A psychology student and her friends start to have nightmares, resulting in strange marks appearing on their bodies.A psychology student and her friends start to have nightmares, resulting in strange marks appearing on their bodies.A psychology student and her friends start to have nightmares, resulting in strange marks appearing on their bodies.
- Awards
- 1 win & 1 nomination
Peter LaCroix
- David Parks
- (as Peter Lacroix)
Jodelle Ferland
- Sarah
- (as Jodelle Micah Ferland)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaContrary to the marketing's claims, Wes Craven had no involvement in the production of the film. The complete U.S. title for They is "Wes Craven Presents: They." Craven was considered an 'executive producer' of the movie. However, other than lending his name to the title, he had no part in the making of They (2002). It's assumed that the purpose for putting his name in the title was to publicize the movie and attract horror fans.
- GoofsIn the opening stormy weather scene lightening and thunder crash and the power goes out. Young Billy's flashlight quits working as the scene shifts back to young Billy's window there is a night-light lamp that is still illuminated.
- Alternate versionsA work print shown to test audiences features an open credits sequence of young Julia sleeping.
- ConnectionsFeatured in WatchMojo: Another Top 10 Worst Movie Endings (2015)
- SoundtracksCenter of the World
Written by Ryan McAllister
Performed by Dakona
Courtesy of Wayne Ledbetter for Eric Godtland Management, Inc.
Featured review
An excellent little horror-movie. It probably did not too well at the box office (not even with the "Wes Craven Presents" attachment), but this is worthy to check out. Don't expect stupid, obnoxious teenagers who can't act in the leadroles, don't wait for silly, embarrassing one-liners, don't relay on cheap CGI (not even on expensive CGI, for that matter). What we get is a tense horrorthriller, well acted throughout by a cast of fairly unknowns, which relays on atmosphere, minimal special effects and leaving a lot to the imagination of the audience (which, as most of true horror-fans know, can't be beaten by the most expensive and amazing FX). To my opinion, great horrorfilms are those which are taken seriously, by the creators, the actors, by everyone involved. Take a look at Night of the Living Dead (1968), The Exorcist(1973), The Texas Chainsaw Massacre (1974), Invasion of the Body Snatchers (1978), Dawn of the Dead (1978), Halloween (1979), The Thing (1982) etc. (to name only a few of 60ties, 70ties and 80ties horror classics). What they have in common is seriousness. They might contain some humour, but it never takes over the movies to a degree that the audience is allowed to lean back in their seats and grab a next handful of popcorn in anticipation of the next shocking sequence... What these movies are capable of is to keep the audience at the edge of their seats, to scare the audience into believing and fearing what its sees and not sees but make believe seeing it) and to make the audience go home afterwards with a feeling of unease. That is what THIS movie does very well: make the audience uneasy, because it deals with a primal fear: darkness and what may be IN the darkness. Its a little gem, and i think it will be considered as a "classic" in years to come.
- chev-errant
- Sep 22, 2006
- Permalink
Details
Box office
- Budget
- $17,000,000 (estimated)
- Gross US & Canada
- $12,840,842
- Opening weekend US & Canada
- $5,144,090
- Dec 1, 2002
- Gross worldwide
- $16,446,271
- Runtime1 hour 29 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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