Directed by
| Mark Christopher | ||
Writing Credits (WGA)
| Mark Christopher | ... | (written by) |
Cast (in credits order) verified as complete
Produced by
| Jake Abraham | ... | producer |
| Zennia M. Barahona | ... | post-production producer |
| Holly Becker | ... | co-executive producer |
| Howard Gertler | ... | producer |
| Celeste Jackson | ... | line producer (as Celeste Peterka) |
| Caroline Kaplan | ... | executive producer |
| Tinzar Lwyn | ... | producer |
| Tim Perell | ... | producer |
| Jonathan Sehring | ... | executive producer |
| John Sloss | ... | executive producer |
| Sean O. Strub | ... | associate producer (as Sean Strub) |
| Gary Winick | ... | producer |
Music by
| John Kimbrough | ||
Cinematography by
| Ken Ferris | ||
Editing by
| Michelle Botticelli | ||
| Brian A. Kates | ... | co-editor |
Casting By
| Susie Farris | ||
Production Design by
| Charlotte Bourke | ||
Art Direction by
| Laura Hyman | ||
Set Decoration by
| Thomas Cukier | ||
Costume Design by
| Michael Clancy | ||
Makeup Department
| Helene Gand | ... | key hair stylist / key makeup artist |
Production Management
| Emily Gardiner | ... | post-production supervisor |
| Hakim Quest | ... | unit production manager |
| Mandy Tagger | ... | production supervisor |
Second Unit Director or Assistant Director
| Aaron Dunsay | ... | second second assistant director |
| Gary Granger | ... | first assistant director |
| Josh Newport | ... | second assistant director |
Sound Department
| Joshua Anderson | ... | boom operator / production sound mixer |
| Michael Aubrey | ... | boom operator |
| Nancy Cabrera | ... | foley artist |
| Ryan Collison | ... | foley engineer |
| Brian Gallagher | ... | adr recordist |
| Bobby Johanson | ... | adr mixer |
| William Kozy | ... | sound mixer |
| Andy Kris | ... | re-recording mixer |
| Esther Regelson | ... | supervising sound editor |
| Paul Sacco | ... | sound consultant: Dolby |
| Conor Stratton | ... | sound assistant |
| Damian Volpe | ... | sound effects editor / supervising sound editor |
Camera and Electrical Department
| Phil Bradshaw | ... | key grip |
| Glen L. Chin | ... | first assistant camera |
| Marshall Coles | ... | gaffer |
| Mark Koenig | ... | electrician |
| Brian Wengrofsky | ... | camera operator |
Casting Department
| Deana Vinciullo | ... | casting associate |
Costume and Wardrobe Department
| Amy R. Burt | ... | wardrobe supervisor |
Editorial Department
| Vito DeCandia | ... | on-line editor |
| Conor Guy | ... | associate editor |
| Dan Hacker | ... | post-production engineer |
| Peter McCoubrey | ... | video colorist |
Location Management
| Dan Gillen | ... | locations |
| Julie Silverstone | ... | location manager |
Music Department
| Linda Cohen | ... | music supervisor |
| John M. Davis | ... | music editor |
| Alex Steyermark | ... | executive music producer |
Script and Continuity Department
| Wendy L. York | ... | script supervisor |
Additional Crew
| Creel Brown | ... | assistant production office coordinator |
| Mara Hade Connolly | ... | production accountant (as Mara Connolly) |
| Tristan Cowen | ... | production coordinator |
| David D'Alessio | ... | production associate |
| Matthew Dorcas | ... | production assistant |
| Xiaochang Li | ... | assistant to director |
| Christy Merchant | ... | production assistant (as Christine Merchant) |
| Dan Perri | ... | title designer |
| Matt Richardson | ... | production office intern: New York |
| Evan Scott Schweitzer | ... | production assistant (as Evan Schweitzer) |
| Jonathan Weisbrod | ... | stand-in |
Thanks
| Toni Cusumano | ... | special thanks |
| Jim Fall | ... | special thanks |
| Sidney Karger | ... | special thanks |
| John Miller-Monzon | ... | special thanks |