Two brothers must negotiate changing roles and shifting family dynamics when one is sent to war in Afghanistan.Two brothers must negotiate changing roles and shifting family dynamics when one is sent to war in Afghanistan.Two brothers must negotiate changing roles and shifting family dynamics when one is sent to war in Afghanistan.
- Awards
- 13 wins & 21 nominations
Rebecca Løgstrup
- Camilla
- (as Rebecca Løgstrup Soltau)
Waleed Elgadi
- Samial-Tariq, Afghanistan
- (as William El-Gardi)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaAlong with King's Game (2004), this was the most successful and best reviewed Danish film of the year in its native country. However, neither of these two films was submitted by Denmark to the Oscars in the Foreign Language Film category. The Danish jury decided to send a documentary film, The Five Obstructions (2003), which had only been attended by 12,532 people in Danish theaters. This story made headlines, and Danish film producers officially stated that they would force the jury to pick Brothers (2004) or "Kongekabale" instead. The jury, however, did not change their minds, and "De fem benspænd" was sent to the Oscars. It was not among the eventual nominees. "Brødre" later won several awards across the world, including at the Sundance Film Festival, and opened to stellar reviews in the US. The jury later admitted that they possibly chose the wrong film to send to the Oscars that year.
- GoofsDuring the argument in the girls' room before the funeral, the time on the alarm clock in the background jumps ahead by several minutes between shots.
- ConnectionsFeatured in Dansk films bedste: Skurke, Dialekter og Forbudt kærlighed (2022)
Featured review
It's rare to find a movie with a meaningful, political context that is also good drama. Brødre / Brothers has two interwoven story lines: one about the relationship between two brothers, the other about the difference between comfortable Western civilizations sending out soldiers to various missions and the actual war zones. These stories mirror each other and both brothers change roles during the movie: One starts in prison, the other ends up there; one is a family man; the other takes over this role after his brother's death. There is a nice ending, but I find that the only element not fitting the overall structure.
I like this also because it is well edited. Synchronization of images is used to tell the story of Michael in Afghanistan and Sarah in Denmark. Frequently a shot of Afghanistan is shown and directly followed by the same shot in Denmark: looking at a road, from a bus or car, etc.
Initially rhythm is established through a central 'Afghan' theme song. Once the characters are established in our minds, the acting takes over. I'm still wondering why Danish actors (and Scandinavian actors in general) are so good in what they do: Is that a compulsory subject in primary school there because even the children act so unbelievably natural.
The ethical dilemmas facing soldiers are well presented. Michael first has to demonstrate how a launcher works, knowing it will be used against his own people. Then comes the ultimate decision. The traumas he faces are real and reminded me of actual, similar stories of soldiers returning from Bosnia, Afghanistan or Iraq.
Susanne Bier has come out of the Dogme-movement as one of the better directors. In a world with not that many (talented) female directors she is someone to be cherished.
I like this also because it is well edited. Synchronization of images is used to tell the story of Michael in Afghanistan and Sarah in Denmark. Frequently a shot of Afghanistan is shown and directly followed by the same shot in Denmark: looking at a road, from a bus or car, etc.
Initially rhythm is established through a central 'Afghan' theme song. Once the characters are established in our minds, the acting takes over. I'm still wondering why Danish actors (and Scandinavian actors in general) are so good in what they do: Is that a compulsory subject in primary school there because even the children act so unbelievably natural.
The ethical dilemmas facing soldiers are well presented. Michael first has to demonstrate how a launcher works, knowing it will be used against his own people. Then comes the ultimate decision. The traumas he faces are real and reminded me of actual, similar stories of soldiers returning from Bosnia, Afghanistan or Iraq.
Susanne Bier has come out of the Dogme-movement as one of the better directors. In a world with not that many (talented) female directors she is someone to be cherished.
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Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- Брати
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $389,220
- Opening weekend US & Canada
- $8,161
- May 8, 2005
- Gross worldwide
- $489,706
- Runtime1 hour 57 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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