IMDb RATING
6.9/10
6.2K
YOUR RATING
A young man with spider like abilities fights crime as a superhero in New York City while trying to have a normal personal life.A young man with spider like abilities fights crime as a superhero in New York City while trying to have a normal personal life.A young man with spider like abilities fights crime as a superhero in New York City while trying to have a normal personal life.
- Awards
- 2 nominations total
Browse episodes
Storyline
Did you know
- TriviaSince the series was developed for MTV, stories were free of censorship marring kids programming. For the first time in a Spider-Man series characters were allowed to die on screen and there was some (mild) bad language.
- GoofsThe episodes are numbered out of order. For instance episode 1.7 (Head Over Heels), happens before episode 1.1 (The Party), and episode 1.4 (Tight Squeeze) happens before episode 1.3 (Spider-Man Dis-Abled).
- Quotes
Electro: [Before killing Doug] Sucks to be you.
- ConnectionsFeatured in Atop the Fourth Wall: Spectacular Spider-Man: "Persona" (2017)
Featured review
After being burned by how the two Fox Kids "Spider-Man" cartoons were cut short before the plot lines were resolved, I was ready for a whole new incarnation of the wise-cracking webslinger in the red-and-blue pajamas.
At first, I was dismayed when I learned the entire thing was going to be done in computer animation. Come on! I didn't like the computer animation in neither the Spider-Man nor the Hulk feature films. I'll be scourged if computer animation will ever capture human motions as fluidly and as flawlessly as either live action or cell animation. If this series is going to be saved, it would have to be by the virtue of the story lines.
Luckily, it delivered in that avenue. Unlike the earlier incarnations of Spiderman on television, the writers either focused TOO much on pointless dialogue which can easily be conveyed through the actions of the characters, or as in the 1994 version, a lot of action (good) but a lot of superfluous dialogue was crammed in as well (bad). Here, they understood that the TV show does NOT always have to resemble a d**m comic book and actually utilized the cinematography offered through this medium (as well as the appropriately requisite dialogue) to convey the constant drama that is the dual life of Peter Parker/Spider-Man. Plus the fact that they take "liberties" with the language and themes by virtue of it being broadcast on Empty-V is an added bonus.
Speaking of the cinematography, the dizzying exhilarating web-slinging action almost makes up for the religious use of computer animation. The 1994 Spider-Man was enhanced by computer animation during the action sequences, so you can't really blame these people for taking the genre to its logical conclusion. Yet the characters still have that robotic feel to them, a major drawback to the CGI world that must be resolved before it's fully accepted.
The show still looks promising, and I will definitely place this among the shows to watch - a statement that is rare considering the channel it's being shown on.
*** out of **** stars.
At first, I was dismayed when I learned the entire thing was going to be done in computer animation. Come on! I didn't like the computer animation in neither the Spider-Man nor the Hulk feature films. I'll be scourged if computer animation will ever capture human motions as fluidly and as flawlessly as either live action or cell animation. If this series is going to be saved, it would have to be by the virtue of the story lines.
Luckily, it delivered in that avenue. Unlike the earlier incarnations of Spiderman on television, the writers either focused TOO much on pointless dialogue which can easily be conveyed through the actions of the characters, or as in the 1994 version, a lot of action (good) but a lot of superfluous dialogue was crammed in as well (bad). Here, they understood that the TV show does NOT always have to resemble a d**m comic book and actually utilized the cinematography offered through this medium (as well as the appropriately requisite dialogue) to convey the constant drama that is the dual life of Peter Parker/Spider-Man. Plus the fact that they take "liberties" with the language and themes by virtue of it being broadcast on Empty-V is an added bonus.
Speaking of the cinematography, the dizzying exhilarating web-slinging action almost makes up for the religious use of computer animation. The 1994 Spider-Man was enhanced by computer animation during the action sequences, so you can't really blame these people for taking the genre to its logical conclusion. Yet the characters still have that robotic feel to them, a major drawback to the CGI world that must be resolved before it's fully accepted.
The show still looks promising, and I will definitely place this among the shows to watch - a statement that is rare considering the channel it's being shown on.
*** out of **** stars.
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- Also known as
- Spider-Man: The New Animated Series
- Production companies
- See more company credits at IMDbPro
- Runtime21 minutes
- Color
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