movie, the studio fired her, re-cut the movie to a 71-minute long version that tested poorly and then asked her to edit the film again, but not back to her original vision. Huge parts of the plot were left out and even one character's sexuality of being gay was cut out by the studio.
It's possible that this 71-minute version of the film was an R-rated version which some producers wanted. Despite Kusama's objections, alternate scenes were filmed which for example showed more bloodier fights and bullet hits, and more nudity from Charlize Theron in several of her scenes. In the end, they decided to go with PG-13 rating so violence and nude scenes were cut, including an entire sex scene, although you can still see several quick shots of Theron's breasts in post-sex scene.
Kusama's original cut was about 30 minutes longer and it also had different score, composed by Johnny Klimek and Reinhold Heil, which was rejected by the producers and replaced with Graeme Revell's score while they were re-editing different versions of the film for test screenings. Trailers for the film show some of alternate scenes which could be from Kusama's director's cut, like Æon in different clothes after she wakes up.
- GoofsThere are several shots where post-production forgot to replace Sithandra's feet with hands.
- ConnectionsEdited into Creating a World: Aeon Flux (2006)
Featured review
Science fiction movies are an odd thing. They and "detective" movies depend more heavily on literary conventions than other types of films.
But you know, where detective movies have swallowed the form and adapted in rich ways, science fiction hasn't settled gently into film. Its an odd, unintuitive truth, despite the flood of science fiction movies.
Some of these are mere action movies in excusably bent settings to make them seem less ridiculous.
The "real" science fiction movies seem to be of two types, and both of those are concerned first with building an alternative universe. One path is through elaborate alternative cosmologies: Matrix, Star Wars, Ring. If you get this right, if it is sufficiently powerful, all else comes along for the ride.
The other path isn't appreciated as much by the kiddies, but in a way it is more pure. That's when the alternative world is first a visual presentation. If you choose this path young jediniles, its all about the eye. Plots, characters, attitude... all these only have to be acceptable and not get in the way.
With that preface, i have to say I liked this movie, as trashed as it has been.
Sure, the story is stupid. Name more than three science fiction movies that aren't.
The action scenes are ordinary. The acting lame. That hasn't prevented hosannas for other films.
But this one has terrific art direction. No, nothing radical, but what we see in just about every scene is magical. And it all hangs together to imply just exactly the world we inhabit for that hour and a half.
Imagination often shows in these things. But rarely does it show as a coherent vision in all the elements of the thing. "Sin City" even had problems with this. I'll ask you to watch this just for the visual impact. The camera isn't great: some "Van Helsing" eye-adventure would have helped.
I'll rate this worth watching. Yes, with an emphasis on the watching, down to the redheaded "handler" and the rebirthing craft.
Ted's Evaluation -- 3 of 3: Worth watching.
But you know, where detective movies have swallowed the form and adapted in rich ways, science fiction hasn't settled gently into film. Its an odd, unintuitive truth, despite the flood of science fiction movies.
Some of these are mere action movies in excusably bent settings to make them seem less ridiculous.
The "real" science fiction movies seem to be of two types, and both of those are concerned first with building an alternative universe. One path is through elaborate alternative cosmologies: Matrix, Star Wars, Ring. If you get this right, if it is sufficiently powerful, all else comes along for the ride.
The other path isn't appreciated as much by the kiddies, but in a way it is more pure. That's when the alternative world is first a visual presentation. If you choose this path young jediniles, its all about the eye. Plots, characters, attitude... all these only have to be acceptable and not get in the way.
With that preface, i have to say I liked this movie, as trashed as it has been.
Sure, the story is stupid. Name more than three science fiction movies that aren't.
The action scenes are ordinary. The acting lame. That hasn't prevented hosannas for other films.
But this one has terrific art direction. No, nothing radical, but what we see in just about every scene is magical. And it all hangs together to imply just exactly the world we inhabit for that hour and a half.
Imagination often shows in these things. But rarely does it show as a coherent vision in all the elements of the thing. "Sin City" even had problems with this. I'll ask you to watch this just for the visual impact. The camera isn't great: some "Van Helsing" eye-adventure would have helped.
I'll rate this worth watching. Yes, with an emphasis on the watching, down to the redheaded "handler" and the rebirthing craft.
Ted's Evaluation -- 3 of 3: Worth watching.
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Details
- Release date
- Countries of origin
- Official site
- Language
- Also known as
- Aeon Flux
- Filming locations
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- See more company credits at IMDbPro
Box office
- Budget
- $62,000,000 (estimated)
- Gross US & Canada
- $25,874,337
- Opening weekend US & Canada
- $12,661,112
- Dec 4, 2005
- Gross worldwide
- $53,321,673
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