It is funny to me how a lot of people react to this movie. It seems they feel that this movie shows us decadent westerners what living in more impoverished and exploited parts of the globe is like. Well, it's a very fine film, but that certainly not what it's about. To reduce every artistic expression to world affairs is a rather shameless exposition of western self-guilt and political correctness. Now, there is enough to be ashamed about, but why should that always be connected to artistic expressions of western artists. Please stop politicizing everything. Le Temps du Loup is not about the third world, anyone who thinks that third world countries look any thing like what is happening in Haneke's film is out of his/her mind. News flash, people in the third world actually life daily, relatively stable lives, notwithstanding rampant poverty and high levels of violence and unsafety. What we see in Le Temps du Loup is what Hobbes means by "State of Nature", a lawless, non-dominated society. What Haneke shows in minute detail (and in that lies his greatest accomplishment) is that human connection, trust and intimacy is always in some senses based on dominating practices that stabilize the uncertainties and risks of interacting and competing with others in a shared social environment. The ambiguous status of the Koslowski character is a case in point, are his actions justifiable or is he just an exploitative oppressor? Same for the horse, but now in a more confronting way, because the line between fact and fiction is crossed. So Temps du Loup is an analysis of human co-habitation of any human society. Art is not political, what we do with it is.
