As is explained in the prologue to the film, it is based on a true story, although some names, situations and facts have been changed or added. The addition of any facts I feel were probably few, as the film wanted to give a sense of the unknown. The use of historical french newsreel footage throughout gives an partial documentary feel to the film, yet the fine direction by Eric Rohmer, editing and quality of acting draws you straight back into the story every time.
I came away from seeing this film at the Hong Kong Film Festival 2004 with many thoughts. The film has been very well written as a pre-World War II drama/thriller. With many twists and turns in the plot, most of them between the lead characters, Fiodor a 'white russian' (a russian against Joseph Stalins communist ideals) and his greek wife Arsinoe, who live together in Paris, the russian man being 'in exile'.
This is the kind of film that I could watch a hundred times and always come out at the end with different opinion of Fiodor, such is the complexity of the story. The acting benefits well for using actors with applicable nationality/heritage, ie Fiodor, russian, played by Serge Renko and Arsinoe, greek, played by Katerina Didaskalu. Giving the accent the right 'edge', especially in the case of Serge Renko, as the characters speak mainly french in the film. Serge also gives a proud russian 'stiffness' to his character making his behaviour very creditable.
The locations selected for the filming were well chosen and the set's well thought out. Some people may find this film a little faltering, but to me it felt as if the screenplay writer wanted to interfere as little as possible with the original true-life source material. Leaving the viewer to make up their own mind.
An entertaining film that I would watch again, if only to try and make up my mind about Fiodor. Watch it, think about it and then watch it again is my advice.
Rating 8.5-9/10