An indiscretion between two close friends tears down their respective marriages.An indiscretion between two close friends tears down their respective marriages.An indiscretion between two close friends tears down their respective marriages.
- Awards
- 2 wins & 4 nominations total
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe Irish step dance scene starts with a cutaway where the center dancer is actually a male dancer.
- Quotes
[on Hank and Terry]
Edith Evans: I think he want to have sex with her.
Jack Linden: Why?
Edith Evans: Why?
Jack Linden: Yeah.
Edith Evans: Because he likes her and she's pretty. And he hasn't had any strange pussy since that French cunt.
- Crazy creditsSpecial Thanks To Christine & Ben Christine, Terry & Kelly Kris & Fisher
- ConnectionsFeatured in The 20th IFP Independent Spirit Awards (2005)
- SoundtracksJungle Warrior
Written by John Otieno
Performed by Matata
Courtesy of President Records Ltd. UK
Featured review
"We Don't Live Here Anymore" is a sophisticated examination of the complexities of the difficult relationship that is contemporary marriage and family.
As it takes us awhile in the beginning to figure out who is attached in what couple, Mark Ruffalo, Laura Dern, Peter Krause and Naomi Watts superbly act a matched quartet of grown-up friends whose restlessness and frustrations with their personal and professional lives are gradually torn to shreds by propinquity and alcohol (and perhaps by community college teachers having too flexible schedules and temptations). The suspense comes in the revelation of the layers that get peeled off each and we wonder just how far each will go.
Each actor finds a unique response to their character's emotional situation and the production design well illustrates their individuality (though once again in a film I got fooled that I was supposed to think ill of a character like Dern's whose comfortable house is evidently a mess when it looks like mine, while I thought Watts' house was really cold in its spotlessness while gradually I realized I was supposed to think she was more together, but heck she had one less kid).
While I haven't read yet the two Andre Dubos short stories that Larry Gross adapted for the screenplay, Ruffalo's voice-over is used inconsistently as an occasional crutch to reveal inner thoughts probably to help bolster the denouement; otherwise the camera angles try to convey their thoughts, but that manipulates the audience a bit as to whom to root for.
Maryse Alberti's cinematography richly conveys summer passing in a beautiful yet claustrophobic college town.
The song selections are not particularly revelatory, but the music is effective at mood-setting.
As it takes us awhile in the beginning to figure out who is attached in what couple, Mark Ruffalo, Laura Dern, Peter Krause and Naomi Watts superbly act a matched quartet of grown-up friends whose restlessness and frustrations with their personal and professional lives are gradually torn to shreds by propinquity and alcohol (and perhaps by community college teachers having too flexible schedules and temptations). The suspense comes in the revelation of the layers that get peeled off each and we wonder just how far each will go.
Each actor finds a unique response to their character's emotional situation and the production design well illustrates their individuality (though once again in a film I got fooled that I was supposed to think ill of a character like Dern's whose comfortable house is evidently a mess when it looks like mine, while I thought Watts' house was really cold in its spotlessness while gradually I realized I was supposed to think she was more together, but heck she had one less kid).
While I haven't read yet the two Andre Dubos short stories that Larry Gross adapted for the screenplay, Ruffalo's voice-over is used inconsistently as an occasional crutch to reveal inner thoughts probably to help bolster the denouement; otherwise the camera angles try to convey their thoughts, but that manipulates the audience a bit as to whom to root for.
Maryse Alberti's cinematography richly conveys summer passing in a beautiful yet claustrophobic college town.
The song selections are not particularly revelatory, but the music is effective at mood-setting.
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Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- Adultery
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $3,000,000 (estimated)
- Gross US & Canada
- $2,041,014
- Opening weekend US & Canada
- $101,295
- Aug 15, 2004
- Gross worldwide
- $3,361,213
- Runtime1 hour 41 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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