18 reviews
i was part of the cast of Space Odyssey, playing FIDO in mission control. i just want to say that none of us actors, specially those in mission control who had to react to a green screen most of the time, had any idea how amazing it would turn out to be. i knew it was going to be good, if only for the sheer camaraderie and professionalism that the production team at Impossible Pictures provided for everyone involved. but when we all saw it for the first time at the screening at the Curzon Mayfair, well, i for one felt very proud. I was so glad that none of us looked like we were in Star Trek. Joe Aherne, the screenwriter and director, is the most amazing man to work for. He pretty much gets a good team together and then just trusts them implicitly to freely do what they do best. I'm really lucky to have been part of this show. Who knew something this epic and complicated to understand would turn out to be so enticing to watch. and my god it's a beautiful universe out there.
- lourdesfaberes
- Nov 21, 2004
- Permalink
I came across this movie on DVD purely by chance through a Blockbuster rental. Voyage to the Planets is an excellent BBC 2hour documentary/drama about a future "grand tour" of the solar system. Taking pains to adhere to current knowledge about the planets and space flight, and plausible extropolations from existing technology, this movie tells the story of astronauts on a journey to Venus, Mars, Jupiter, Saturn, and Pluto.
The special effects are excellent for a TV show. I found the actors believable as astronauts. The situations presented are for the most part plausible, and you learn a lot about the science of the planets and spaceflight! Only two minor complaints: I found some of the situations and dialogue somewhat maudlin at times. Furthermore I am unsure that a single crew and ship would be sent on a single mission to see all those destinations at once time. More than likely, visits to Venus, Mars, Jupiter, etc. would/will be separate missions.
They didn't try to skimp on this show with production values. The scenes of Venus and Mars were actually filmed in the northern deserts of Chile--the driest area on earth and a dead-ringer for the Martian landscape. Weightlessness sequences were filmed in a diving Russian transport jet. The producers could have fudged on either of these using studios and CGI, but chose the real thing instead.
I would like to especially mention the marvelous music that was composed for this movie. Don Davis's thrilling theme is the first thing that grabs you when the movie starts, as the magnificent shot of the Pegasus passes the screen and David Suchet intones "it is the destiny of man to explore the stars...".
Watching this on a small television screen is one regret I have. What a thrill to see this in a movie theatre, or even better an IMAX presentation!
The special effects are excellent for a TV show. I found the actors believable as astronauts. The situations presented are for the most part plausible, and you learn a lot about the science of the planets and spaceflight! Only two minor complaints: I found some of the situations and dialogue somewhat maudlin at times. Furthermore I am unsure that a single crew and ship would be sent on a single mission to see all those destinations at once time. More than likely, visits to Venus, Mars, Jupiter, etc. would/will be separate missions.
They didn't try to skimp on this show with production values. The scenes of Venus and Mars were actually filmed in the northern deserts of Chile--the driest area on earth and a dead-ringer for the Martian landscape. Weightlessness sequences were filmed in a diving Russian transport jet. The producers could have fudged on either of these using studios and CGI, but chose the real thing instead.
I would like to especially mention the marvelous music that was composed for this movie. Don Davis's thrilling theme is the first thing that grabs you when the movie starts, as the magnificent shot of the Pegasus passes the screen and David Suchet intones "it is the destiny of man to explore the stars...".
Watching this on a small television screen is one regret I have. What a thrill to see this in a movie theatre, or even better an IMAX presentation!
My main criticism is quite simply that it isn't long enough or detailed enough. I would have loved to see more of everything: the building of the vessel, the engineering, the training, the first lift to orbit, preparations for departure, Venus Orbital Injection, everything. I would have liked to see more of the first leg, Venus to Earth, instead of zipping there like a n°10 corporation bus. In fact, I would have liked to see a series on the scale of Earth Story made of this, with a full hour dedicated to every planet and maybe another to the loop around the Sun. As it was, I was left hungry. On the other hand, I do understand budgets and viewers' attention-spans.
Re the science: Let's be fair about the speed-of-light time-lag: they did mention at the beginning that there was a lag in conversations, but they let this evaporate once they reached the outer planets. Some kind of conversation had to be presented to the viewers, and we have to assume that the lag was edited out for the sake of palatability; so no complaints there. But zero for noisy spaceships. The only film in which spaceships make no noise was Kubrick's 2001, and even then he copped out by using the noise of the crew breathing in their helmets - which *was* pretty effective. I wish the makers of Space Odyssey had realized just how eerie the sight of vast rocket-motors blasting in absolute silence might be but alas, Pegasus lets out much the same roar as every other cardboard spaceship in every other cardboard SciFi film.
But the rest of the science was excellent. No complaints there, in fact praise for bringing out the radiation problems as well as they did. I just hope that having done this film won't discourage the BBC from making a really detailed version, but I suppose that's not for next week or next year either...
Re the science: Let's be fair about the speed-of-light time-lag: they did mention at the beginning that there was a lag in conversations, but they let this evaporate once they reached the outer planets. Some kind of conversation had to be presented to the viewers, and we have to assume that the lag was edited out for the sake of palatability; so no complaints there. But zero for noisy spaceships. The only film in which spaceships make no noise was Kubrick's 2001, and even then he copped out by using the noise of the crew breathing in their helmets - which *was* pretty effective. I wish the makers of Space Odyssey had realized just how eerie the sight of vast rocket-motors blasting in absolute silence might be but alas, Pegasus lets out much the same roar as every other cardboard spaceship in every other cardboard SciFi film.
But the rest of the science was excellent. No complaints there, in fact praise for bringing out the radiation problems as well as they did. I just hope that having done this film won't discourage the BBC from making a really detailed version, but I suppose that's not for next week or next year either...
...programs I have seen on TV in many years.
As far as I can tell, they really did get everything right. I have been interested in astronomy and the Solar system for some years and the scientific information in the program, such as surface conditions on Venus and Mars, the volcanic activity of Io, and magnetic fields of Jupiter, all seems very convincing. There's a lot of education in this show and it gives the layman the best possible feel as to what the solar system is really like.
The factual element combined with the excellent drama makes for a great show. The acting is first rate. So much so they don't really appear to be acting at all. It could easily be a fly-on-the-wall documentary. You get to care about the characters.
I can't rate this highly enough. Truly wonderful. Worth the price of a big TV even if this is the only show you ever watch!
As far as I can tell, they really did get everything right. I have been interested in astronomy and the Solar system for some years and the scientific information in the program, such as surface conditions on Venus and Mars, the volcanic activity of Io, and magnetic fields of Jupiter, all seems very convincing. There's a lot of education in this show and it gives the layman the best possible feel as to what the solar system is really like.
The factual element combined with the excellent drama makes for a great show. The acting is first rate. So much so they don't really appear to be acting at all. It could easily be a fly-on-the-wall documentary. You get to care about the characters.
I can't rate this highly enough. Truly wonderful. Worth the price of a big TV even if this is the only show you ever watch!
i strongly recommend it to anybody who likes good plots, good actors (even if not well known)(often, it's just better that way), science and/or science fiction presented in an intelligent way on the (small) screen, good special effects even if they did not have billions of dollars to produce it...
much better than any war in the stars...
there was only one comment which was not necessary: talking about the comet, the commentator says that LIFE was maybe brought on earth through a comet... that's fun, there must be always a chance for a magic way, huh?! That's what's great about LIFE, can come anywhere, no need of extern force
much better than any war in the stars...
there was only one comment which was not necessary: talking about the comet, the commentator says that LIFE was maybe brought on earth through a comet... that's fun, there must be always a chance for a magic way, huh?! That's what's great about LIFE, can come anywhere, no need of extern force
Duck_of_Death needs to watch this film again, as his major criticism is completely baseless. The film never once forgot about the time delay, and it was mentioned explicitly in a couple of places. The crew were never shown having conversations with mission control that didn't obey the time delay rules.
One thing I did think was a bit far-fetched was the amount of risk involved - would a crew land on a planet on which pressure suits would only last two hours? I doubt it. Would a manned space ship go into a star's corona? I doubt it. Would humans land on a moon that was being bombarded with huge amounts of radiation? I doubt it. Also, the ship seemed overly sturdy. Would a ship designed like that risk atmospheric flight to slow it down? I doubt it. Would it survive being hit by comet debris? I doubt it. I think in both cases the stresses on the structure would be too much. But all-in-all, the unlikely scenarios were compensated by some nicely done special effects, good editing and production, and some good acting, especially by the actors portraying the ship's commander and the Russian cosmonaut.
One thing I did think was a bit far-fetched was the amount of risk involved - would a crew land on a planet on which pressure suits would only last two hours? I doubt it. Would a manned space ship go into a star's corona? I doubt it. Would humans land on a moon that was being bombarded with huge amounts of radiation? I doubt it. Also, the ship seemed overly sturdy. Would a ship designed like that risk atmospheric flight to slow it down? I doubt it. Would it survive being hit by comet debris? I doubt it. I think in both cases the stresses on the structure would be too much. But all-in-all, the unlikely scenarios were compensated by some nicely done special effects, good editing and production, and some good acting, especially by the actors portraying the ship's commander and the Russian cosmonaut.
Space Odyssey is, unfortunately, largely forgotten from the variety of documentaries whose were shown during the early 2000' and they try to use CGI to make the show more attractive to the public. The majority were nevertheless quite ugly to watch ,due to the technology of the time. To put it in simple words that CGI back then were quit expensive for a TV documentary budget. There is where this lost gem makes the difference, it doesn't try to show the space travel as epic as it is possible, rather realistic enough so the watcher to fill that the crew truly travels in our solar system. Although the effects here and there are a bit dated,they have aged well and the acting is pretty good to. So go and give it a watch ,it really deserves more love than it usually gets.
- Marcwolf-2
- Jun 22, 2013
- Permalink
- chilla-black
- Jun 13, 2014
- Permalink
- GanzEhrlich
- Aug 13, 2014
- Permalink
Jeez,
It's been nearly 40 years since we landed on the moon, even so, the people who made this "documentary" still managed to forget that other planets are a *long* way off--so long that light takes time to travel between here and there.
It takes light (and radio communications) 1.5 seconds just to get from the Moon to the Earth, 2 minutes from Venus, 4 minutes from Mars, 36 from Jupiter, and a whopping 72 minutes from Saturn. Yet Mission Control was watching and managing everything in real-time. Wrong, wrong, wrong! The whole premise for this flick was flawed, didn't anyone take physics in high school? How could the science advisor's have made such a huge mistake??!!!
Waste of good special effects budget. Better luck next time, BBC.
It's been nearly 40 years since we landed on the moon, even so, the people who made this "documentary" still managed to forget that other planets are a *long* way off--so long that light takes time to travel between here and there.
It takes light (and radio communications) 1.5 seconds just to get from the Moon to the Earth, 2 minutes from Venus, 4 minutes from Mars, 36 from Jupiter, and a whopping 72 minutes from Saturn. Yet Mission Control was watching and managing everything in real-time. Wrong, wrong, wrong! The whole premise for this flick was flawed, didn't anyone take physics in high school? How could the science advisor's have made such a huge mistake??!!!
Waste of good special effects budget. Better luck next time, BBC.
- DUCK_of_DEATH
- May 20, 2005
- Permalink
Despite missing the first episode and having to frantically find out when the repeat was on, I was not disappointed having to wait a little longer to see this mini-series on viable space exploration today or in the near future.
As with the BBC's other "Walking With...", "Seven Wonders Of The Industrial World" series and Space ("Hyperspace" to US viewers), this is a well scripted, CGI and fact filled venture played out to the tune of a fictional mission to visit the major planets of our solar system: Sol.
From visiting Mars to a slingshot manoeuvre around the Sun and a tricky landing on a passing comet, this highlights what information we could well be finding if an international effort to make such a mission comes about.
I hope this comes out on DVD (and not limited to, say, Australian DVD as with the equally amazing "Seven Wonders Of The Industrial World") as the accompanying book cannot do full justice to what a great insight this two-parter is to our corner of the universe. I'm certain beginners in astronomy and experts in the field will find this an enjoyable feature. The music by Don Davis (as with the previous mentioned series) is ideally epic and moving and the screenplay by Joe Ahearne makes the characters believable and adds suspense. This is far from a simple lesson on the planets you'd get at school.
As with the BBC's other "Walking With...", "Seven Wonders Of The Industrial World" series and Space ("Hyperspace" to US viewers), this is a well scripted, CGI and fact filled venture played out to the tune of a fictional mission to visit the major planets of our solar system: Sol.
From visiting Mars to a slingshot manoeuvre around the Sun and a tricky landing on a passing comet, this highlights what information we could well be finding if an international effort to make such a mission comes about.
I hope this comes out on DVD (and not limited to, say, Australian DVD as with the equally amazing "Seven Wonders Of The Industrial World") as the accompanying book cannot do full justice to what a great insight this two-parter is to our corner of the universe. I'm certain beginners in astronomy and experts in the field will find this an enjoyable feature. The music by Don Davis (as with the previous mentioned series) is ideally epic and moving and the screenplay by Joe Ahearne makes the characters believable and adds suspense. This is far from a simple lesson on the planets you'd get at school.
- Skaffen-Amtiskaw
- Nov 15, 2004
- Permalink
One thing that they didn't get right was the length of the voyage. To go to Pluto and back in 7 years would require absolutely fantastic speeds, and major accelerations and decelerations. Think of how long it took the Voyagers to get that far, and they're still the fastest objects humans have ever created. It took Voyager 2 12 years just to get ONE WAY to Neptune! But it's a small quibble about a great show.
- tomblackburn-70417
- Sep 5, 2018
- Permalink
This movie is an attempt to give a realistic portrayal of an extravagant space voyage. Instead of the usual small shuttle, we have a very large station.
It may have been a good idea. But no one will ever know, unless it gets another edit. This is because the production value is probably the worst ever.
I'm reminded of my days in a studio for free public access, and speaking with the technicians there. The common joke was "sound people don't know what the Hell they're doing." And here is a prime example.
The director painstakingly tries for realism, and he gives a realistic look, but the cost is too great. You can't understand a word that is spoken in this poor sound environment. True, that's how NASA sounds on the TV set, but that's why few people bother to watch real live NASA space coverage, because it is impossible to know what people are saying.
And anyone who avers that he or she does understand the dialog is a liar. Fact.
I watched the show, but still have no idea what was ever going on. None of the actors could enunciate, and that is suspicious. Either they were poorly selected, or the sound crew was the worst ever. Since none of the actors were intelligible, that makes the sound crew look almost certainly to be the guilty party.
The attempt for realism gave it an atmosphere of reality. This is what the director obviously intended, and the director was successful.
Too bad you need a scorecard to follow along with what is happening. It is a poorly produced movie.
It may have been a good idea. But no one will ever know, unless it gets another edit. This is because the production value is probably the worst ever.
I'm reminded of my days in a studio for free public access, and speaking with the technicians there. The common joke was "sound people don't know what the Hell they're doing." And here is a prime example.
The director painstakingly tries for realism, and he gives a realistic look, but the cost is too great. You can't understand a word that is spoken in this poor sound environment. True, that's how NASA sounds on the TV set, but that's why few people bother to watch real live NASA space coverage, because it is impossible to know what people are saying.
And anyone who avers that he or she does understand the dialog is a liar. Fact.
I watched the show, but still have no idea what was ever going on. None of the actors could enunciate, and that is suspicious. Either they were poorly selected, or the sound crew was the worst ever. Since none of the actors were intelligible, that makes the sound crew look almost certainly to be the guilty party.
The attempt for realism gave it an atmosphere of reality. This is what the director obviously intended, and the director was successful.
Too bad you need a scorecard to follow along with what is happening. It is a poorly produced movie.
An excellent series, part drama, part documentary. Just a point of information about the communication lag mentioned by a previous poster. They did refer to a communication delay, but of course they edited things out to make the story flow faster. At one point on Mars, mission control detect a huge dust storm the landing crew can't detect yet and warn them with a message "dust storm on its way 6 minutes behind this message" which illustrates the time lag and just to clear up another point made, the lander on the comet isn't automatically controlled from Earth, but by the crew on the Pegasus. As for the Pegasus, it surely must be one of the best spaceships ever designed for a sci-fi show. A cross between the Discovery and the Leonov from the 2001/2010 saga.
- ubercommando
- Nov 16, 2004
- Permalink
The subject of this film has always been of interest to me so I viewed it both for its scientific, visionary and entertainment value. Every time a film about space exploration is made, expectations rise as new image technology enables productions to be more realistic and precise. The production team succeeded in doing this to the point where, for someone less aware, the event could have actually been taking place. The landscapes on the planets, from the hot surfaces of Mercury to the frozen rocks on Pluto were just as I imagined them. Until recently we had to use our imaginations based often on artistic impressions gathered from visual astronomical data. But now that probes like the Pioneer and Explorer series have actually been close enough to take real pictures, then what we saw in this film I assume, is close to reality.
I also was glad that Pegasis, the space vehicle, looked realistic and had a crew, it added some drama and again realism. They did not use silly-looking people dressed up in combat uniforms or looking like ex- army drop outs in the crew but members who could have easily been trained astronauts, carefully making sure that both gender and race were included. That is what a international crew would be.
The space walk in Saturn's Rings and the release of the dead astronaut into them was extremely poignant and established the dangers of long term space travel. The hazardous landing on the Comet and the subsequent expelling of black ice from it as turned into the sun, nearly destroying the space vehicle, further demonstrated the dangers. One problem that the film did not deal with was the time delay in signal propagation from Earth control to the space vehicle, although being stated as being many hours it seemed that there was a direct link which is not possible over such vast distances. Earth took control over the space vehicle to move it so its shield blocked the bombardment from the Comet's tail when some members of the crew were injured during the bombardment, thus saving it from destruction but they could not have done that so quickly. This technical issue of transmission time always gives producers of space films a problem and although it did not spoil the film for me, it needs to be addressed if films are to be realistic.
Finally and most importantly, films like this give us a vision of the future - one that is not so far away. It stimulates our imagination and invokes our quest for discovery. Most of the technology and knowledge to make such a journey is available. Reducing the costs and risks to an acceptable level is the challenge that confronts us. Earth is a home but not our prison, a point this film makes very well. Space exploration is there for everybody irrespective of nationality, religion, or culture and ultimately, maybe sooner than we think, we shall make the journey so vividly portrayed in this BBC production.
I also was glad that Pegasis, the space vehicle, looked realistic and had a crew, it added some drama and again realism. They did not use silly-looking people dressed up in combat uniforms or looking like ex- army drop outs in the crew but members who could have easily been trained astronauts, carefully making sure that both gender and race were included. That is what a international crew would be.
The space walk in Saturn's Rings and the release of the dead astronaut into them was extremely poignant and established the dangers of long term space travel. The hazardous landing on the Comet and the subsequent expelling of black ice from it as turned into the sun, nearly destroying the space vehicle, further demonstrated the dangers. One problem that the film did not deal with was the time delay in signal propagation from Earth control to the space vehicle, although being stated as being many hours it seemed that there was a direct link which is not possible over such vast distances. Earth took control over the space vehicle to move it so its shield blocked the bombardment from the Comet's tail when some members of the crew were injured during the bombardment, thus saving it from destruction but they could not have done that so quickly. This technical issue of transmission time always gives producers of space films a problem and although it did not spoil the film for me, it needs to be addressed if films are to be realistic.
Finally and most importantly, films like this give us a vision of the future - one that is not so far away. It stimulates our imagination and invokes our quest for discovery. Most of the technology and knowledge to make such a journey is available. Reducing the costs and risks to an acceptable level is the challenge that confronts us. Earth is a home but not our prison, a point this film makes very well. Space exploration is there for everybody irrespective of nationality, religion, or culture and ultimately, maybe sooner than we think, we shall make the journey so vividly portrayed in this BBC production.