User reviews

If you are looking for a mellow, soft, blockbuster movie, certainly amarelo Manga is not the one. No one is assassinated in this movie, but there are really strong scenes. This does not mean that the movie is only for the strong hearted. NOT! Amarelo Manga shows how life can be yellow, not golden beautiful yellow, but mango rotten one. The plotline happens in the outskirts of Recife, capital of Pernambuco, one of the biggest cities in the Northeast, and one of the poorest region of Brazil. Five people connected in stories of love, betrayal, work, and desire. Each one with his own problems and crazyness, something that is not for from our daily reality. Even though 80% of the directing, acting, photography is amazing, the other 20% of extremely bad moments can put some people off. But, movies lovers will like this different style, something that cannot be found not only in Hollywood mainstream movies (all exactly the same), but also is not found in Woody Allen, Kiarostami, Almodovar, Rohmer, Dardeene, etc. movies. And this is why worth a lot seeing this movie: is something that is different from what you have already seen before. The whole experience is new and worthwhile, in the last 5 minutes of the movie one will have an excellent surprise, with one of the best editing and directing in Brazil film history. This movie is receiving excellent reviews from critics, and I hope it gets to theathers around the world, to open more the doors of brazilian cinema to everybody who wants to experience it.

This is one of the best brazilian movies I have ever seen. The way the characters' stories get connected to each other along the movie is really amazing. Some of all the poverty, violence and social disease so common at a humble landscape of Brazil is depicted on the screen through a great script and dazzling photography. Although the sharp sense of humour of some characters this movie contains the right amount of reality that some people may not feel comfortable to watch. For those who have the guts, this motion picture is a perfect portrait of a brazilian unfair society that may remain in the mind of the audiences for quite along. Shocking, hilarious and tough. Two thumbs up!

The experience was hampered by the quality of the pirated work, with low quality audio and image, but enough to taste a beautiful work, the Brazilianness and its ills, sensual nudity, well-developed script, a simple story, almost caricatured, but broken, representative and cotiana, highlighting the performances, big names in cinema, delivering extraordinary staging, it couldn't be different from that... Beautiful movie from Cinema de Retake... THE COVER, vagina, it took me a while to realize.

This film is a raw and realistic portrait of humble people of Recife, their fight for survival and loving desire. Fotography is impressive, cause almost every scene the color of its title is present.

In a poor neighborhood in Recife, the lives of exotic and bizarre characters entwine in a bar and in a very low-budget hotel. The queer Dunga (Matheus Nachtergaele) works in the hotel and has a crush on the butcher Wellington (Chico Diaz) that is married with the religious Kika (Dira Paes) and has an affair with his mistress Dayse (Magdale Alves). The sick necrophiliac Isaac (Jonas Bloch) owns a yellow Mercedes Benz and wants to have sex with Lígia (Leona Cavalli) that owns of Bar Avenida.

"Amarelo Manga" is practically the debut of director Cláudio Assis, at least this movie made him famous in Brazil, but actually is a boring exploitation of sex and low level situations. The nudity and sex scenes are absolutely unnecessary and have only the intention of shocking the audiences and most of them are free, like for example, the scenes of the asthmatic fat woman in the hotel; of the sex scene between Kika and Isaac with the hair brush; or Lígia taking her clothes off after closing her bar. I do not like this Brazilian director but many professional critics love him. The cast has great performances but the story is terrible. My vote is five.

Title (Brazil): "Amarelo Manga" ("Mango Yellow")

I went to see this film based on the favourable comments from other Imdb users but I hated it. I am a foreigner living in Brazil and I can tell you that if I saw Brazil the way the director does, I would be on the next plane out of here. I thought the film was insulting, showing the misery in the most degrading and despising way. I am not denying of course that this misery exists but I don't think that the lower class is as repugnant as the film wants to portray it. Religious beliefs, which probably helps a lot of poor people cope with a harsh reality, is shown as a superficial veneer on top of some badly repressed bestiality. In the middle of a film which portrays all its characters as a bunch of near animals, there is a shot where a man is reading a book by Nietzsche. Was this irony? A "clin d'oeil" of the director to his middle class audience? I didn't know what to make of this.

There have been some really good brazilian films lately (eu,tu,eles, central do Brasil,...) but this is not one of them. In fact it seems like a return to the really crap 70s brazilian films where compulsive swearing, unrealistic emotional intensity from beginning to end and any excuse to show a woman's pubic hair were the main ingredients.

Cláudio Assis won several awards at festivals for his feature debut, "Amarelo Manga" aka "Mango Yellow". His mosaic about some very troubled lives starts intriguing, and the talented, versatile cast (Matheus Nachtergaele, Chico Diaz, Dira Paes, Jonas Bloch and Leona Cavalli) keeps our attention till the end. However, Assis fails on the same aspects as other pretense "provocateurs", such as Sérgio Bianchi ("Chronically Unfeasible") and Larry Clark ("Kids" seemed to have some honesty, but "Ken Park" is one of the most unnecessary flicks ever made): excessive nudity (I actually think there should be MORE nudity in films, since nudity should be treated as natural by everybody; but this movie is a great example of how nudity should not be presented), too much visual and verbal masturbation for pure shock factor. I'm far from being a prude and that's why I admire directors like Todd Solondz, Lars von Trier, Pedro Almodóvar and Gregg Araki, just to name a few, who know how to provoke without being shallow, unlike Cláudio.

People like Tata Amaral, Jorge Furtado, Beto Brant (and let's not even mention the internationally acclaimed Hector Babenco, Walter Salles and Fernando Meirelles), have made thought-provoking, intelligent films, without being gratuitous or shallow. They are the real provocateurs in Brazilian cinema, something that Assis and Sérgio Bianchi haven't proved to be, yet. There's more to a provocateur than "sex and stomach": wit is essential to the mixture, Mr. Assis. 3/10.

To comment on the moribund nature of society? If that's what you're into then watch the evening news and save two hours of your life. It is rare that I watch a movie and feel that it fails to portray any kind of worthwhile social commentary--especially when the movie, from the beginning, seems determined to try to do so. Amarelo Manga becomes an unintentional parody of sweeping social commentary and fades, instead, into fascination with the sexually deviant. I give it three stars because Matheus Nachtergaele gives a memorable performance as a gay hotel tramp who is always trying to involve himself in others' affairs (and get them involved in his). His performance notwithstanding, this movie is not worth the time.

I do not recommend this film and as another reviewer has stated, it is not a good representation of the country or even the city of Recife, Brazil. It is needlessly depressing. If you can take the movie as a criticism of life itself, it could have more meaning. The stereotypes and innuendos depicted about Brazilian life are not characteristic of the subject. The spiritual journey of the main character is depicted as a positive one, but it suggests that the only escape available for her is to have a solitary life.

This was a thoroughly disgusting and pointless film and I am not sure how folks could watch and praise it. The movie is filled with disgusting and wretchedness. Were these sentiments strong enough to hopefully keep you from seeing this film---I sure hope so! My thorough disgust for the film isn't because it shows the lowest elements of Brazilian society-- after all, I was quick to praise films like CITY OF GOD and CENTRAL STATION--and these films were violent and scary. However, their portrayals of the violence and cheapness of life in the lowest social strata were meant to be eye-opening and document the horrors--not provide a voyeuristic chamber of horrors meant only to turn our stomachs. I won't even begin to describe all the viscerally vile images from MANGO YELLOW--partly because they make me ill just thinking about it and partly because I could only take the movie to a certain point, then I made myself get up and turn it off! It truly seems to try to alienate much of its audience.

If you want a similar experience, go to a slaughterhouse (it's already in the film) or stare at feces (it's also in the film and is apparently eaten by one of the scum in the film). Yuck.

This is one of the worst movies I have ever watched. Do not waste your time and money on this movie. The movie is basically about random weird stuff that doesn't make any sense. For example, one character got a dead body from the local morgue so he could shoot at it. Does that make any sense to any one of you? Very sad. I regret wasting 90 minutes of my life on this trash, so don't do the same. Too bad because the casting is good, and it surprises me that they would be involved in such a bad movie.But if you like weird movies that do not have a story you can follow, then it's the perfect movie for you. If you want to watch a good Brazilian movie, watch the "Auto da Compadecida", but please stay away from "Amarelo Manga".