66
Metascore
24 Rezensionen · Bereitgestellt von Metacritic.com
- 80Los Angeles TimesKenneth TuranLos Angeles TimesKenneth TuranAn exciting and involving rock music doc, a smart and satisfying look inside that tumultuous world.
- 78Austin ChronicleKimberley JonesAustin ChronicleKimberley JonesMuch to cheer here, from its treasure trove of early and alternate versions of songs to the triumphant finale.
- 75Entertainment WeeklyOwen GleibermanEntertainment WeeklyOwen GleibermanA modest vérité portrait of Wilco, the engagingly melodious, deeply unglam alt-folk rockers.
- 70Film ThreatTim MerrillFilm ThreatTim MerrillIn 30 years’ time it might seem as incisive a document of its time as, say, “Don’t Look Back” or “Gimme Shelter.” As a study of how the current corporate idiocy impacts one man’s art, it’s priceless.
- 63New York PostMegan LehmannNew York PostMegan LehmannThe concert footage is stirring, the recording sessions are intriguing, and -- on the way to striking a blow for artistic integrity -- this quality band may pick up new admirers.
- 63The Globe and Mail (Toronto)Liam LaceyThe Globe and Mail (Toronto)Liam LaceyMay be anticorporate, it's by no means hype-free.
- 50New Times (L.A.)Gregory WeinkaufNew Times (L.A.)Gregory Weinkaufwhat we've got here is a little propaganda film. A mild one, certainly, but the cliché of DIY hopefuls (band) versus the Big Machine (music industry) foments the same tedious struggle of art versus commerce.
- 50Miami HeraldConnie OgleMiami HeraldConnie OgleA slightly dull film by photographer Sam Jones.
- 50San Francisco ChronicleSan Francisco ChronicleBusiness intrudes on art.
- 40Village VoiceJessica WinterVillage VoiceJessica WinterJones's documentary, named for the opening song on Foxtrot, is most effective as a poison-pen missive to Corporate Rock.