This film documents the relationship between Michael and Riley from the first blissful moments when they proclaim that they are soul mates and can finish each other's sentences to those moments when the inevitable differences begin to crop up. Also, the presence of a filmmaker complicates the relationship in ways that they could not have expected.
While this film is a `mockumentary' and billed as a comedy, I was struck by the differences between this film and Hell House, which I had seen earlier the same night. Hell House uses a `cold camera' technique allowing those interviewed to say what they will and portraying them with as little bias as possible. In L.T.R. the documentarian becomes much more involved.
