IMDb RATING
7.5/10
78K
YOUR RATING
A recently laid off factory worker kidnaps his former boss' friend's daughter, hoping to use the ransom money to pay for his sister's kidney transplant.A recently laid off factory worker kidnaps his former boss' friend's daughter, hoping to use the ransom money to pay for his sister's kidney transplant.A recently laid off factory worker kidnaps his former boss' friend's daughter, hoping to use the ransom money to pay for his sister's kidney transplant.
- Awards
- 7 wins & 7 nominations total
Lim Ji-eun
- Ryu's Sister
- (as Ji-Eun Lim)
Han Bo-bae
- Yu-sun
- (as Bo-bae Han)
Kim Se-dong
- Chief of Staff
- (as Se-dong Kim)
Ji Dae-han
- Detective Ji
- (as Dae-han Ji)
Storyline
Did you know
- TriviaFirst film in history to have a sex scene with sign language.
- Goofs(at around 33 mins) In the ransom photo of Yoosun, she is wearing the necklace Ryu made. However, he hadn't given her the necklace when he took the photo, it was later, when he traded the necklace for her doll.
- Quotes
Park Dong-jin: I know you're a good guy... but you know why I have to kill you...
- Crazy creditsThe title card of the film is shown in both Korean and English.
- Alternate versionsThere are four versions available: 2h 9m(129 min), 1h 57m(117 min) (Japan), 2h 1m(121 min) (United Kingdom), 2h 1m(121 min) (Blu-ray).
- ConnectionsFeatured in The Greatest Expectation (2003)
Featured review
There aren't to many times when credits roll on a film and I want to immediately start watching it through again. This is one of the rare exceptions.
Visually stunning with artistic merit to almost every shot. Deliberate frame composition with the eye of a classical painter married to lighting that underscores the narrative with sublime control. The shots alternate between tight intimate shots with strong angles that elude to POV and deep staged shots in full focus throughout that nearly ride the axis like looking down the barrel of a rifle into the deepest darkest corners of our characters' lives.
The light and textures on screen are lush and rich and the focus generally deep like Seven or Silence of the Lambs. Solid DOP, solid Cinematographer, solid Production Designer, Solid Art Director, across the board this film stands up as tight, smart, unexpected, sometimes abusive and always engaging like a car wreck in all the charmed ways.
Dialogue, though minimal, is always apt and loaded. Sign language feels like Tai Chi, delicate here, fierce there, somehow clear I believe even without subtitles.
This gem is deliciously horrific, a complete study of tragedy and of theater grotesque. Like Scarface the film is laden with stomach clenching non-gratuitous gore which is somehow infinitely more disturbing.
The driving narrative is about vengeance, layer upon layer, constantly underscored by social commentary both direct and sub-textual addressing inequities, rights, justice and the cruelty / fairness of commerce, fate and basic karma.
Well crafted, well delivered, well done. Excellent. And absolutely NOT for people with weak gullets, true that.
Visually stunning with artistic merit to almost every shot. Deliberate frame composition with the eye of a classical painter married to lighting that underscores the narrative with sublime control. The shots alternate between tight intimate shots with strong angles that elude to POV and deep staged shots in full focus throughout that nearly ride the axis like looking down the barrel of a rifle into the deepest darkest corners of our characters' lives.
The light and textures on screen are lush and rich and the focus generally deep like Seven or Silence of the Lambs. Solid DOP, solid Cinematographer, solid Production Designer, Solid Art Director, across the board this film stands up as tight, smart, unexpected, sometimes abusive and always engaging like a car wreck in all the charmed ways.
Dialogue, though minimal, is always apt and loaded. Sign language feels like Tai Chi, delicate here, fierce there, somehow clear I believe even without subtitles.
This gem is deliciously horrific, a complete study of tragedy and of theater grotesque. Like Scarface the film is laden with stomach clenching non-gratuitous gore which is somehow infinitely more disturbing.
The driving narrative is about vengeance, layer upon layer, constantly underscored by social commentary both direct and sub-textual addressing inequities, rights, justice and the cruelty / fairness of commerce, fate and basic karma.
Well crafted, well delivered, well done. Excellent. And absolutely NOT for people with weak gullets, true that.
- ETCmodel02
- Jan 16, 2003
- Permalink
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Details
Box office
- Budget
- $4,000,000 (estimated)
- Gross US & Canada
- $45,289
- Opening weekend US & Canada
- $9,827
- Aug 21, 2005
- Gross worldwide
- $2,046,923
- Runtime2 hours 9 minutes
- Color
- Sound mix
- Aspect ratio
- 2.41 : 1
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Top Gap
By what name was Sympathy for Mr. Vengeance (2002) officially released in Canada in French?
Answer