The Bride continues her quest of vengeance against her former boss and lover Bill, the reclusive bouncer Budd, and the treacherous, one-eyed Elle.The Bride continues her quest of vengeance against her former boss and lover Bill, the reclusive bouncer Budd, and the treacherous, one-eyed Elle.The Bride continues her quest of vengeance against her former boss and lover Bill, the reclusive bouncer Budd, and the treacherous, one-eyed Elle.
- Awards
- 23 wins & 84 nominations
- Nikki
- (as Ambrosia Kelly)
- Tokyo Businessman
- (as Yoshijuki Morishita)
- Boss Honda
- (as Goro Daimon)
Storyline
Did you know
- TriviaQuentin Tarantino originally intended to only have Pai Mei's lips speaking Cantonese, while his voice would be in English, imitating a bad dub job. Tarantino was going to provide the voice himself. In the end, Tarantino abandoned this idea, and Pai Mei (Chia-Hui Liu) speaks in his own voice.
- GoofsWhen Beatrix is on the patio, after being "shot" by her daughter, she is sitting on the ground hugging her, the sword on her back disappears and reappears numerous times between shots.
- Quotes
Bill: Pai Mei taught you the five point palm-exploding heart technique?
The Bride: Of course he did.
Bill: Why didn't you tell me?
The Bride: I don't know... because I'm a bad person.
Bill: No. You're not a bad person. You're a terrific person. You're my favorite person, but every once in a while, you can be a real cunt.
- Crazy creditsAfter the credits there is an outtake with Uma Thurman.
- Alternate versionsHong Kong version differs very slightly from the US version. The only difference is that some alternate shots were used in the scene where Beatrix drives to Esteban and the scene where she finally goes to him in the village.
- ConnectionsEdited into Kill Bill: The Whole Bloody Affair (2006)
- SoundtracksAbout Her
Written by Malcolm McLaren (as M. McLaren), W.C. Handy, Rod Argent
Performed by Malcolm McLaren
Courtesy of Malcolm McLaren
Contains samples of "She's Not There"
Written by Rod Argent
Published by Marquis Music Co. Ltd.
Performed by The Zombies
Licensed courtesy of Marquis Enterprises Limited
and of "St. Louis Blues"
Written by W.C. Handy (as William C. Handy)
Published by Handy Brothers Music Co., Inc., New York
Administered by EMI Music Publishing Ltd.
On behalf of Francis Day & Hunter
Performed by Bessie Smith
Original recording from the film "St. Louis Blues" in 1929
Used with permission. All rights reserved.
Kill Bill Vol. 2 deserves to be another film than Kill Bill Vol. 1, not only the fact that the film would then run 4 hours + if it had been shown in one piece, but more because showing both films in one run might come across somewhat odd. The reason I'm saying this, is because Kill Bill Vol. 2 is very different in tone and feeling than was Vol. 1. The first part was more anger driven and brutal, whereas Kill Bill Vol. 2 is more about love and disappointment. Where the first part is bloody and ruthless, the second one is tender and sore. This does not mean that there is no brutality in this film, but rather that the tone of the film is totally different.
I must admit that it took me some getting used to in the first 20 or so minutes of the film, because I'd expected the film to go on as brutally and furious as the first one finished. It didn't happen. What I got instead was a more story and character driven film, that was filled with emotion, explanations and some good and original fighting scenes.
I have no negative comments on this film I guess. I think the acting was good to very good, with the extra kudos going to Daryl Hannah, who'd let some people to believe that she as just a tall blond who couldn't act in the last couple of years. With this film she manages to show us though, that she just has not been given the right offers. This I must say seems to be some kind of quality of Tarantino, to get discarded' actors and actresses and give them an opportunity to shine once again. Speaking of Tarantino, although I do realize that with Kill Bill he was an 'hommage' to many of his influences, I just have to say that he is a great director and screenwriter. I mean, the way he directs, the music he chooses to accompany the scenes and the dialog. It's just all top notch. This does not mean that this is the best film I've ever seen, but that it is a good film, which fulfilled it's promises. I mean let us ALL be honest. Who can pull off filming a revenge movie lasting more than 4 hours without it getting dull and boring? NOBODY but Tarantino. Hell, most people can't make complete a good 90 minute flick with this amount of story.
7,5 out of 10
Details
Box office
- Budget
- $30,000,000 (estimated)
- Gross US & Canada
- $66,208,183
- Opening weekend US & Canada
- $25,600,000
- Apr 18, 2004
- Gross worldwide
- $154,118,514
- Runtime2 hours 17 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1