The story of John Wilmot, a.k.a. the Earl of Rochester, a 17th century poet who famously drank and debauched his way to an early grave, only to earn posthumous critical acclaim for his life'... Read allThe story of John Wilmot, a.k.a. the Earl of Rochester, a 17th century poet who famously drank and debauched his way to an early grave, only to earn posthumous critical acclaim for his life's work.The story of John Wilmot, a.k.a. the Earl of Rochester, a 17th century poet who famously drank and debauched his way to an early grave, only to earn posthumous critical acclaim for his life's work.
- Awards
- 2 wins & 8 nominations
- Molly Luscombe
- (as Claire Higgins)
Storyline
Did you know
- TriviaThe poem for which Wilmot has been banished from court at the beginning of the film is "A Satyr on Charles II". The historical Wilmot really did submit that poem to the monarch accidentally, but he left court of his own accord, rather than at Charles' command.
- GoofsIn several shots, the fake nose John Malkovich is wearing is noticeable, including the sun glowing through when outdoors, and when in the theater box speaking to Johnny Depp, there is a distinct color mismatch that shows the outline of the prosthetic.
- Quotes
[first lines]
Rochester: Allow me to be frank at the commencement. You will not like me. The gentlemen will be envious and the ladies will be repelled. You will not like me now and you will like me a good deal less as we go on. Ladies, an announcement: I am up for it, all the time. That is not a boast or an opinion, it is bone hard medical fact. I put it round you know. And you will watch me putting it round and sigh for it. Don't. It is a deal of trouble for you and you are better off watching and drawing your conclusions from a distance than you would be if I got my tarse up your petticoats. Gentlemen. Do not despair, I am up for that as well. And the same warning applies. Still your cheesy erections till I have had my say. But later when you shag - and later you will shag, I shall expect it of you and I will know if you have let me down - I wish you to shag with my homuncular image rattling in your gonads. Feel how it was for me, how it is for me and ponder. 'Was that shudder the same shudder he sensed? Did he know something more profound? Or is there some wall of wretchedness that we all batter with our heads at that shining, livelong moment. That is it. That is my prologue, nothing in rhyme, no protestations of modesty, you were not expecting that I hope. I am John Wilmot, Second Earl of Rochester and I do not want you to like me.
- Crazy creditsSpecial thanks to Tracy, Billy and Stanley and all our Friends and Families
- ConnectionsFeatured in Siskel & Ebert: Last Holiday/The Matador/The Libertine (2006)
- SoundtracksIf
Music by Michael Nyman
Text by Stephen Jeffreys
© Copyright 2005 Chester Music Ltd / Michael Nyman Ltd
It is a very meticulous-looking film, the photography is wonderfully moody yet sumptuous, the film has a very telling atmosphere and it really feels like you're transported back into the 17th century looking at the costumes and sets. Michael Nyman's score is understated and haunting, fitting beautifully with the atmosphere, though to me it could have used more music from the period which would have given off even more authenticity. The script is funny, thoughtful and packs emotional punch while the story while occasionally dragging is told rivetingly with scenes like the chair scene between Wilmot and Elizabeth, Wilmot's address to parliament and the final scene really lifted by the quality and the acting. Laurence Dunmore directs most admirably, remarkably good for a debut, inexperience occasionally shows but a vast majority of the time it's incredibly well done.
Characters are compelling, especially Wilmot who is very multi-layered, but if there was one thing that was truly exceptional about The Libertine it was the acting. Johnny Depp gives a powerhouse and multi-layered performance that ranks among his best. The dependable Samantha Morton marvels too, John Malkovich does stately and ambiguous in a suitably restrained and regal way while still maintaining interest and Rosamund Pike gives the most heartfelt performance I've ever seen her give(coming from someone who has liked a lot of what she's done), particularly a revelation in the chair scene. The chemistry throughout convinces though that between Depp and Pike came over personally as stronger than that between him and Morton.
All in all, a fine film if not for everybody and really deserves much more praise than it gets. 9/10 Bethany Cox
- TheLittleSongbird
- Mar 26, 2015
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Details
Box office
- Gross US & Canada
- $4,835,065
- Opening weekend US & Canada
- $27,804
- Nov 27, 2005
- Gross worldwide
- $10,852,064
- Runtime1 hour 54 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1