In 1885 New Mexico, a frontier medicine woman forms an uneasy alliance with her estranged father when her daughter is kidnapped by an Apache brujo.In 1885 New Mexico, a frontier medicine woman forms an uneasy alliance with her estranged father when her daughter is kidnapped by an Apache brujo.In 1885 New Mexico, a frontier medicine woman forms an uneasy alliance with her estranged father when her daughter is kidnapped by an Apache brujo.
- Awards
- 2 wins & 8 nominations
Matthew E. Montoya
- Tsi Beoyuao - Blowing Tree
- (as Matthew Montoya)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaTommy Lee Jones and Eric Schweig learned some Chiricahua Apache for this film. Their instructors were two of the last three remaining fluent speakers.
- GoofsJones and Dot were wearing hats before they were washed downstream during the flash flood. But when they were climbing out of the water onto dry land, they weren't wearing their hats. In the next scene when they were riding their horses they were wearing their hats again. There is no way they could have found their hats after the flash flood.
- Quotes
Maggie Gilkeson: I've never worked on an Indian before
Samuel Jones: [Sarcastically] They have green blood and a pinecone where their heart should be
- Alternate versionsAlthough the film was shot in the Super 35 format for 2.39:1 and protected for 1.33:1, the VHS and the Full Screen DVD mostly Pans and Scans as if it were shot in Anamorphic Widescreen instead of properly framing it for Full Frame as most Super 35 films are. Only a few shots in this movie were reframed properly.
- ConnectionsEdited into New Frontiers: Making 'the Missing' (2004)
- SoundtracksThe Daring Young Man on the Flying Trapeze
(uncredited)
Lyrics by George Leybourne
Music by Gaston Lyle
Featured review
`The Missing' is as close to a feminist movie as can be telling a story that engrosses on the traditional level of the Western without offending warring cultural factions. Cate Blanchette plays a frontier single mom and local healer, whose teenage daughter is abducted by Apaches and army deserters to sell for prostitution in Mexico.
She must find her daughter and also deal with her estranged father, played by Tommy Lee Jones, who deserted his family 20 years ago to live with the Apaches and now tracks them with Blanchette to find his granddaughter.
Blanchette is not John Wayne, who played one of the `Searchers' in John Ford's memorable Western, certainly a source for this story. She lacks Wayne's easy bigotry about Indians, yet she carries toughness in adversity every bit as strong as Wayne at his most macho.
Nor is she Audrey Hepburn in John Huston's `The Unforgiven,' who is mostly protected from abduction-minded Kiawas by Burt Lancaster. No, Blanchette carves out a memorable stand-alone heroine in another sterling performance, certainly one of the top 2 actresses in film today.
Cinematographer Salvatore Totino uses aerial shots to capture the vast but imprisoning New Mexico landscape; James Horner's swelling music now and then feels as if it can't wait for another `Titanic'; Ron Howard's direction is unobtrusive, in the same way he allowed Russell Crowe to save Howard's middling `Beautiful Mind' screenplay. Actually Howard prepared himself by directing the Mel Gibson `Ransom,' also about abduction and pursuit.
The realism starts in the first scene with Blanchette extracting a tooth from an almost toothless hag and proceeds with multiple bloody encounters, too many for me in a long movie that could have edited out several encounters. But seeing Blanchette and Jenna Boyd as her younger daughter act with apparent full chops is to be happy that we no longer have to rely on Wayne for rugged individualism. As Gloria Steinem reminds us, `When both sexes realize that either one can be on top, we're all going to enjoy our relationships a lot more.'
She must find her daughter and also deal with her estranged father, played by Tommy Lee Jones, who deserted his family 20 years ago to live with the Apaches and now tracks them with Blanchette to find his granddaughter.
Blanchette is not John Wayne, who played one of the `Searchers' in John Ford's memorable Western, certainly a source for this story. She lacks Wayne's easy bigotry about Indians, yet she carries toughness in adversity every bit as strong as Wayne at his most macho.
Nor is she Audrey Hepburn in John Huston's `The Unforgiven,' who is mostly protected from abduction-minded Kiawas by Burt Lancaster. No, Blanchette carves out a memorable stand-alone heroine in another sterling performance, certainly one of the top 2 actresses in film today.
Cinematographer Salvatore Totino uses aerial shots to capture the vast but imprisoning New Mexico landscape; James Horner's swelling music now and then feels as if it can't wait for another `Titanic'; Ron Howard's direction is unobtrusive, in the same way he allowed Russell Crowe to save Howard's middling `Beautiful Mind' screenplay. Actually Howard prepared himself by directing the Mel Gibson `Ransom,' also about abduction and pursuit.
The realism starts in the first scene with Blanchette extracting a tooth from an almost toothless hag and proceeds with multiple bloody encounters, too many for me in a long movie that could have edited out several encounters. But seeing Blanchette and Jenna Boyd as her younger daughter act with apparent full chops is to be happy that we no longer have to rely on Wayne for rugged individualism. As Gloria Steinem reminds us, `When both sexes realize that either one can be on top, we're all going to enjoy our relationships a lot more.'
- JohnDeSando
- Nov 26, 2003
- Permalink
Details
- Release date
- Country of origin
- Languages
- Also known as
- Las desapariciones
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $60,000,000 (estimated)
- Gross US & Canada
- $27,011,180
- Opening weekend US & Canada
- $10,833,633
- Nov 30, 2003
- Gross worldwide
- $38,364,277
- Runtime2 hours 17 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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