A sexy urban comedy about how a guy who is addicted to watching pornography discovers love is stronger than fantasy when he meets and falls in love with the girl of his dreams.A sexy urban comedy about how a guy who is addicted to watching pornography discovers love is stronger than fantasy when he meets and falls in love with the girl of his dreams.A sexy urban comedy about how a guy who is addicted to watching pornography discovers love is stronger than fantasy when he meets and falls in love with the girl of his dreams.
- Awards
- 5 wins & 4 nominations total
Photos
Marlyne Barrett
- Jasmine LeJeune
- (as Marlyne N. Afflack)
Ayumi Iizuka
- Gemma Dower
- (as Ayumi Izuka)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaAlthough the movie only received a somewhat limited theatrical release in Canada, the theaters that did show it did report significant audience turnout. This was attributed to the distributor printing admission discount coupons in newspapers in cities the movie was being shown in. This resulted in one Canadian journalist bemoaning to his readers that, "The only way to get Canadians to see Canadian films is to pay them."
- SoundtracksState of Emergency
Performed by Natasha Waterman
Composed by Natasha Waterman and Donavon Rhoden
Courtesy of Astra Multi-Media Inc.
Featured review
I'd actually give this movie almost eight stars, if possible, not because it's so terribly fabulous (though I do think it's good--just don't want to over-inflate my ratings), but because it manages impressively much with the small budget it had. Also, I really enjoyed most of the actors in it, and would seek out other performances they do. If you like somewhat off-beat, character-driven comedies, then go in without huge expectations but with an open mind, and you'll probably be glad to have seen this.
I missed the very first few minutes (caught this by chance on the Starz "black" movie channel late at night), and the first few moments I saw seemed mildly unpromising, but with enough feeling of something to come, and potential in the characters to keep me watching. It was the first moment of magic realism (when Jasmine opens Michael's portfolio) that quickly sharpened my interest. There were further moments of such fantasy judiciously sprinkled through the movie, without heavy-handed explanation or drawing attention--just there, with the writer-director trusting audience members to not need spoon-feeding. Mostly, the characters' normal, human problems, joys and such carry the movie nicely.
There may be some validity to others' criticisms regarding stereotypes, but, if so, I think it's not nearly so heavy a problem as some make it out to be. Certainly, there's less of that in this than in many other movies. Also, some of the aspects and situations that have been cited as stereotyped or clichéd are perhaps simply universal, or just common and true to real life. To me, it's all in what a filmmaker does with such commonplaces, how he/she uses them, and Mr. Sutherland keeps it mostly interesting and fresh.
Anyway, especially for a small-budget first feature film, this is pretty damned good work, and worth watching for a bit of character-driven fun.
I missed the very first few minutes (caught this by chance on the Starz "black" movie channel late at night), and the first few moments I saw seemed mildly unpromising, but with enough feeling of something to come, and potential in the characters to keep me watching. It was the first moment of magic realism (when Jasmine opens Michael's portfolio) that quickly sharpened my interest. There were further moments of such fantasy judiciously sprinkled through the movie, without heavy-handed explanation or drawing attention--just there, with the writer-director trusting audience members to not need spoon-feeding. Mostly, the characters' normal, human problems, joys and such carry the movie nicely.
There may be some validity to others' criticisms regarding stereotypes, but, if so, I think it's not nearly so heavy a problem as some make it out to be. Certainly, there's less of that in this than in many other movies. Also, some of the aspects and situations that have been cited as stereotyped or clichéd are perhaps simply universal, or just common and true to real life. To me, it's all in what a filmmaker does with such commonplaces, how he/she uses them, and Mr. Sutherland keeps it mostly interesting and fresh.
Anyway, especially for a small-budget first feature film, this is pretty damned good work, and worth watching for a bit of character-driven fun.
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Любовь, секс и поедание костей
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- CA$2,500,000 (estimated)
- Gross US & Canada
- $116,869
- Opening weekend US & Canada
- $32,648
- Mar 7, 2004
- Gross worldwide
- $116,869
- Runtime1 hour 40 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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Top Gap
By what name was Love, Sex and Eating the Bones (2003) officially released in India in English?
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