User reviews

Jackie Chan and Owen Wilson get together again in "Shanghai Knights," the sequel to "Shanghai Noon." It's difficult to say which I like better, although the two seem a little more at home in "Noon." "Knights" is a movie not to be taken seriously. The soundtrack attests to that, being mostly British invasion rock from the 1960's. And there is a lot of historical fudging, not the least of which is Owen Wilson's dialogue and attitude. He just seems so miscast as a cowboy. What keeps this movie from going wrong is Jackie Chan's amazing moves. Here he shows where he shines as an action-comedy star. And the martial arts styles of Fann Wong and Donnie Yen are no slouch either! So, never mind the anachronisms, just prepare to admire Jackie Chan.

It's an odd thing, this syndrome where people seem to automatically dislike a sequel more than the original. I don't know whether its subconscious or what but the IMDb proves it; Almost everywhere I go, people seem to agree (at least movie lovers) that "Aliens" is even better than "Alien", yet "Aliens" is listed #85 on IMDb's top 250, "Alien" is #61. Then there is another masterpiece: "The Godfather", all though many people seem to agree that however great, "The Godfather Part II" is even better. Not so according to the votes from IMDb-users: "The Godfather" is #1, "Part II" is #4. "Star Wars" is #10, "The Empire Strikes Back" is #15, and the list goes on and on. It's as if the general public goes into sequel-sucks-mode before they see the film and automatically would give it a lower grade no matter what. This also seems to be the case with "Shanghai Knights". Like many of my movie geek friends I thought the first film was great, but "Shanghai Knights" took me by great surprise and turned out to be even better, much more fun, better fights, greater villains, greater scenery, bigger plot, more film references, and I can go on. Still, it gets a 6,4 average while the first one gets a 6,7. Apparently it is one of the laws of physics that all though you personally feel a sequel outdoes the original, the masses would have you believe otherwise (the "Toy Story"-movies being the exception that proves the rule).

Well, we're all better off without the masses anyway. That's why nature invented things like the plague!

Now to my review of "Shanghai Knights":

I rarely laugh out loud to comedies unless it's Monty Python-type comedy filled with unpredictable insane humour, but "Shanghai Knights" had me in stitches several times. I really liked the first film, but the sequel is filled with references to everything you ever found fascinating about Britain and the charming duo of Chan and Wilson this time reaches its peak. But what really gets this film going is fight scenes like you've never seen them before! I am serious, I've watched Jackie Chan-films since I was a little kid and everyone knows he is the Buster Keaton of martial arts, but this time the fights – choreographed by Jackie himself – are so exhilarating to watch, boasting with playfulness to such a degree it leaves you dumbstruck in awe. All though it is apparent they used wires on some of the stunts, the mix of wire- and wireless stunts seem to balance themselves perfectly, giving a show fit for the greatest circus on Earth! It is hard to put to words the sheer delight it is to watch Jackie Chan (now close to 50!) beating up a gang of crooks while at the same time doing an homage to Gene Kelly and "Singin' in the Rain"! It gave me that rare sensation I remember getting the first time I saw Chaplin perform the "dance of the rolls" in the "Gold Rush", Buster Keaton caught in the middle of that hurricane in "Steamboat Bill Jr." or when Donald O'Connor ran up the wall in "Singin' in the Rain". It is a rare cinematic treat, created by and performed to excellence by Jackie Chan, again underlining what a rare and unique screen artist he is and how grateful we should be for him risking his back to give us that joy. People who still think of him as only a martial arts artist should take a hike. He's been a legend in his own right for close to two decades, one of the greatest entertainers of his generation (if not THEE greatest) so I ask you this: when will they give him an Honorary Academy Award!? I am sure Chaplin, Keaton and Gene Kelly would have supported this wholeheartedly, had they been alive today!

A great deal is also owed to the writing pair of Alfred Gough and Miles Millar (Made Men, Spider-Man 2) who pepper the story with quirky charm – the type Chan & Wilson seem born to play, once in a while serving up hysterical one-liners that should crack up anyone with an IQ over 50 (the best one has to be the subtitle after one of the characters has an encounter with Jack the Ripper).

Not surprisingly many of the people with an IQ *under* 50 bothered to fill the Goof-section up with all the factual errors in "Shanghai Knights" when it is just the thing you have to expect from a crazy comedy of this kind. For as long as I can remember I've enjoyed British history, I know the first real automobile wasn't invented until 1889, I'm a big fan of the Jack the Ripper-legend who terrorized London in 1888, I love the work of Chaplin who was born in 1889, I know Arthur Conan Doyle was originally a doctor of optometry, but not once did I mind all these things clashing in 1887's London, it is pure fantasy and should be enjoyed as such. Wonderful escapism played to perfection by great talent in front of and behind the camera. The writers didn't intend to re-create history, they just did as Jackie Chan would do in a fight: take every thing available and throw it in to make it more entertaining to the viewer! Then again there are people who have NO relation to any of the above-listed things and not surprisingly they won't find "Shanghai Knights" that entertaining. Which is really sad, for if you love movies you should *really* learn to love history as well, as the two can make a fabulous pair whether it is done in the name of fantasy or fiction.

Of course director David Dobkin also deserves special praise for never letting the heart and soul of the film getting lost in all the commotion.

I didn't mention Owen Wilson in all this, but don't get me wrong, he's great as usual. Wilson and Chris Tucker (Rush Hour) has to be the greatest thing happening to Jackie Chan since he discovered the art of mixing comedy with martial arts. And of course the supporting actors deserves mentioning, especially Aidan Gillen who makes a wonderful sneaky upper-class villain (named Rathbone, not exactly the most inventive referance to Hollywood – legendary actor Basil Rathbone - but still wonderful the same) and Aaron Johnson as a kid who looks and acts like he was just pulled out of "Oliver!" with great conviction (a scene where Wilson tells him of for being a an orphan is both heartbreaking and side-splittingly funny at the same time). Fann Wong also does a great English language-speaking film debut as Jackie Chan's sister.

To sum it all up; leaving me laughing to the point of exhaustion, "Shanghai Knights" is one of this years most pleasant surprises!

Well, a Lifetime Achievement Oscar may be the only category that's open to the aging but impish martial arts virtuoso, Jackie Chan, whose latest series-sequel, "Shanghai Knights" is...excellent, fun, entertaining.

My kid got into Jackie Chan films a while back and we have a half-shelf of $5.99 videotapes of the young Chan. Poorly shot with howlingly funny dubbing they nonetheless catch a Kung-Fu master at the height of his considerable prowess.

Hollywood and Jackie's sincere but imperfect effort at learning English led to a series of films that are high budget such as "Rush Hour" with its sequel and "Shanghai Noon," now followed by this film. Each has a sidekick for the irrepresible Chan but "Shanghai Knights " is the first where the faithful companion is a strong character in his own right.

"Shanghai Knights" begins with the Peking (not Beijing, it's the end of the nineteenth century) murder of Chan's dad and the theft of the Imperial Seal (a device to mark documents, not a pet). Chan is a Nevada sheriff who upon learning of the homicide and theft sets off to New York City to find his pal, played formidably and with evident relish by Owen Wilson.

The duo head for London where an unending series of misadventures brings the heroes, along with Chan's gorgeous and martial arts-skilled sister (Fann Wong) into the path of such diverse characters as little Charlie Chaplin, Her Majesty Queen Victoria, Jack the Ripper and others. Of course all ends well and if the martial arts terpsichore is less breathtakingly complex than its predecessors - well, let's cut Jackie some slack.

The film is PG-13 but Wilson provides a measured but running dose of raunch aided by a bevy of scantily clad beauties. There's no doubt HE had a terrific time making the movie.

Director David Dobkin keeps the pace moving and pays humorous tribute to films and stars from the Gilded Age of the cinema. I won't spoil the amusing surprises but listen to the music as the intrepid trio (sister now a full-fledged partner) waft to and fro in a caricature of nineteenth century London. Sad to say most moviegoers won't recognize the well-executed takeoffs of some great moments in film.

As always, a special Chan treat are the outtakes before the end credits, scenes that prove making these films may not be good for the health of the no-longer-young star or his cast but they all have a blast (literally).

And here's good news for the many who will enjoy this movie. I don't know if there will be a "Rush Hour III" but last week I couldn't get within 150 feet of the venerable Yonah Schimmel's on the Lower East Side's Houston Street. Chan and crew were filming a sequel to this new release - a flunky stopping pedestrian traffic told me the title would be "Shanghai Knish!" I can't wait.

7/10.

Fresh out after his box-office bomb The Tuxedo, Jackie Chan is back, again playing the role of Chon Wang. In this sequel to Shanghai Noon, Wang and Roy O'Bannon (Owen Wilson) are in different parts of the country: Chon in Nevada, Roy in New York. However, after Chon's father is killed by Lord Rathbone (Aidan Gillen), he must go to London to find Rathbone to avenge the death of the father. Along the way, Chon's sister Lin (Fann Wong) comes in. Guess who is smitten by her?

Another reason why Chon has to kill Rathbone is that he has a sacred Seal of the Emperor. That's just thrown in to make the plot make more sense. Mucho fight scenes and hilarity ensues.

Chan does better in buddy action comedies like this, instead of straight action. He's noted for using props around him in his fight scenes; this movie is no exception. Chan just takes any old prop he sees and does, what looks like, improv. It's hard to imagine all of these scenes choreographed perfectly; they seem so slipshod (in a good way). All of the fight scenes have Chan's usual charm and wit, you can't help but smile whenever he does seemingly impossible stunts.

Many of the characters were one-dimensional. Rathbone doesn't really have any depth, except that everyone likes him. However, in movies like this, you don't really need twists and turns. Lin's beautiful, but what is her background? Someone working for Rathbone has no depth whatsoever and just pops in. And, of course, there's the little pickpocket (Aaron Johnson) whose name is quite funny. He just comes and goes.

The opening credits were almost exactly like the ones for Shanghai Noon, with sweeps over Chinese letters. Something I enjoyed was how they incorporated famous figures, though a little bit goes a long way. About halfway through, it takes one of those obligatory buddy turns, where they end up hating each other. However, this time, the roles are reversed from Shanghai Noon and it lasts for about two minutes, which leaves you wondering why it was even put in. They took the cliché light-heartedly. At times, it did get heavy-handed (especially at the beginning), but managed to pull through.

The sets were very authentic. Unlike the first, where they could just use cheap facades, they had to create a whole new world, and they did so. You could really believe that the clan was in England. I also liked the transitions in between scenes. They were all `swishes', but as the movie progressed and got more `complex', so did the transitions, from going out on both sides to diagonal. It may seem rather juvenile to put it in, and even more so to mention it, but I thought they were quite cool.

I do wish, however, that they had spent more time in the West. If they had had more about the horse from the first one (also, whatever happened to Chon's wife, Falling Leaves?), it would have been better. However, it almost immediately left the West for the East. Like The Tuxedo, Chan allows himself to be pushed around and beaten.

Chan is great, as usual. He's a great diversion from the real life. He can make us believe that what is done can be done. Technically, he can, because he does his own stunts. Wilson is in top comedic form here, as usual, also. He's quickly becoming an item in Hollywood, and his name's getting out there. Then again, he did do I Spy.

I laughed a lot during Shanghai Knights. Many came from the fight scenes, and others were from Wilson's one-liners. I love how the writers can merge action and comedy seamlessly. I hope for a Shanghai Five, where they go to Hawaii, or some sequel, since this franchise is going somewhere.

My rating: 7.5/10

Rated PG-13 for action violence and sexual content.

The implied promise of a sequel is that it will give you what you got from the first movie, but that promise is often broken. Shanghai Knights is an exception, giving the audience that same mix of goofy dialogue and slapstick martial arts that made the first movie so much fun. This time the duo heads to England, allowing them to make a bunch of incredibly silly jokes about England and Sherlock Holmes and Charlie Chaplin. The movie is essentially one long wink, and if you like that sort of humor your likely to find much of it amusing. At times I thought they pushed the anachronistic dialogue a little too far, as when Owen asks the gorgeous Fann Wong if she works out, but overall it works pretty well. Chan supplies a number of very entertaining fight sequences along with his usual goofy charm and the end result feels like a more actiony version of a Hope/Crosby road movie.

This second part is a follow-up to ¨Shangai noon¨with the likeable starring(Jackie Chan and Owen Wilson) . When the killers murder Chon's estranged father he flees. He goes London to retrieve a brilliant royal object that Jackie Chan's father guarded in the forbidden city Pekin when he was murdered by some Chinese rebels . Roy also escapes to England, and he and Chon make their way to London with revenge on their minds. And Chon's sister, Lin, has the same idea. They meet Victoria queen (Gemma Jones) and a roguish street boy called Charles Chaplin . They'll confront the villains (Aidan Gillen and Donnie Yen) which want to overthrow the British and China thrones and nasty Chinese Boxers and even Jack the Ripper (Oliver Cotton). Meanwhile, Owen Wilson falls in love with Chan's sister (Fam Wong).

Jackie Chan and Owen Wilson give a jolly and perfect couple . It's usual in Chan films create duos , a ¨buddy movie¨ type , as male : Chris Tucker (Rush hour I and II) , as female : Jennifer Love Hewitt (the Tuxedo) and Claire Forlani (The medallion) and here magnificently with Wilson . Here they uncover a worldwide conspiracy to murder the royal family but almost no one will believe them . The choreographic fights are excellent , they are made as musical numbers, there are remembrances to ¨singing in the rain¨dancing as well as Harold Lloyd , Keistone cops and to author Arthur Conan Doyle with his Sherlock Holmes creation . It's an agreeable picture but uneven comedy, works better when Jackie Chan goes into the action . It's a Chan vehicle for the continuous struggles in leaps and bounds .The final confrontation among the starring and the enemies on the Thames river with fireworks background and in the Big clock tower are overwhelming and breathtaking . Cinematography (Adrian Biddle) and music (Randy Edelman) are spectacular and atmospheric. Production set is extraordinary, it's very well designed along London epoch . The picture was rightly directed by David Dobkin. Rating : Nice and bemusing .

Shanghai Knights boasts an adequate story, interesting characters -loved the Scotland Yard inspector-, good acting -especially from the villains-, some funny moments, solid action scenes, cute movie and historical references, and strong production. So you can watch it confidently, knowing you're not going to get a horrid piece of junk.

That's the positive side. On the negative side, the movie is thoroughly unremarkable. I only watched it last night and I'm racking my brain trying to remember something memorable about it. After a while, I can only come up with two things. The name of the Jackie Chan character cracked me up: Chon Wang -pronounced "John Wayne". The same as in the first part, of course, but I haven't watched that since it came out.

The other thing that cracked me up ***minor spoiler start*** is that Roy blew all their money from part I by investing in zeppelins instead of cars. I thought that was pretty clever. But then there's the head-scratching moment when Roy confesses he lied, he actually lost the money publishing his book... a book that so happens to be a hit all over the country and is even well-known in England. Huh? I guess the script called for a "confession moment" and there was nothing else he could confess to right then ***minor spoiler end***.

How does this movie compare to Shanghai Noon? Can't tell, I don't remember. As for Rush Hour (not to mention early Jackie Chan films), I found the latter to be funnier, more original and an altogether better film. But Shanghai Knights is still OK, if you're tired of rewatching old Jackie films.

Enjoyed this equally as much as Shanghai Noon. Seen it as a kid, watched it again, this time understanding all the cultural references which made it even more enjoyable. Charlie Chaplin, Sherlock Holmes, Conan Doyle, etc.

Flaws, of course there were (machine gun hitting absolutely nobody, okay, maybe just 1 person). Same as the first, I didn't enjoy the stereotypes. Sure it makes it fun sometimes, but I'm just tired of them. Definitely enjoyed the "Singin in the Rain" fight scene, one of my Jackie favorites of all time. I wonder where they'll go next (sequel pending).

I saw this movie only to accompany my children, but I absolutely loved it! Had never seen a Jackie Chan movie, but now I want to see Shanghai Noon too, so we will rent that one. There were several adult references and I don't mean sexually, but funny references only adults would remember. Be sure to stay for the credits as the outtakes are great. I want to see it again!

Shanghai Noon (2000) gradually becomes Shanghai Knight, with both actors from the previous movie reprising their role as Chon Wang (Jackie Chan) and Roy (Owen Wilson). The movie is not as good as the first, but it is surprisingly interesting funny and captivating. This time the makers also went as far as bringing into the plot this time much more familiar themes that we are more used too, we have in the plot this time a boy who winds up being Charlie Chaplin, the detective in the film ended up being Sir Arthur Conan Doyle who goes on to write the Sherlock Holmes mysteries, and according to the movie the name Sherlock Holmes is a made up name by Roy.

The movie plot is about our dynamic duo from the first movie, only this time their adventure takes them to England. The movie starts with the death of Wang's (Jackie) father who was a guard of the royal diamond seal which was stolen. Wang's father while dying told his daughter Chon Lin (Fann Wong) to retrieve the stolen seal and also deliver a puzzle box to her brother.

Now Wang her brother had become a Sheriff in Nevada, and when he got the message about his father's death and the seal stolen away to England, he searched for Roy to get some money to travel to England. Roy on the other hand had lost all their gold that they got in the first film to gambling and daft investments. So now together with Wang's sister Lin, they have to retrieve the diamond and have it return back to china.

Many more homages were made in this film that I will like to mention: 1. The name of the villain also was tagged "the finest swordsman in England," which is a tribute to Basil Rathbone, who is known for his swordsmanship and always seem to be better than his counterparts in his movies but always holds back because the hero has to win. Also Rathbone played Sherlock Holmes in the 1930s to the 1940s series.

2. Also in the movie we get to see Jackie Chan pay homage to the Rush Hour movie where Jackie distracts the guards by using Chinese vases.

3. When knocking on Conan Doyle's door, the clothes that Roy and Wang are wearing are exactly the same dress that Holmes and Watson wore in Conan Doyle's stories.

The movie did fairly in the box office but it was a massive hit in Pakistan, where the movie was dubbed in Punjabi and several millions copies of the movie's DVD and VCD sales were great, and so making the producers to also make Shanghai Noon also in Punjabi.

This movie is a nice watch one that you will like seeing, and I enjoin you that you do.

www.lagsreviews.com

SHANGHAI KNIGHTS gives us a different director and setting and even time frame. This time around, our boys (Chan and Wilson) travel to turn-of-the-century London to tackle the killer of Chan's father. They get to ride in an automobile, even! The villain, Aiden Gillen, is smooth and effective. Chan's character has a pretty, ass-kicking kid sister in this one, played by Fann Won. Some funny name dropping comes up, including one surprise that is funny but highly improbable. It's just that the film lacks the pizazz of the first and lumbers along to an almost-identical finish to the original. This is a sequel that should not have been made. I knew we were in trouble from the opening, when I spotted a U.K. casting credit.

This movie is actually funny and entertaining. I wasn't expecting much because the past several Jackie Chan films, Rush Hour sequels and the Tuxedo, have sucked. But, the duo of Chan and Wilson really worked. The whole Sherlock Holms gag with the author and the Charlie Chan kid were very funny. IT was also very funny when they are in the hotel in New York City and we find out Roy really works there and isn't rich. This has plenty of Chan stunts with ladders, amazing kicks, and swords. Plus, it was nearly 2 hours, but it didn't feel long. Most "comedies" now days if over 90 minutes really start to feel dull, but that wasn't the case with this film.

PS: Watching this makes pillow fights look really fun!

FINAL VERDICT: This is worth renting if you are looking for some laughs and entertaining night.

This movie is a perfect example that movies don't need to be perfect and demanding to be entertaining and give you a good time. The jokes are funny the actors fit their roles the setting is interesting and the action sequences give it that special something. Especially the umbrella fight scene is burned in my head since I first saw it. Jackie Chan is just a stunt choreography genius.

As good as you may believe Jackie Chan to be, it is his chemistry with Owen Wilson that makes Shanghai Knights a success. The action sequences are at the head of its class for the genre, but it is the humor and frequent wit that connects all of the dots. Without spoiling all of the details, Shanghai uses its fictitious storyline to humorously incorporate historical figures into its plot, such as Jack the Ripper, Charlie Chaplin, and Arthur Conan Doyle. Never stretching its PG-13 rating, the movie remains funny even with its light ethnic jabs and sexual material.

Chan and Wilson also starred together in the original installment to this hopeful growing franchise. Also, they have both proved their recuperation after horrid efforts in The Tuxedo and I-Spy, respectively, in the second half of last year. Now that Wilson has a few of these buddy comedies under his belt, it might be best for him to return to his greatest talent: writing. Nominated for Best Original Screenplay at last year's Academy Awards was The Royal Tenenbaums, which he co-scripted with director Wes Andersen, but it was their screenplay for Rushmore, along with flawless performances by Jason Schwartzman and Bill Murray, that is by far the better of the two.

But for Shanghai Knights, which is consistently funny, the humor extends into a series of hilarious outtakes proving Chan's lack of knowledge in the English language. The best of which is when he means to say `baby sister' and results in saying `babysitter.' Wilson is quick to poke fun at him, showing that their great chemistry so apparent on-screen is also a backstage thing too. So, if you are sick of the over-rated Academy Award nominated films, then two hours with these guys will do you no harm, and you will laugh just as hard as you would at any other 2003 comedy (yes, including Old School and Bringing Down the House).

*** out of ****

This is a great film for all viewers to watch. The crew did a fine job in creating this film. The storyline has a lot for all viewers. The cast selection was brilliant. They fully committed to the storyline. The chemistry of the partnership between Jackie Chan and Owen Wilson is dynamic and strong. Each of their experience really can be seen in this film. This film reveals to viewers the arts that cultures can offer to everyone. I am a writer and I am heavily into the creative arts of several cultures. Everyone can learn so much from all cultures. Each culture can teach a lot that everyone can hold through life. This is an alright film for everyone to watch.

Very nice movie and a very great sequel of the first one they did it pretty good comparing to other movies who their sequel's suck .

This had action in it stunts , comedy , laughs , little bit of romance in a few words it was just a masterpiece sequel . Loved the performance by Jackie his stunts , sense of humor , action and also the performance by Owen which I didn't expect to be better than the Shanghai Noon but it was even better and the moment when Jackie finds out he's not rich and he's a waiter . Also loved Jackie's Sister and Owen's love while Jackie tries to separate it and doesn't want Owen as an brother in-law :P

Really nice movie who hasn't seen it you don't know what you missed check it out !

Shanghai knights worked well. Chan is back as chin and now works in the town as the sheriff. But after his father is killer and his sister runs away he sets off to new York to find her. Wilson is back as Roy. Having lost all the gold he now works as a waiter in a hotel. But it's not long after chon arrives that the par get up to their old antics. There Sherlock referencea and other characters were well done parts. There were some pretty good stunts and the movie flowed well with both of them bouncing off eachother. Overall Shanghai knights Is a well made sequal. As great cast like the other and it was entertaining throughout.

Went to see this film today and I still have a smile on my face. It all depends on what you want from a movie. If you want to go and be entertained and laugh for a few hours and see one of the best film chemistry between two actors in film history, then you will enjoy this movie. This is just a feel good comedy from start to finish. No more, no less. It's not the best movie ever made, but for a few hours, it will make you feel good. So don't go expecting too much, just go and have fun. I kind of wish they could make one of these movies every month.

If you want easy entertainment and a good laugh This is a fun and action packed movie Chan and Wilson Bring great chemistry to the screen 👍

Jackie Chan's character in this and his previous film with Owen Wilson, is named Chon Wang. Wilson's Ray O'Bannon pegged him in 2000 as a Chinese John Wayne. So when he calls his name in this film, it sounds very much like John Wayne. And, that remains the funniest thing in this second pairing of the two actors. Chan and Wilson play two sidekicks whose "click" is fast fading.

This film has a little humor in the plot by introducing two characters of history from England. One could guess the first one right away. Tom Fisher plays a Scotland Yard inspector, Artie Doyle. That's Sir Arthur Conan Doyle, the British author who created the character Sherlock Holmes who became England's most famous sleuth in a series of novels and short stories. In real life, Doyle was a medical doctor before his writing career - not a Scotland Yard detective. The second historical character is the young boy, Charlie, whom those who hadn't already guessed would be revealed in the end as Charles Chaplin. With the movie set in 1887, the real Charlie Chaplin of film fame wasn't yet born. A young Aaron Johnson plays Charlie.

Those little fictional insertions of a couple of famous names are the extent of humor in this action comedy. And, as some others have noted, by this time in his career, Jackie Chan is no longer the karate or Kungfu master who is unrivaled. He has to be rescued a couple times by someone else. He gets captured a couple of times, and is injured three times and clearly beaten in his final martial arts contest with the villain, Lord Nelson Rathbone, played by Aidan Gillen.

The screenplay for this film is a jumbled mess, with smaller plots in three locations tossed together. The script is full of holes, and it comes off as more hokey than any kind of action thriller. Chan was still making money on his films, but the declining net earnings was matching the declining quality of his movies.