IMDb RATING
5.3/10
9.9K
YOUR RATING
Two lovers attempt to save their relationship in a near-future world on the brink of cosmic collapse.Two lovers attempt to save their relationship in a near-future world on the brink of cosmic collapse.Two lovers attempt to save their relationship in a near-future world on the brink of cosmic collapse.
- Awards
- 3 wins
Indra Ové
- Production Assistant
- (as Indra Ove)
Georgi Staykov
- Bookish Interpreter
- (as Giorgi Staykov)
Michael Simpson
- Master of Cerimonies
- (as Michael Philip Simpson)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThomas Vinterberg took two and a half years to write the script.
- GoofsElena faints. When John picks her up, she lifts her knees before his hands slide under them.
- ConnectionsFeatured in It's All About Love... og Thomas Vinterberg (2003)
- SoundtracksUna furtiva lagrima
Written by Gaetano Donizetti
Performed by Izzy
From the opera "L'elisir d'amore" (The Elixir of Love), 1832
Copyright Universal Music Publishing
Featured review
'It's All About Love' is a true oddity. It feels almost like someone recorded all the strange ideas that came into their head for a week, and chose a common topic, i.e. 'Love', and wrote a screenplay from their notes.
But that's not to say it's a bad movie.
In truth, I quite enjoyed it, although I came out of it feeling like I'd woken up from a dream, or possibly a nightmare.
It's quite unsettling.
The plot is both incredibly simple and incredibly complex:
John (Joaquin Phoenix) goes to New York to get a divorce from his famous figure skating wife, Elena (Claire Danes). While he's there, he notices that Elena seems to be in the middle of a vast conspiracy, and together they try to escape it, rediscovering their love at the same time.
The film is set in the near future, although it doesn't really need to be. I like the future in this film, because it's not radically different (except for flying Africans...go figure) but feels like twenty odd years from now. In the near future, people who are lonely or suffer a great loss will often drop dead. And the people of the near future merely walk over their bodies.
John and Elena are Polish, although they don't need to be. It adds certain poignancy, two foreigners not quite in place in a world that keeps putting them out of place.
Joaquin Phoenix and Claire Danes, while both very good (I think...it's hard to tell in a film as strange as this) could possibly have used some accent work. At times they speak with no accent at all, and it seems to distract.
On that note, I would like to point out how brilliant Claire Danes is. Ever since I saw Brokedown Palace, I have been astounded by her acting ability (although, that said, she doesn't do heart-wrenching crying very well). I won't spoil it, but under the circumstances of what happens to her character(s), she's incredible.
Also thrown into the mix is Sean Penn playing John's brother. I honestly couldn't see why he was in the movie, except maybe to oversee all the weather changes (think a far more subtle, low budget Day After Tomorrow with more meaning. For instance, it snows in New York in July, and there are days when all the fresh water freezes) I'm not saying it's a bad point, but another end that wasn't loose, but still needed tightening.
As I mentioned, the plot is incredibly complex. It twists a fair bit, until it seems to cut all things loose and start a new movie some twenty minutes before the ending. Still another way this movie unsettles me.
Visually, the film is stunning. It looks like a far more mainstream film than it obviously is. And while the film is beautiful, it still feels hard to watch, like there's something dreaded under the gloss.
If this reads as an ambiguous review, that's probably a good thing. I like this movie, quite a lot. But I also dislike it. It's easy to see why the DVD cost me $10.
I also like the fact that I own this movie before America even get an official release date. As an Australian, always open to release dates getting pushed back by three months, or movies being on DVD in America for about a year before we even get a theatrical release, this gives me a strange sense of superiority.
An incredibly strange movie and most certainly not everyone's cup of tea, I'll have to be careful of who I recommend this movie to. But see it yourself, as it's a movie that deserves an audience, just a very select one.
7/10
But that's not to say it's a bad movie.
In truth, I quite enjoyed it, although I came out of it feeling like I'd woken up from a dream, or possibly a nightmare.
It's quite unsettling.
The plot is both incredibly simple and incredibly complex:
John (Joaquin Phoenix) goes to New York to get a divorce from his famous figure skating wife, Elena (Claire Danes). While he's there, he notices that Elena seems to be in the middle of a vast conspiracy, and together they try to escape it, rediscovering their love at the same time.
The film is set in the near future, although it doesn't really need to be. I like the future in this film, because it's not radically different (except for flying Africans...go figure) but feels like twenty odd years from now. In the near future, people who are lonely or suffer a great loss will often drop dead. And the people of the near future merely walk over their bodies.
John and Elena are Polish, although they don't need to be. It adds certain poignancy, two foreigners not quite in place in a world that keeps putting them out of place.
Joaquin Phoenix and Claire Danes, while both very good (I think...it's hard to tell in a film as strange as this) could possibly have used some accent work. At times they speak with no accent at all, and it seems to distract.
On that note, I would like to point out how brilliant Claire Danes is. Ever since I saw Brokedown Palace, I have been astounded by her acting ability (although, that said, she doesn't do heart-wrenching crying very well). I won't spoil it, but under the circumstances of what happens to her character(s), she's incredible.
Also thrown into the mix is Sean Penn playing John's brother. I honestly couldn't see why he was in the movie, except maybe to oversee all the weather changes (think a far more subtle, low budget Day After Tomorrow with more meaning. For instance, it snows in New York in July, and there are days when all the fresh water freezes) I'm not saying it's a bad point, but another end that wasn't loose, but still needed tightening.
As I mentioned, the plot is incredibly complex. It twists a fair bit, until it seems to cut all things loose and start a new movie some twenty minutes before the ending. Still another way this movie unsettles me.
Visually, the film is stunning. It looks like a far more mainstream film than it obviously is. And while the film is beautiful, it still feels hard to watch, like there's something dreaded under the gloss.
If this reads as an ambiguous review, that's probably a good thing. I like this movie, quite a lot. But I also dislike it. It's easy to see why the DVD cost me $10.
I also like the fact that I own this movie before America even get an official release date. As an Australian, always open to release dates getting pushed back by three months, or movies being on DVD in America for about a year before we even get a theatrical release, this gives me a strange sense of superiority.
An incredibly strange movie and most certainly not everyone's cup of tea, I'll have to be careful of who I recommend this movie to. But see it yourself, as it's a movie that deserves an audience, just a very select one.
7/10
- Freedomisanillusion
- Oct 19, 2004
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Details
- Release date
- Countries of origin
- Language
- Also known as
- Aşka Dair Her Şey
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- DKK 86,000,000 (estimated)
- Gross US & Canada
- $6,140
- Opening weekend US & Canada
- $2,582
- Oct 31, 2004
- Gross worldwide
- $478,996
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