Used a similar staging method as the first film. The Cube was a single set consisting of identical panels for the walls and the floor (in some shots it was a green screen). For the previous movie, the crew clamped large lighting gels to the outer frame of the set so they could change the color scheme, but the all-white high-tech color scheme of this film simplified the lighting, and all they had to do to change the set in regards to what room they wanted to depict was to write on the walls with a grease pen and position certain props necessary to the plot. Some shots required the use of a green screen, especially when any door was opening. Some scenes used a full box to depict the room, but it was always the same set, just modified with extra panels.
